Category Archives: Film Noir

The Big Nowhere #5: Shield For Murder

Shield for Murder (1954)

The latest in my series on the 4:3 site on the best film noir you’ve never of is live, Howard W Koch’s wonderful 1954 bad cop noir, Shield For Murder, starring actor Edmond O’Brien. Not a great film production wise, but as bad cop films go, it’s as dark and twisted as they come. You can read the piece in full on the 4:3 site here.

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The Big Nowhere #4: Naked Alibi

Naked Alibi poster 2The Big Nowhere is a series of columns I’ve been doing for the 4:3 site, in which I look at the best film noir you’ve never heard of. Number 4 in the series is Jerry Hopper’s 1954 B-noir, Naked Alibi. A tale of desperate men, a femme fatale, jealously, obsession, set in a seedy small town, just your average film noir cocktail. What makes this otherwise average film worth seeing is the presence of Sterling Hayden as the disgraced cop and Gloria Grahame as the singer, two of the most interesting actors who worked in film noir in the late ’40s and ’50s.

You can read the piece in full here on the 4:3 site.

Not so black & white: the exhibition of classical film noir in Melbourne

Today I’m celebrating Noirvember with a terrific guest post by my friend Dean Brandum, film scholar and the man behind the wonderful site, Technicolour Yawn: Melbourne cinemas of the happening years: 1960 – 84. Dean looks at the myths and realities around the exhibition of classical film noir in forties and fifties Melbourne. Film noir is often seen as mainly comprising B-movies that would never have graced the screens of reputable Melbourne cinemas. But, as Dean makes clear, for the most part this was not the case.

Gun Crazy“You could always find me in the theatre round the corner. People like me liked our pictures dark and mysterious. Most were B-movies made on the cheap, others were classy models with A-talent, but they all had one thing in common, they lived on the edge. They told stories about life on the streets, shady characters, crooked cops, twisted love and bad luck. The French invented a name for these pictures – Film Noir.”

Richard Widmark narrating The American Cinema’s episode ‘Film Noir’

Whilst this TV overview of film noir was an excellent production and was immeasurably aided by the gravitas of the (then otherwise retired) voice of Richard Widmark’s narration, his opening introduction has always rankled with me, for it perpetuates a myth about film noir, one which has been developed to be shoe-horned into a narrative – that film noir was not a mainstream commodity.… Read more

The Big Nowhere #3: Plunder Road

Plunder Road lobby

The Big Nowhere is a series of columns I’ve been doing for the 4:3 site, in which I look at the best film noir you’ve never heard of. This week, it’s Hubert Cornfield’s obscure 1957 heist noir, PLUNDER ROAD. Clocking in at just 72 minutes, this cheaply made little heist story achieves an atmosphere of suspense and level of thrills not seen in many films twice its length.

You can read the piece in full here on the 4:3 site.

Interview: Eddie Muller, Film Noir Foundation

Gun Crazy hi-resA warning: the following interview with Eddie Muller does not contain any discussion of the question, ‘what is film noir?’ It’s one of the few film noir related topics I didn’t talk about with him. Muller, sometimes known as ‘the Czar of Noir’, is a busy guy, founder and president of the Film Noir Foundation, fiction and non-fiction author, publisher, film restorer and now DVD distributor. His Dark City: The Lost World of Film Noir (1998) and Dark City Dames: The Wicked Women of Film Noir (2001) are required reading for all would-be scholars film noir, and he has a new book out, Gun Crazy: The Origin of American Outlaw Cinema. Directed by Joseph H Lewis, Gun Crazy is the sordid story of a husband and wife team of criminal sociopaths, played by Peggy Cummins and John Dall. The film sank without a trace upon its release in 1950, but is now regarded as a classic and a much earlier precursor to the 1967 film, Bonnie and Clyde.

You have a new book out, Gun Crazy: The Origin of American Outlaw Cinema. As the title suggests, it’s about the making and influence of Joseph H Lewis’s 1950 film, Gun Crazy. As you stress in the book, the film hardly caused a ripple when it was first released.Read more