Category Archives: Horror

Pulp Friday: British horror pulp

Halloween approaches and, as has been my habit over the last couple of years, I want to mark the occasion with a bit of pulp. Horror pulp, actually. British horror pulp, to be exact.

American horror pulp got a bit of love on this site a little while ago, when I reviewed Grady Hendrix’s Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction, a history of American horror from the 1970 and 1980s.

But I reckon the Brits have always done horror pulp really well. And, if you want proof, feast your eyes on the wonderful selection of British horror pulp from the 1960s and 1970s, all sourced from my collection, including a couple of ultra rare Hammer paperback film tie-ins I own.

Enjoy Halloween.

Yuletide Terror: Christmas Horror on Film & Television

I know I have been hitting up Pulp Curry readers a bit lately in relation to a number of upcoming publications I am involved in. The writers among you may be familiar with this, but I find myself in a strange situation beyond my control, of a lot of books I have been involved in over the last year or two all hitting the market at around the same time.

In this vein, I wanted to briefly mention another upcoming book I am involved in, from the amazing Canadian micro publisher, Spectacular Optical, Yuletide Terror: Christmas Horror on Film and Television. A comprehensive new collection of essays & reviews on Christmas themed horror cinema by a number of very writers, edited byKier-La Janisse and Paul Corupe, it promises to be a must have for everyone’s Christmas sack. In addition to work on some of the more well known Christmas themed horror film and television, there are also essays on lessor known gems, including mine, ‘Surviving the Yuletide Season: Alcohol, Physical Affliction and Murder Down Under in The Evil Touch.’

The project is looking for indiegogo support at the link here, so if this is the kind of cool popular culture product that burns your candle, please consider giving it some financial love.… Read more

Book review: Paperbacks from Hell, the Twisted History of ’70s and ’80s Horror Fiction

I loved Grady Hendrix’s soon to be released book, Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction. From the opening, his discussion of John Christopher’s totally bizarre 1966 novel, The Little People, about an assortment of unsavoury individuals who spend a weekend in an Irish castle which is also inhabited by evil Nazi leprechauns (‘the Gestapochauns’) to the last few pages, the dying days of American mass market paperback horror, it is a wild, exhilarating ride.

But as well as being a lot of fun, Paperbacks From Hell is also an important work of pulp fiction and pop culture history.

The book comprises a series of thematic chapters, grouped from the most part around one or two foundation texts. Thus the chapter on satanic pulp and mass market paperbacks opens with a look at the cultural importance of Ira Levin’s Rosemary’s Baby and Peter Blatty’s The Exorcist. The Omen (1976) is the starting point for a look at the large sub-genre of books about women being impregnated by all manner of hell spawn and murderous offspring. Peter Benchley’s paperback sensation, Jaws, is the precursor to a discussion about the wave of pulp and mass market paperback books featuring murderous creatures and animals turned homicidal: rats, dogs, cuts, pigs, insects, even rabbits.… Read more

Pre-orders open for The Obama Inheritance: Fifteen Stories of Conspiracy Noir

I’ll make this quick. Pre-orders are now open for an exciting new anthology, The Obama Inheritance: Fifteen Stories of Conspiracy Noir, out through the New York based independent publisher, Three Rooms Press, this October.

I reckon the wonderful cover, which I just love, tells you all you need to know about the book. Fifteen stories of pulpy goodness, featuring robots, lizard people, vigilante killers and various other bizarre creations riffing off the conspiracy theories association with the Obama presidency (although I believe the current occupant of the White House also gets a nod).

The anthology is edited by one of the hardest working men in crime fiction, Gary Phillips, critically acclaimed author of mystery and graphic novels, including Peepland, Violent Spring, and Warlord of Willow Ridge. It features stories by a host of talented writers, including big guns such as Walter Mosley and Robert Silverberg. I represent the Melbourne contingent, along with my friend and fellow scribe, Liam Jose, with a dystopian science fiction heist gone wrong tale called, ‘Sunburnt Country’.

Alll the pre-order details you need to know can be found at Three Rooms Press site here.

Pulp Friday: Patrick

Patrick #1I am partial to a good paperback movie tie-in and this week’s Pulp Curry features a beauty, Patrick, which I found in an excellent second hand book shop during recent travels in rural Victoria.

Published by Sun Books in 1978, the novel is based on the original screenplay by Everett de Roche of the influential Ozploitation film of the same name about man in a coma after murdering his mother and her lover by electrocuting them in a bath. The man, Patrick (Robert Thomspon), who strange psychokinetic powers, falls in love with his nurse, Kathy (Susan Penhaligon) communicating with her via an electric typewriter. He also uses his powers to ward off other potential male suiters in Kathy’s life and battle the hospital staff, particularly the Nurse Ratched-like Matron, Cassidy (Julia Blake).

The book was written Australian writer Keith Hetherington, who we have featured previously on this site. Hetherington, who was born in 1929 and I believe is still alive, had a long career, including writing Westerns and Larry Kent crime thrillers for Cleveland Publishing, fiction for Man and Pocket Man magazine, radio plays, television scripts, and various stand alone thrillers and a paperback tie ins for films such as Snapshot (1979) and The Chain Reaction (1980).

I love the cover for this paperback tie in, Robert Thompson aka Patrick’s creepy, penetrating eyes, although the copy I have, from which the front and back cover scan is taken, is slightly askew, the product of a printing fault.… Read more