Category Archives: Angela Savage

My year in books: David Whish-Wilson

ZeroThe next guest in the ‘my year in books’ series is Perth-based crime writer David Whish-Wilson.

David’s Zero At the Bone (the sequel to his 2010 book, Line of Sight) was one of my favourite crime reads of 2013. I reviewed the book on this site a couple of months ago.

Also hot off the presses and getting rave reviews is David’s book about his home town, Perthpart of the New South Books city series. You can find the book here.

Dave’s got some interesting choices. The first of the Laidlaw series is on my radar to try soon.

Welcome David.

My top 5 books of this Year, in no particular order are:

The Dying Beach, Angela Savage

I’ve spent most of the year working on a non-fiction book, and my reading has been pretty much limited to municipal histories and the like. One thing I notice about this year’s favourite novels, unlike in previous years, is that 4 of the 5 are Australian, and three of the four are West Australian, which I think is terrific. One of the greatest joys this year was reading Angela Savage’s latest crime novel, The Dying Beach. From the first pages I was there with Jayne Keeney and her idiosyncratic but always fully-realised side-kick, Rajiv.… Read more

My year in books: Angela Savage

the-dying-beachNext up on the ‘my year in books’ series running on this site over December, is crime writer (and my long time partner) Angela Savage.

Angela is the author of three highly acclaimed crime novels based in Thailand and featuring the Australian PI Jayne Keeney. The most recent of these books, The Dying Beach was published in 2013 and is available here.

She’s also got a great website, or “piece of author real estate”, as I’ve heard these things referred to by book marketing people. You can find it here.

Welcome Angela

While Andrew specified that my top five reads for 2013 didn’t have to be crime, I figured crime picks would appeal to regular readers of Pulpcurry. I read a lot of crime in 2013—some 40 books as of early December—but I didn’t realise just how many were recent releases until I sat down to compose this list. The books that made the cut ultimately combine memorable plots and characters with great writing.

After the DarknessHoney Brown

I read three of Honey Brown’s tense, atmospheric and erotic thrillers in 2013. Difficult as it is to pick a favourite, After the Darkness just pips her debut Red Queen and this year’s Dark Horse to make this list because it is one of the few genuinely scary books I’ve ever read.… Read more

Book review: The Dying Beach

the-dying-beachThere’s two things I love having on this site – special guests and crime fiction set in Asia.

Today’s post has both. 

Crime writer Robert Gott was kind enough to drop by and review my partner Angela Savage’s wonderful new book, The Dying Beach.

Gott is the author of the William Power trilogy of crime-caper novels set in 1940s Australia: Good MurderA Thing of Blood, and Amongst the Dead. More recently, he also authored the crime novel The Holiday Murders, out now through Scribe Publications.

Angela Savage’s The Dying Beach, the third novel in the series featuring Jayne Keeney, is a beautifully built book. Its parts slide together smoothly, with a satisfying, elegant ‘click’ of finely-tuned logic.

Apart from the working out of the whodunit component of the plot, The Dying Beach offers insights into Thai life and culture that go far beyond information gleaned from a Lonely Planet guidebook.

Savage knows this world well enough to negotiate the thousand subtle landmines a farang, or foreigner, might step on. It is fascinating watching what Savage calls, ‘the fraught dynamics of being a foreigner’, play out. Her private detective, Jayne Keeney, speaks fluent Thai which gives her, and by extension us, privileged access to the lives of the Thai people who inhabit the book.… Read more

Crime Factory issue 13 is out

CF13-COVER

A heads up that issue 13 of Crime Factory is out (with cover design by the one and only Eric Beetner, who also did the cover for my novel, Ghost Money)

In this issue I talk to Dwayne Epstein, author of the new Lee Marvin bio, Lee Marvin Point Blank, about Marvin’s life and movies and what it was like to research a book on one of the true icons of masculine cool.

But that’s just one piece among many, including:

Michael A Gonzales interviews Gary Phillips and Tommy Hancock, creators of the new anthology, Black Pulp.

Ruth Dugdall talks working with and writing about criminals with Angela Savage.

Tom Darin Liskey gives true crime reportage from Indian Country.

Elusive Ozploitation icon Roger Ward is interviewed about his career by James Hopwood.

Plus Kennedy assassination pulp fiction (and no, I didn’t know such a thing existed either before this issue, either), great fiction and reviews.

It’s a bargain at 99 cents for the Kindle version or $5.99 plus postage for the print version.

Or, if you’re on a budget (or just stingy), you can download the PDF here for free.

And Melbourne folk, while I’m pulling on your coat about Crime Factory related matters, this coming Tuesday, May 14, Crime Factory Publications is proud to be teaming up with Cinecult 303 for a screening of Lee Marvin’s cult classic, Prime Cut (which I reviewed on this site here).… Read more

Hard labour at Melbourne’s Crime and Justice Festival

The Reader’s Feast Crime and Justice Festival returns to Melbourne this weekend.

The event will be headlined by Scottish crime writer Ian Rankin and there’ll be a number of other interesting crime writers speaking.

On Sunday at 4pm, I’ll be chairing a panel, ‘Hard labour: the art of crime writing’, with veteran writer Garry Disher, author of the Wyatt series amongst other books, Angela Savage and Leigh Redhead.

All four of us have stories in Crime Factory’s all Australian anthology, Hard Labour, which will be available for sale on the day.

It’s my time chairing a festival panel and I promise I’m going to try and make it interesting. I might even throw a few curve balls at the panel. Whatever the case, I guarantee I will not be asking what the lure of dark crime writing is. I think we know what that is already.

The session will take place at Reader’s Feast Bookstore at 162 Collins Street.

Information about tickets and full program details are here.