Category Archives: Donald Westlake aka Richard Stark

Pulp Friday: Pollen’s Action

Regular Pulp Curry readers will be aware I am a big fan of Robert Deis and Wyatt Doyle’s Men’s Adventure Library (MAL) series. These books showcase the wonderful, lurid, at times, completely bizarre material that featured in the genre of men’s adventure pulp magazines that flourished on American newsstands from the 1950s to the 1970s. I have written about the important work they have done archiving and showcasing the efforts of the one of the most prolific illustrators working for the men’s adventure magazines, Samson Pollen. I reviewed their first book about Pollen, Pollen’s Women, some months ago on this site. They have now produced a second edition on the artist, Pollen’s Action.

Pollen was one of the many people who managed to make a living as illustrators in the post war period, a time when there was plenty of work for individuals who could quickly produce attention grabbing, ready made art to order for pulp magazines, book covers, comics, advertisements and movie posters. As Deis discusses in his introduction to Pollen’s Action, Pollen started out painting paperback covers. But when this market started began to dry up in the late 1960s, as photographic book covers came into vogue, he began working for Magazine Management, one of the largest American publishers of men’s adventure magazines.… Read more

Thoughts on Point Blank at 50

Point Blank premiered in San Francisco on August 30 1967. Critically overlooked at the time, its launched John Boorman’s Hollywood directorial career, became a cult hit and has had an enduring influence on crime cinema. It is a film I have watched on numerous occasions and each time it yields new insights. The 50th anniversary is an opportune time for a few thoughts about its importance.

Point Blank was loosely based the 1962 novel, The Hunter, the first in the series of books by the late Donald Westlake, writing as Richard Stark, about the master thief, Parker. It opens with Walker, as the Parker character is called, played by Lee Marvin, double-crossed and left for dead by his friend, Mal (John Vernon), and wife, Lynne (Sharon Acker), with whom Mal was having an affair, after the three of them have heisted a regular money drop on the prison island of Alcatraz by a powerful criminal network, the Organisation. Walker, somehow, survives his wounds and manages to get off the island. He reappears and proceeds to tear Organisation apart to find Mal and get his share from the heist, the amount of $94,000. He is assisted by a mysterious man, Yorst (Keenan Wynn), who at first comes across as a cop, but is eventually revealed as a senior member of the Organisation, who sees in Walker a means to eliminate his internal competitors.… Read more

The heist always goes wrong, part 3: 10 of the best heist films you’ve never seen

payroll-1961As readers of this site know, I love a good heist film, the ingenuity of their plots and the variations they come in, whether it be the all star team assembled for the job of a life time or a group of desperate men and women trying for one last big score.

Everyone can name their favourite heist films and, for the most part, it is usually the big name titles such as The Asphalt Jungle (1950), The Friends of Eddie Coyle (1973) and the French classic, Rififi (1955). Indeed, I listed these and many other well know heist movies in previous posts on this site, ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’ and ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’.

But what about the lessor known heist films that are great but which nobody knows about?

To celebrate the release of my second crime novel, Gunshine State, I have compiled the following list of the 10 best heist films you’ve never seen.

operation-amsterdam-poster

Operation Amsterdam (1959)

Operation Amsterdam functions as both a war and a heist film. Peter Finch plays Jan Smit, a British intelligence officer ordered to infiltrate the city of Amsterdam, which is on the verge of being overrun by invading German forces, and prevent the city’s diamond reserves from falling into Nazi hands.… Read more

Interview: New Jersey crime writer, Wallace Stroby

stroby_asbury

Wallace Stroby was an award-winning journalist who quit his job as an editor at New Jersey’s Star-Ledger of Newark newspaper, to write crime fiction full time. A life long New Jersey native, he is the author of six books, of which his debut, The Barb Wire Kiss, was a finalist for the 2004 Barry Award for best first novel. His last three books, Cold Shot to the Heart, Kings of Midnight, Shoot the Woman First, feature the female professional criminal character, Crissa Stone. This is an edited version of an interview, which I conducted at Noir Con 2014 in Philadelphia, that originally appeared in issue 17 of Crime FactoryHis latest Crissa Stone book The Devil’s Share, is out now.

Let’s start of with your recent books featuring the character of Crissa Stone. What was the inspiration behind writing these?

I always wanted to write a book from the point of a view of a career criminal. In my third novel, Gone ‘Til November, half of the book was from the point of view of an ageing black hit man but the main character was actually a woman, the only female sheriff’s deputy in a small town, a woman in a man’s world and I liked that idea. So coming off Gone ‘Til November I wanted to combine those two and do a story about a career criminal who was a woman in a man’s world.… Read more

Pulp Friday: The Smashers

The smashers“A novel of The Organisation – girls, horses, dope, murder.”

Regular readers will be familiar by now with my admiration for the late Donald Westlake. Westlake was the hard boiled writer’s hard-boiled crime writer, having penned numerous books over his career, including the wonderful Parker novels under the pseudonym of Richard Stark.

Today’s Pulp Friday is one of Westlake’s early efforts, The Smashers, aka The Cutie, aka The Mercenaries. This edition is the first Dell publication in 1960.

The Smashers was Westlake’s official fiction debut under his real name. His previous fiction efforts, like those of his peer Lawrence Block, were soft porn paperbacks written under other names (here’s a nice post on one of these titles Back Stage Love – “The Shocking expose of what goes on behind the scenes at a summer stock theatre”).

The Smashers is the story of Clay, the right hand man of New York mob boss Ed Ganolese. Clay gets a late night call from a junkie with a dead woman on his hands and the police on his tail. The junkie claims he’s innocent and because he’s connected to Ganolese, Clay has to adopt the role of a PI and find out who the real killer is.

It’s an early and interesting take on the criminal as protagonist that Westlake was subsequently to perfect with his Parker books.… Read more