In just under a month from now, one of the most interesting literary festivals I have had the pleasure of attending kicks off in the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe and David Goodis: NoirCon.
This year, NoirCon runs from October 26 to 30. If you already plan on attending, see you there. If not, now is the time to register.
It’s runs is not your common or garden-variety festival. No way. And that is a very good thing. The focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). It is great to sit in a room of people who, more or less, are all on the same page about their love of noir.
Anyway, NoirCon’s organiser, Lou Boxer, has come up with another terrific program, including some special guest, which you can view in detail here.
This year, I am thrilled to say I will be part of the program. I’ll be presenting on the morning of Friday, October 28, on the history of Australian pulp paperback publishing. I’m also reading at the Noir at the Bar as part of NoirCon, which will take place from 6.30pm at the Pen & Pencil Club, 1522 Latimer Street, Philadelphia, hosted by the inevitable Philly crime fiction identity, Peter Rozovsky.… Read more
As readers of this site know, I love a good heist film, the ingenuity of their plots and the variations they come in, whether it be the all star team assembled for the job of a life time or a group of desperate men and women trying for one last big score.
Everyone can name their favourite heist films and, for the most part, it is usually the big name titles such as The Asphalt Jungle (1950), The Friends of Eddie Coyle (1973) and the French classic, Rififi (1955). Indeed, I listed these and many other well know heist movies in previous posts on this site, ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’ and ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’.
But what about the lessor known heist films that are great but which nobody knows about?
To celebrate the release of my second crime novel, Gunshine State, I have compiled the following list of the 10 best heist films you’ve never seen.
Operation Amsterdam (1959)
Operation Amsterdam functions as both a war and a heist film. Peter Finch plays Jan Smit, a British intelligence officer ordered to infiltrate the city of Amsterdam, which is on the verge of being overrun by invading German forces, and prevent the city’s diamond reserves from falling into Nazi hands.… Read more
Posted in 60s American crime films, 70s American crime films, Christopher Lee, Crime film, Donald Westlake aka Richard Stark, Heist films, Stanley Baker
Tagged A Prize of Arms (1962), Alain Delon, Armoured (2009), Charles Bronson, Christopher Lee, Circus of Fear (1966), Donald Westlake aka Richard Stark, Edward G Robinson, Eva Bartock, Farewell, Francoise Prevost, Friend (1968), Grand Slam (1967), Gunshine State, heist films, I Promise to Pay (1959), Killer Force (1976), Klaus Kinski, Matt Dillon, Maud Adams, O J Simpso, Operation Amsterdam (1959), Payroll (1959), Peter Fonda, Psycho Circus (1966), Rififi (1955), Sidney Hayers, Skip Martin, Suzy Kendall, Sweeney 2 (1978), Telly Savalas, The Asphalt Jungle (1950), The Day of the Wolves (1971), The Diamond Mercenaries (1976), The Friends of Eddie Coyle (1973), Val Guest
Today is publication day for my second novel, Gunshine State.
Gunshine State is a heist thriller set in Queensland, Melbourne and Thailand. Think Richard Stark’s Parker, Garry Disher’s Wyatt, and Wallace Stroby’s Crissa Stone. Add a touch of Surfers Paradisesleaze and a very dangerous stopover in Asia.
You can read about the book and some of the great praise it has already gathered on the 280 Steps site here.
Gunshine State is available in hard copy and e-book form on Amazon here, or check out the 280 Steps site for other platforms you can access it on. Review copies are available by contacting 280 Steps directly.
Perth based crime writer, David Whish-Wilson, whose work I have reviewed extensively on this site and whose new novel, Old Scores is out later this year, will be on help me launch my novel this coming Thursday, September 15, at Brunswick Bound boosktore, 361 Sydney Road Brunswick. The launch will kick off at around 6.30pm and go until 8 – 8.30pm, after which we will kick on at one of Brunswick’s many local watering holes.
Hope to see you there.
The most disturbing aspect of viewing Gillo Pontecorvo’s The Battle of Algiers half a century after its release is how familiar the images of the civil conflict involving Western soldiers in an Arab country now feel.
The strange sense of familiarity kicks in from the very beginning, a small, dingy cell where white men in military uniform stand over an Arab male. The traumatised look on his face tells us the Arab has been tortured. That he has given his captors information against his will only adds to the pain and shame etched on his bruised features. His captors dress him in one of their uniforms and take him as they raid an apartment block, no doubt based on the information he has revealed. The soldiers identify a hidden section in one of the apartments where two men, a woman and a child hide. The soldiers wire it with explosives and threaten to detonate unless those hiding surrender.
A decade and a half of reportage on the West’s military involvement in the Arab world, particularly post the mass circulation of images from Abu Ghraib and Guantanamo Bay, and their pop culture reflection in countless movies and television series give Pontecorvo’s chilling iconography of civil strife and military repression an almost everyday feel.… Read more
This September, the living dead won’t be shuffling on to the screen, they’ll roar across it on the back of motorcycles, as the BFI releases its Blu-ray of Australian-born director Don Sharp’s 1973 cult film, Psychomania, a fusion of two obsessions of early 70s exploitation cinema: the occult and vicious motorcycle packs.
Motorcycle gangs first appeared on the big screen in the early 1950s. A trickle of motorcycle-themed film appeared until the mid-60s, but it wasn’t until the release of US gonzo journalist Hunter S. Thompson’s 1966 book Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs and then the 1969 Rolling Stones concert at Altamont Speedway concert, at which Hells Angels working as bouncers killed an audience member, that popular culture’s preoccupation with criminal motorcycle gangs reached fever pitch.
Hollywood produced a deluge of outlaw biker movies and, while this has been the motorcycle’s most common screen manifestation, the machines have also symbolised the quest for freedom and self-discovery.
My latest piece for the British Film Institute site, 10 major cinematic milestones focused on the motorbike, is available to read in full here.
What are your favourite films featuring motorcycles?