Author Archives: Andrew Nette

Book review: Thailand’s Movie Theatres – Relics, Ruins and the Romance of Escape

I can’t remember when I first stumbled across Philip Jablon’s wonderful website chronicling the decline of the stand-alone movie theatre in Thailand, The Southeast Asia Movie Theatre Project. I think it was soon after I arrived back in Melbourne after a year in Cambodia, during which I spent my own fair share of time tracking down and photographing crumbling Khmer movie theatres (I also nearly broke my neck photographing the inside of an abandoned cinema in the Lao capital, Vientiane, but that’s another story).

My efforts, however, pale in comparison to Jablon’s painstaking work. His book, Thailand’s Movie Theatres: Relics, Ruins and the Romance of Escape, which emerged from his website, is a detailed, perceptive, beautifully rendered examination not only of the rise and fall of Thailand’s stand-alone cinema industry, but of a once powerful part of the country’s public culture which has now almost completely disappeared. As Jablon writes, ‘In Thailand, the standalone movie theatre represents a form of public entertainment that has all but slipped through the cracks of memory into the abyss of time.’

The first stand-alone cinema was established in Thailand in 1905. They proliferated rapidly, with the country boasting as many as 700 at the industry’s peak. Often established by local entrepreneurs, these movie theatres were usually a dynamic part of their community and deeply enmeshed in their economic and social life.… Read more

Melbourne launch details for Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980

Melbourne folk, please join myself and my coeditor, Iain McIntyre, on Tuesday, December 3 for the Melbourne launch of Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980. Entry is free and the event will kick off at 6.30pm at the Old Bar, 74-76 Johnson Street, Fitzroy.

The book will be launched by Melbourne literary historian and pulp fiction fan, Stuart Kells. There will be readings from some of the novels featured in Sticking it to the Man, music from DJ Bruce Milne, and copies of the book will be available at a reduced price. We’ll also throw in a free pulp novel with every purchase. Kids are welcome.

I hope to see some of you there.

This is the second pulp and popular fiction related history book that Iain and me have done and it is a glorious, full colour volume. From Civil Rights and Black Power to the New Left and Gay Liberation, the 1960s and 1970s saw a host of movements shake the status quo. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, and black authors broke into areas of crime, porn, and other paperback genres previously dominated by conservative, straight, white males.

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Pulp Friday: Cruising

While many would be familiar with William Friedkin’s 1980 film Cruising, and the controversy that surrounded its making and reception, less well known is the 1970 source novel of the same name, written by New York Times reporter, Gerald Walker. The book was published just over a year after a series of demonstrations by members of the gay and lesbian community in response to a police raid at the Stonewall Inn in New York’s Greenwich Village, seen by many as the start of the modern gay liberation movement.

Policeman Jack Lynch – Al Pacino’s character of Steve Burns in the film – is called to a meeting by his boss, Edelson (played by Paul Sorvino in the film), and offered a job to go undercover to catch a serial killer targeting members of Manhattan’s gay community. The killer’s MO is that he brutally stabs his victims – the most one recent nearly seventy times. According to Edelson, the city authorities are concerned the murders, which the police have managed to keep out of the newspapers, will wreck “the homosexual tourist trade” if word of them gets out. Lynch, who has a vague physical resemblance to a number of the victims, is promised a detective’s shield if he takes the job.… Read more

“The Horror Never Leaves My Mind”: Ian Sharp’s ‘Who Dares Wins’

I have just contributed my debut piece for the amazing site, We Are The Mutants. It’s on nuclear nightmares & the amazingly contradictory contradictory politics of Ian Sharp’s 1982 film, Who Dares Wins. A sledgehammer of the 1980s political thriller, influenced by real events and with an avowedly conservative agenda, the film was a favourite of US President Ronald Reagan. But is also accurately captures much of the zeitgeist of the peace movement, which I was active in, of the time.

You can check out my piece in full here.

The Evil Touch talk at the Australian National Film & Sound Archive

I know from previous mentions of the show this site, that there are more than a few fans amongst you of the early 1970s Australian television horror anthology show, The Evil Touch.

For those who live in Canberra or nearby, I’ll be giving a talk on the show at the National Film and Sound Archive from 6pm on Friday, September 6.

The late 1960s/early 1970s was viewed as the peak period for horror anthology television. The Evil Touch is Australia’s only contribution to this particular broadcast niche. Made specifically for the American market – at a time when little Australian TV was made, let alone exported overseas – it bombed when it aired locally in 1973 and the 26 episode show is now largely forgotten and remains unavailable on DVD.

Although cheaply made, the show remains strangely effective, at times, genuinely disturbing viewing. The grainy look and surreal narrative style give it the feel – to use the words of American television critic John Kenneth Muir – of ‘a low grade transmission straight from hell’.

My talk will look at the show’s origins, making and reception. As part of the event, the NFSA will also screening two episodes: the debut episode that aired in 1973, ‘The Obituary’, starring Leslie Nielsen, and what I think is the most innovative episode, ‘Kadaitcha Country’, starring Leif Erickson as an alcoholic Christian missionary assigned to a remote outback mission, where he immediately comes into contact with an Aboriginal ‘witch doctor’ called the Kadaitcha Man.… Read more