Category Archives: Crime film

10 great Australian crime films

To mark the addition of Ivan Sen’s 2016 film, Goldstone, to BFI Player, I was asked to write on 10 great Australian crime films. The piece is live and can be read in full on the BFI site here.

The grifters and con artists of Nightmare Alley

I have a piece on the new Crime Reads site – a spin off of the respected Literary Hub- on William Lindsay Gresham’s 1946 little known novel, Nightmare Alley. Gresham’s book is a masterful story about the art of the grift and the best fictional depiction of the carny (slang for the traveling carnival employee). But most of all, it is a stone cold classic piece of low life noir fiction, dark, visceral, surprisingly sex-drenched for its time, and utterly devoid of redemption.

The piece is available in full here on Crime Reads.

Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir

The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.

But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.

Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more

Pulp Friday: Hell is a City

A very quick Pulp Friday offering, Maurice Procter’s Hell is a City, published by Arrow Books, 1957. I am not sure, but this edition may even be the first British release of the novel in paperback.

Procter was a former Manchester policeman turned crime writer, best known for his police procedurals featuring the character of Detective Chief Inspector Harry Martineau, based in a tough fictional northern England industrial town. Proctor penned 14 Martineau novels, which appeared between 1954  and 1969, of which Hell is a City was the first.

Two things have got me thinking about the Martineau books. The first is my PhD research at the moment, which has been looking at the prevalence of American style detective and PI crime fiction in the 1950s in the US, UK and Australia. Procter’s work is different from a lot of post-war British crime pulp, which was set in America.

I’ve also been reading Nick Triplow’s excellent biography of English crime writer, Ted Lewis, Getting Carter (which I’ll be reviewing on this site in the coming weeks).

Among the popular cultural touchstones, Triplow writes, that would inspire Lewis’s work, including the iconic series of British gangster novels featuring the character of Jack Carter, was the 1960 film adaption of Hell is City by Val Guest.… Read more

Thoughts on Point Blank at 50

Point Blank premiered in San Francisco on August 30 1967. Critically overlooked at the time, its launched John Boorman’s Hollywood directorial career, became a cult hit and has had an enduring influence on crime cinema. It is a film I have watched on numerous occasions and each time it yields new insights. The 50th anniversary is an opportune time for a few thoughts about its importance.

Point Blank was loosely based the 1962 novel, The Hunter, the first in the series of books by the late Donald Westlake, writing as Richard Stark, about the master thief, Parker. It opens with Walker, as the Parker character is called, played by Lee Marvin, double-crossed and left for dead by his friend, Mal (John Vernon), and wife, Lynne (Sharon Acker), with whom Mal was having an affair, after the three of them have heisted a regular money drop on the prison island of Alcatraz by a powerful criminal network, the Organisation. Walker, somehow, survives his wounds and manages to get off the island. He reappears and proceeds to tear Organisation apart to find Mal and get his share from the heist, the amount of $94,000. He is assisted by a mysterious man, Yorst (Keenan Wynn), who at first comes across as a cop, but is eventually revealed as a senior member of the Organisation, who sees in Walker a means to eliminate his internal competitors.… Read more