Category Archives: Australian noir

Advance orders (& advance praise) for Gunshine State

Gunshine StateA quick heads up to Pulp Curry readers that pre-orders are open on Amazon for my second novel, Gunshine State, out through the crime fiction publisher 280 Steps on September 12.

For those of you who are up with things, Gunshine State is a heist thriller set in Queensland, Melbourne and Thailand. Think Richard Stark’s Parker, Garry Disher’s Wyatt, and Wallace Stroby’s Crissa Stone.

Here’s the pitch from the 280 Steps website:

‘Gary Chance is a former Australian army driver, ex-bouncer and thief. His latest job sees him in Queensland working for Dennis Curry, an aging Surfers Paradise standover man. Curry runs off-site, non-casino poker games, and wants to rob one of his best customers, a high roller called Frederick ‘Freddie’ Gao.

While the job may seem straightforward, Curry’s crew is anything but. Frank Dormer is a secretive former Australian soldier turned private security contractor. Sophia Lekakis is a highly-strung receptionist at the hotel where Gao stays when he visits Surfers. Amber is Curry’s attractive female housemate and part of the lure for Gao. Chance knows he can’t trust anyone, but nothing prepares him for what unfolds when Curry’s plan goes wrong.’

For those of you who do such things, review copies of Gunshine State are available from the Edelweiss site here.Read more

Police fictions: Law enforcement involvement in early Crawford crime TV

Homicide‘Why was Homicide so successful? One reason was its production values, which was much more advanced than previously made local television dramas. The fact it was shot partly on location was also an Australian first. But the most significant drawcard was the show’s realism. Its settings were Melbourne’s dimly lit streets and alleys, its public bars and cramped workers’ cottages. The show also presented a realistic portrayal of criminals, investigators and the methods used to solve crimes. This authenticity was the chief selling point of Homicide and its successors, Division 4 and Matlock Police. And crucial to this authenticity was the in-depth involvement of the Victorian police.’

Last year, myself and fellow research and friend, Dean Brandum, were lucky to be awarded with a joint fellowship at the Australian Film Institute Research Centre. Our research was on the making of Crawford’s early television crime shows, Homicide, Matlock Police and Division 4. This included the much talked about but little known history of Victorian police involvement in all three shows.

You can read the full text of a article myself and Dean wrote for the literary magazine Overland, about our findings, here.

Shilling some new publications

CarnivalEvery now and again one has to do a post that is essentially just one big shill. Well, this is one of those posts. I have been meaning to update you for a while now about current and upcoming publications I am involved in. So, here goes.

Crime Scenes Stories


Crime Scenes stories
I alerted readers a while ago to a new anthology of Australian short crime fiction, published by Sydney based Spineless Wonders, and edited by Zane Lovett, whose debut crime novel The Midnight Promise won best first crime at the 2014 Ned kelly awards.

Last weekend I took part in the Newcastle Writers Festival, at which the anthology, Crime Scenes, was formally launched. I have a story in this collection called ‘Postcard From, Cambodia’, along side pieces by David Whish-Wilson, Leigh Redhead, Carmel Bird, Peter Corris, PM Newton and my partner, Angela savage.

Seriously, anthologies of Australian crime fiction are a rare thing, which makes this anthology something of a special event. You can order Crime Scenes for your Kindle or in paperback from Amazon here or you can buy it directly from the Spineless Wonders site here.

Crime Factory Issue 18

Issue 18 of the award winning magazine Crime Factory, which I co-edit, is out and contains the usual great mix of fiction, features and reviews.… Read more

My top 10 books of 2015

Bad Penny BluesIt’s time for my annual top 10 reads for the year. In no particular order they are as follows: 

Bad Penny Blues, Cathi Unsworth

Bad Penny Blues kicks off in London in the early 1960s. A young police constable finds the body of a murdered prostitute. His subsequent investigation into the crime and similar murders, spanning the better part of a decade, propels him into the heart of the city’s Soho vice district. Interspersed with this is the story of a young and up and coming fashion designer, Stella, who is plagued by nightmares about dead women.

The fact I found this book a pinch too long didn’t detract from my enjoyment of it. Bad Penny Blues is a solid piece of noir fiction and a great evocation of sixties London, taking in everything from the occult, teddy boys, bent cops, radical bohemians and debauched upper class aristocrats.

TattooMurderThe Tattoo Murder Case, Akimitsu Takagi

First published, albeit in a slightly different form, in 1948, a young forensic medical student with post-traumatic stress after a stint as a medic in the Philippines begins a passionate affair with a beautiful woman who is covered with strange, sexually alluring traditional Japanese tattoos. Soon after the affair begins, she is murdered, dismembered and her tattooed torso stolen from the scene of the crime.… Read more

Book review: a triple shot of Australian crime writing

Resurrection BayIt’s been a while between fiction reviews on my site. But that doesn’t mean I haven’t been busy reading. Even found the time to read some debut Australian books, three of which I want to talk a bit about here.

Resurrection Bay, Emma Viskic

Resurrection Bay is one of several new publications to hit shelves recently from Echo Publishing, a new subsidiary of Melbourne-based Five Mile Press.

Private detective Caleb Zelic responds to a text message from his childhood friend Gary, asking for help. By the time Caleb arrives Gary is dead. Gary was a cop. He also moonlighted for Zelic on occasion. The latest case they were working on involved a series of robberies from a warehouse complex. Is Gary’s death related to that investigation and, if so, is Zelic next? And who is ‘Scott’, ‘the Boxer’ and ‘Grey Man’.

Zelic is a great character. He is not particularly likeable and a human disaster area when it comes to relationships. He is also profoundly deaf. Viskic apparently learnt sign language as part of writing the book and Zelic’s disability is something she uses to great effect in this novel. As for Gary, well, he might have been a bit bent, but so is nearly everyone else in this novel, including Zelic ex-junkie brother and his 57 year old, acerbic ex-cop, alcoholic partner.… Read more