Category Archives: Crime film

Post coital fondue with Harry & Ellen

On his site, Hard Boiled Wonderland, Jedidiah Ayres is currently doing a series of posts In February on the theme of ‘Felonious Valentines’ – romance in crime cinema. I stopped by with a few words on one of my favourite scenes in 1970s American cinema and (to my knowledge), the only one featuring post coital fondue. The scene, featuring Gene Hackman and Susan Clark, is in, Arthur Penn’s existentially bleak 1975 neo noir, Night Moves. You can my post in full here.

Pass me a fondue fork.… Read more

Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War

If you are still on the fence about purchasing a copy of my new book, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950 to 1980, the site CrimeReads is running a couple of extracts from the book. The first is my piece, ‘Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War’.

The conflict in Vietnam cast a long shadow over pulp and popular fiction in the late 1960s and the 1970s. Vietnam veterans were hunted by small town redneck police in David Morrell’s 1972 novel, First Blood, dealt drugs in Vern E Smith’s The Jones Men, and staged an abortive bank heist in Dog Day Afternoon, both published in 1974. In the Lone Wolf series ex-New York cop and Vietnam veteran, Burt Wulff mounted a fourteen-book battle from 1973 to 1975 against the drug dealing criminal organisation, ‘The Network’, in which he treated the streets of America’s major cities as an extension of jungles of Southeast Asia. Vietnam was the training ground for many of the characters that populated men’s adventure and crime pulp in the 1970s. More broadly, Vietnam’s traumatic impact on American society would become a cypher through which pulp and popular fiction name checked cultural fragmentation, growing disillusionment with the American dream, dishonest and unaccountable government and corporations, and the power of the military industrial complex.… Read more

“The Horror Never Leaves My Mind”: Ian Sharp’s ‘Who Dares Wins’

I have just contributed my debut piece for the amazing site, We Are The Mutants. It’s on nuclear nightmares & the amazingly contradictory contradictory politics of Ian Sharp’s 1982 film, Who Dares Wins. A sledgehammer of the 1980s political thriller, influenced by real events and with an avowedly conservative agenda, the film was a favourite of US President Ronald Reagan. But is also accurately captures much of the zeitgeist of the peace movement, which I was active in, of the time.

You can check out my piece in full here.

Read more

10 great Australian crime films

To mark the addition of Ivan Sen’s 2016 film, Goldstone, to BFI Player, I was asked to write on 10 great Australian crime films. The piece is live and can be read in full on the BFI site here.

Read more

The grifters and con artists of Nightmare Alley

I have a piece on the new Crime Reads site – a spin off of the respected Literary Hub- on William Lindsay Gresham’s 1946 little known novel, Nightmare Alley. Gresham’s book is a masterful story about the art of the grift and the best fictional depiction of the carny (slang for the traveling carnival employee). But most of all, it is a stone cold classic piece of low life noir fiction, dark, visceral, surprisingly sex-drenched for its time, and utterly devoid of redemption.

The piece is available in full here on Crime Reads.

Read more