Joint launch of new cinema books on Rollerball and The Fly, Sunday, November 4

Melbourne people, a very quick heads up for those of you who may be around on the Melbourne Cup long weekend. On Sunday, November 4, myself and the wonderful Emma Westwood will be hosting a launch of two new film books, my monograph on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball, and her book on David Cronenberg’s 1986 body horror, The Fly.

The launch will take kick off from 4.30pm at Grub Street Bookshop, 1/379 Brunswick Street, Fitzroy. Melbourne film scholar Dean Brandum will be on hand to do a Q&A with Emma and I about our books, there will be cheap drinks, and special ROLLERBALL and THE FLY themed cupcakes.

There will also be the chance to buy copies of the monographs at cheaper prices than offered elsewhere.

So please come along, help us celebrate, and pick up some great reading about cinema. There is a Facebook page here for the event, if you would like to RSVP, which would be great as it would give us an idea of numbers.

Hope to see you there.

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The pulp magazines under the floorboards

Dime Mystery Magazine, July 1936

One of the very cool things about having an online profile in relation to the history of pulp fiction is, from time to time, people make contact and send me old pulp novels and magazines they feel I might be able to make good use of. And a couple of months ago I was offered a collection of mainly American pulp magazines from the 1930s, found while renovating a house in Melbourne.

Queensland academic Toni Johnson-Woods has written about how the origins of Australia’s post war pulp publishing industry lie in import restrictions on print material introduced by the Australian government in 1938. The restrictions were mainly aimed an American publications, especially remaindered comics and pulp magazines which were being dumped in large quantities in Australia in the 1930s. This dumping fuelled an unlikely alliance of groups who pressured for the restrictions: religious organisations, concerned about the moral impact of these publications; nationalists who viewed cheap American publications and other forms of mass American culture, such as jazz and US motion pictures, as a threat to our then Anglo-aligned culture; educationalists; and protectionists worried about the livelihoods of local writers printers and artists.

I have always been curious to to see for myself exactly what it was that could have been so offensive and dangerous about these pulp magazines as to warrant import restrictions to prevent them entering the country.… Read more

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Pulp Friday: Australian football pulp

With the 2018 Australian Rules Football Grand Final almost upon us, it is only fitting that today’s Pulp Friday post has a football theme, this 1964 novel by Horwitz Publications, John Dalton’s Violent Saturday.

Sport was the subject of a certain niche of Australian pulp fiction in the 1950s and 1960s. Horse racing and boxing were the main topics, presumably because they chimed with pulp’s supposedly male, working class readership. But I have seen local pulp about car racing, swimming and even tennis.

To my knowledge, however, Violent Saturday is the only Australian pulp novel ever published that has Australian rules football as its subject (and I would love to hear from any readers if they know of any other examples). This is probably not as strange as it first appears. Nearly all Australia’s pulp publishers were based in Sydney and the Australian rules football was resolutely Victorian until the late 1990s, when the code started to become national.

Violent Saturday is the tale of small time country footballer who makes it to the ‘big league’ in Melbourne and a club that will do anything to win. As the back cover blurb puts it: ‘The coach’s ruthless, relentless tactics turned his team into lethal gladiators prepared for every form of violence.… Read more

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Nothing but one big shill #2

Yes, another post devoted  to shamelessly shilling my own stuff. Again.

Well, not just my own stuff.

First up, I was happy to learn that the anthology I contributed a story to, The Obama Inheritance: Fifteen Stories of Conspiracy Noir, published by the New York based independent publisher, Three Rooms Press, has just won the 2018 Anthony Award for best fiction anthology,

The Anthony Awards are literary awards for mystery writers presented at the annual Bouchercon World Mystery Convention in the US. They are named for Anthony Boucher (1911–1968), one of the founders of the Mystery Writers of America, and a pretty big deal.

The anthology contains fifteen stories of pulpy goodness, featuring robots, lizard people, vigilante killers and various other bizarre creations riffing off the conspiracy theories association with the Obama presidency (although I believe the current occupant of the White House also gets a nod), and was edited by one of the hardest working men in crime fiction, Gary Phillips, critically acclaimed author of mystery and graphic novels.

Anyway, if you have not already picked up the anthology, I reckon the news it has won an Anthony should be as good an incentive as you need to do so.

It features stories by a host of talented writers, including big guns such as Walter Mosley and Robert Silverberg.… Read more

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A sit down with the Godfather: an interview with Peter Corris

As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of  the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.

Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?

Peter Corris: Yes

Where did the shift take place into writing novels?

I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.

That was The Dying Trade?

That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more

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