Category Archives: Australian crime fiction

Ghost Money just 99 cents for 24 hours on June 30

GhostMoneyfinalcoverI am a little brain dead tonight as a result of having spent a wonderful weekend in Adelaide as a guest of the South Australian Writers Centre inaugural Crimefest. I’ll be writing about this event more a little later in the week, when I’ve had some sleep.

For now, I just wanted to give readers a heads up that Crime Wave Press, the publisher of my crime novel set in 1990s Cambodia, Ghost Money, will be discounting the Kindle version of the book to 99 cents for 24 hours on June 30.

So, if you have not picked up a copy of the book yet, here is a chance to do so at very little cost.

Australian readers will be able to get the book here.

Those in the US and elsewhere, can do so here.

Ghost Money was first published in the US in 2012 and has recently been republished by the Hong Kong based Crime Wave Press.

Second time around the book is continuing to get good feedback from those who read it. The respected site, My Bookish Ways recently said of the Ghost Money that it ‘is highly recommended for old school and new school noir fans alike, especially for anyone looking for a change of locale.… Read more

Ghost Money redux

GhostMoneyfinalcoverOkay, it’s official. Ghost Money, my crime novel set in 1990s Cambodia, now has a second life via the folks at Hong Kong based publisher, Crime Wave Press.

Ghost Money was originally published in the US in 2012, but, given the setting, I’m thrilled that it’s now in the hands of an Asian-based publisher. And feast your eyes on the wonderful cover the folks at Crime Wave Press have done.

You can pick up the Kindle version of Ghost Money here, with the dead tree book to follow in the near future.

Regular Pulp Curry readers may be familiar with Ghost Money. For those who have not heard of it or checked it out, the elevator pitch involves a missing Australian businessman, a Vietnamese Australian ex-cop with a history, a country still recovering from the trauma of the Khmer Rouge. As one of my favourite blurbs for the book goes: “Ghost Money could well be The Third Man of Asian Noir.”

The longer pitch is as follows:

Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.… Read more

Pulp Friday: The Chain Reaction

The Chain ReactionLast week I posted on the paperback tie-ins for the first three Mad Max films. Continuing my Australian dystopian road movie theme, today’s Pulp Friday offering is the rare paperback tie-in to the 1980 Australian film, The Chain Reaction.

I wrote about The Chain Reaction in a recent piece for the British Institute on Australian dystopian road films. Not every movie mentioned in that article had, in my opinion, necessarily aged well, but this one certainly had. Billed in some places as Mad Max Meets the China Syndrome (George Miller was associate producer and apparently worked on an early draft of the script), not only is it a great road movie, it’s also an interesting artefact from the time when Australia was less enamoured with being part of America’s nuclear state than we are now.

An earthquake in rural Australia causes a dangerous leak at a nuclear waste disposal site, contaminating the surrounding ground water. A scientist, badly injured in the accident, escapes with knowledge about what has happened and is rescued by a holidaying couple, Larry, an ex-Vietnam Vet mechanic (Steve Bisley, who got the role off the back of his performance as Goose in Mad Max) and his wife, Carmel (Arna-Maria Winchester). The shadowy American company that own the facility dispatch a couple of hired killers to track down and eliminate the scientist and anyone he has had contact with.… Read more

Pulp Friday: Pulp Confidential: Quick & dirty publishing from the 40s & 50s

Dope Island

When I first started researching the history of Australian pulp paperback publishing I thought libraries would be crammed with old papers from the various publishers who churned the books out in the fifties, sixties and seventies. I have since realised that paper takes up a lot of space to store and space is something that is at a premium at most libraries, be they public or university.

That is assuming individuals even had the presence of mind to realise that the records relating to pulp publishing were something worth keeping for future generations.

This is why Pulp Confidential: Quick and dirty publishing from the 40s to 50s, an exhibition currently showing at the State Library of NSW, is so interesting and unusual. The exhibition showcases papers, manuscripts, correspondence and artwork relating to Frank Johnson Publications, a small pulp-publishing operation active in Sydney in the 1940s and 1950s.

Johnson was member of the Sydney bohemian set in the twenties. He had high literary pretensions but moved into pulp publishing in response to the gap in local reading material resulting from the tariff placed on foreign imported printed matter in 1938.

Johnson died in 1960, after which the State Library wrote to his family, asking whether they had kept his papers. His daughter responded five years later, saying there was a considerable amount of paperwork relating to Johnson’s work in a shed at the back of her house.… Read more

Pulp Friday: Scobie Malone & “our new Errol Flynn”

Movie newsSomething a little different for this week’s Pulp Friday.

I recently watched the 1975 Australian film, Scobie Malone, starring Jack Thompson. Also known as Murder at the Opera House and Helga’s Web, the latter from the title of the 1970 Jon Cleary it is based on, the film was long unavailable until its recent re-release by Umbrella Entertainment.

The plot involves larrikan Sydney homicide detective Sergeant Scobie Malone (Jack Thompson) investigating the murder of a women whose body is found in the Sydney Opera House. In the course of his inquires, Malone discovers the women, Helga (Judy Morris), was a high priced prostitute involved with several important clients, including the Minister for Culture (James Workman), who she was blackmailing, and film director Jack Savannah (Joe Martin).

There are numerous suspects for her death, including the Minister’s snobbish wife and a local criminal going by the wonderful name of Mister Sin (Noel Ferrier). The events leading up to Helga’s death are told in a series of flashbacks. Most of the police work is done by Malone’s hapless offsider (Shane Porteous), leaving the title character to spend most of his screen time having sex with a bewildering variety of women, including nearly all the female inhabitants of the singles only block of flats he lives in.… Read more