Category Archives: Dystopian cinema

Return to The Last Wave

The Last Wave posterDuring the recent Melbourne International Film Festival, I had an interesting discussion about whether genre films can ever deal with important social issues in a way that is not titillating or exploitative. One example of a genre film that does, shown at this year’s MIFF, is Peter Weir’s 1977 film, The Last Wave.

The Internet Movie Database classifies The Last Wave as a ‘drama/mystery/thriller’ but it is also laced with supernatural/occult tropes popular in many horror films of the seventies. It’s a story about weather and the climate, in a way that can now be viewed as a remarkably prescient. But most importantly, given my introductory comments, it is also a relatively sophisticated attempt by a white director to engage with Indigenous Australian issues and mythology and the clash between Aboriginal law and Western law.

You can read my piece on Weir’s The Last Wave in full here on the Overland site.

Rollerball & decoding cinematic dystopias

tumblr_nblo2mWDl81sndzdgo1_500The Independent newspaper recently reported that the British Broadcasting Corporation is designing a television program in which unemployed and low paid workers will compete against each other, The Hunger Games-style, for cash prizes. The idea follows the success of Benefits Street, a UK reality TV show similar to the much-criticised SBS series, Struggle Street, about an area in Birmingham where ninety per cent of the residents are on social welfare benefits.

The newspaper report is one of several recent things that have got me thinking about how aspects of dystopian cinema are bleeding into real life. Another is the fortieth anniversary in late June of the science fiction film, Rollerball. Although derided by critics upon release for its violence, the film is now viewed as one of the high points of seventies dystopian cinema. It has also proven remarkably prescient regarding aspects of the future it depicted.

Rollerball is set in 2018. Nation-states no longer exist but are replaced by huge corporations, each focusing on an aspect of human need: transport, food, communication, housing, luxury, energy, etc. The most popular form of entertainment is a violent sport called Rollerball, and the most successful competitor is Jonathan E, who plays for Houston, the city controlled by the Energy Corporation.… Read more