Category Archives: Don Siegel

The Big Nowhere #2: Crashout

CrashoutThe second of my series looking at some of the best film noir you’ve never heard of, ‘The Big Nowhere’, is live here here at the film site, 4:3.

This week I  look at Lewis R. Foster’s little known 1955 jail break noir, Crashout. Crashout is a B-noir in every sense of the word. The prison break that opens the film was borrowed from scenes shot for another jail noir, Don Siegel’s Riot in Cell Block 11 (1954), and the cast is made up almost completely of solid but unspectacular character actors. But in addition to being fast paced and incredibly tense, Crashout has a remarkably sophisticated story that belies its outward appearance as a macho prison noir.

You can read the piece in full here on the 4:3 site.

The Don Siegel Rule

SeigelI had to give it a name, so I called it the Don Siegel Rule.

I was watching Charley Varrick recently, the 1973 heist film directed by Siegel, starring Walter Matthau as an ex-crop duster and stunt pilot turned bank who, along with his long suffering girlfriend, Nadine, and unreliable partner, robs a small bank in New Mexico. Unbeknownst to Varrick, the bank in question is actually a front for the mob. In response, the mob sends a hit man (played by Joe Don Baker) after him.

It’s a terrific little heist film. Tough in all the right places, just enough action and suspense to keep you interested, without the kind of over the top action gimmicks similar films exhibit these days. Matthau is terrific as the hangdog loner, Varrick.

Anyway, it got me thinking. There may be bad Siegel films out there, but I haven’t seen them.

Siegel was the king of the intelligent B movie (a title he shares with directors such as Walter Hill). His films have enormous energy and pace, but they also have an economy. Watching Siegel’s films, time and again he’s been able to get above obvious budget and script limitations to tell a gripping story.

The journeyman director cut his teeth making Westerns and noirs in the late forties and early fifties, and then pretty much excelled at whatever genre he tried.… Read more