Category Archives: Science fiction and fantasy

Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985 Kickstarter


I have written on this site before about the upcoming book I have coedited, Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985, due for release in the US in October. For the next month of so leading up to this, the publisher, PM Press are running a pre-sale campaign for Dangerous Visions and New Worlds via Kickstarter. Other than allowing people to be the first to get their hands on the book this features various offers, including some great book packs and bonuses, even sci-fi pulp themed underpants! Due to US Postal Services rates being so high the Australians among you may want to wait until our Melbourne launch (date and venue TBC) or place an order via your local bookshop. More details when I have them.

You can check out the Kickstarter campaign and the various offers as part of it at the link here.Read more

Pre-orders open for Dangerous Visions & New Worlds: Radical Science Fiction, 1950-1985

A heads up that my latest book, co-edited with my friend Iain McIntyre, Dangerous Visions & New Worlds: Radical Science Fiction, 1950-1980, is now available for order through PM Press site here. You can also order it through the various Amazon sites and through numerous other channels. Interestingly, the book is classified by Amazon US as pornography, as well as science fiction studies. I assume this is down to the fact it contains essays on sex in science fiction and gay science fiction, amongst other things. I’ve always harboured ambitions to be a smut peddler and this is the closest I may get.

Dangerous Visions and New Worlds details how science fiction interacted with and was inspired by the cultural and political changes associated with the era from the late 1950s through the early 1970s, a period that has sometimes been referred to as ‘the long sixties’. The book starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. It then moves to the 1960s, when writers shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power.… Read more

Reading John Frankenheimer’s Seconds

Early in this excellent monograph on John Frankenheimer’s criminally underseen 1966 film, Seconds, by Jez Conolly and Emma Westwood, the authors ask the reader at what point they first viewed the movie and what they made of it. For me it was a random VHS store pickup on a slow Saturday night sometime in the late 1990s. I can remember being as confused as I was impressed by the sheer bizarreness of Seconds. I was particularly perplexed by the presence of Rock Hudson. What was this major American actor, best known for the series of romantic comedies he did with Doris Day, doing in a downbeat, existentially bleak fusion of science fiction, thriller and noir?Watching the film more recently, with the benefit of considerably more knowledge of film history and Hudson’s career, I was blown away by the brilliance of Seconds.  

Conolly and Westwood begin with the proposition that the film very much deserves a second life, a notion that is also central to its plot. Seconds concerns a bored, ennui riven middle class wage slave, who through an almost Faustian pact with a mysterious entity known only as the Company, is given a new body and face, and second chance at life. Escaping from everyday domestic responsibilities, particularly the possibilities for self-discovery and erotic adventure that this promised, would become a key topic of American film and literature from the mid-part of the 1960s onwards.… Read more

Book Review: Jane Gaskell’s A Sweet, Sweet Summer

One of the authors I really wanted to include among those examined in the third book I have co-edited with my friend, Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, was British writer, Jane Gaskell. In particular her novel, A Sweet, Sweet Summer, first published in hardback by Hodder and Stoughton in 1969. To be honest, as is so often the case, what first attracted me to finding out more about this title was the cover of the 1971 Sphere edition, with its uniquely early 1970s dystopian take on the female juvenile delinquent. It’s a wonderful piece of photographic paperback art, of the sort that the British did so well at the time, no doubt cheaply done (in all likelihood the model was one of the typists in the Sphere office), but very effective.

Plans to include Gaskell in Dangerous Visions and New Worlds were scuppered by the fact that I simply could not find a copy of A Sweet, Sweet Summer anywhere at a price that I could even remotely afford. The book is incredibly rare and has not been republished. Indeed, as I discovered when I posted an image of the cover above on Twitter – long after Dangerous Visions and New Worlds had been put to bed – I just was one of many bibliophiles who had been on the lookout for an affordable second-hand copy of this Gaskill book.… Read more

Ghostly Messages: Australia’s Lost Horror Anthology, ‘The Evil Touch’

In a June 2017 article in Fortean Times, the British magazine concerned with strange and paranormal phenomena, writer and broadcaster Bob Fischer discussed how the sensation of not being exactly sure what you were watching on television, or not being able to recall the details with any precision, was a common experience in relation to consuming visual culture in the 1960s and 1970s, before the advent of streaming, DVD, and VHS. This sense of “lostness”—of incomplete and unverifiable experience—is also what makes these memories such powerful nostalgia prompts.

The television viewing experience that most encapsulates this sense of lostness for me is a little-known, American-backed, Australian-made horror anthology series, The Evil Touch, that debuted on Sydney screens in June 1973 and in Melbourne a month later. Largely forgotten now, American critic John Kenneth Muir referred to the show in his 2001 book, Terror Television: American Series 1970-1999, as the “horror anthology that slipped through the cracks of time.” The Evil Touch has never had an official DVD release, although poor quality versions of some episodes can be found online, or as bootleg editions originally copied from television on VHS. It is not even known who now owns the rights. But the program was significant in many ways.

You can read the rest of the piece in full here at the We Are the Mutants site.Read more