Category Archives: British pulp fiction

The power of pulp fiction: Girl gangs, biker boys & more

It takes scholarly love and a fan’s enthusiasm to devote oneself to putting together a 300-plus page book dissecting obscure pulp fiction. But that is exactly what Australian writers Andrew Nette and Ian McIntyre have done with Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980.

The respected site, Literary Hub, has a terrific piece by New York crime writer, Scott Adlerberg, talking about pulp fiction and the new book on youth subculture and pulp fiction that Iain McIntyre and I have edited. You can check it out in full on their site here.

Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 is out now through PM Press.

Pulp Friday: British horror pulp

Halloween approaches and, as has been my habit over the last couple of years, I want to mark the occasion with a bit of pulp. Horror pulp, actually. British horror pulp, to be exact.

American horror pulp got a bit of love on this site a little while ago, when I reviewed Grady Hendrix’s Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction, a history of American horror from the 1970 and 1980s.

But I reckon the Brits have always done horror pulp really well. And, if you want proof, feast your eyes on the wonderful selection of British horror pulp from the 1960s and 1970s, all sourced from my collection, including a couple of ultra rare Hammer paperback film tie-ins I own.

Enjoy Halloween.

Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir

The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.

But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.

Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more

Pulp Friday: Hell is a City

A very quick Pulp Friday offering, Maurice Procter’s Hell is a City, published by Arrow Books, 1957. I am not sure, but this edition may even be the first British release of the novel in paperback.

Procter was a former Manchester policeman turned crime writer, best known for his police procedurals featuring the character of Detective Chief Inspector Harry Martineau, based in a tough fictional northern England industrial town. Proctor penned 14 Martineau novels, which appeared between 1954  and 1969, of which Hell is a City was the first.

Two things have got me thinking about the Martineau books. The first is my PhD research at the moment, which has been looking at the prevalence of American style detective and PI crime fiction in the 1950s in the US, UK and Australia. Procter’s work is different from a lot of post-war British crime pulp, which was set in America.

I’ve also been reading Nick Triplow’s excellent biography of English crime writer, Ted Lewis, Getting Carter (which I’ll be reviewing on this site in the coming weeks).

Among the popular cultural touchstones, Triplow writes, that would inspire Lewis’s work, including the iconic series of British gangster novels featuring the character of Jack Carter, was the 1960 film adaption of Hell is City by Val Guest.… Read more