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Recent Posts
- The Silent Partner
- The only Ghost Money I want to read about
- Pulp Friday: Trashing
- Crime Factory issue 13 is out
- Pulp Friday: more adventures behind the bamboo screen
- Pulp Friday: The Deadly Prey
- M Emmet Walsh and Blood Simple
- Pulp Curry added to National Library of Australia’s web archive
- Pulp Friday: The Smashers
- Ghost Money now available in print
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Category Archives: David Whish-Wilson
Unveiling the cover of Crime Factory’s Hard Labour anthology
Here it is people, the cover of Crime Factory’s all-Australian anthology, Hard Labour, edited by Cameron Ashley, Liam Jose and myself. It’s by the same artist who did the cover art work for the Australian version of the First Shift … Continue reading
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, David Whish-Wilson, Garry Disher, Leigh Redhead, Noir fiction, Peter Corris
Tagged Adrian Mckinty, Andres Bergan, Crime Factory Publications, David Whish-Wilson, Garry Disher, Helen Fitzgerald, JJ DeCeglie, Leigh Redhead, Peter Corris, Sticking it to the Man
Launch of Crime Factory’s Hard Labour anthology and other crime writing news
There’s a hell of a lot going on crime writing wise for me at the moment. In addition to the launch of my debut novel, Ghost Money, I have several pieces of short fiction coming out. Things are also busy in … Continue reading
Posted in Adrian McKinty, Angela Savage, Australian crime fiction, Christopher G Moore, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Cambodia, David Whish-Wilson, Garry Disher, Ghost Money, Leigh Redhead, Noir fiction, Peter Corris
Tagged Adrian Mckinty, Angela Savage, Christopher G Moore, Crime Factory Publications, David Whish-Wilson, Garry Disher, Ghost Money, Hard Labour, Helen Fitzgerald, Le Samourai, Leigh Redhead, Max Allan Collins, Max Quinlan, Noir Nation, Peter Corris, Phnom Penh Noir, Wyatt
City of Light
Years ago I read a book called Big Bad Blood by a Sydney crime writer called Dave Warner. I can’t remember much about it now, except it was set in Sydney’s vice centre, Kings Cross, in the mid-sixties and involved … Continue reading















