Category Archives: Ian Fleming

Projection Booth podcast #352: Kiss Me Deadly

Posted on February 14, 2018 by Andrew Nette| Leave a comment

It was a joy and a thrill to join film scholar Kevin Heffernan and Mike White, host of the terrific Projection Booth podcast, for an episode of his show on what is probably my favourite film noir, Robert Aldrich’s Kiss Me Deadly (1955).

Kiss Me Deadly is one of those films I watch every year or so and always find something new to appreciate about it. Talking with my two co-podcasters, I discovered even more to like about it. Issues canvassed during this podcast include:

Mike Hammer (and Mickey Spillane) as the personification of the crisis in post WWII masculinity, and the women in the film as examples of females who are fighting against the confines of their role in American society in the 1950s.

Pulp fiction.

The film’s popularity in France, particularly within surrealist circles for its depiction of the incoherence of everyday life and mass commercial culture.

The Cold War nuclear state, paranoia and surveillance.

THAT answering machine.

Jack Elam.

Ernest Laszlo’s sensational cinematography.

Los Angeles’ former Bunker Hill area as the 1940s/50s B-movie/noir outdoor film shooting location of choice.

The psychiatrist as an archetypal villain in 1940s/1950s American film.

Other fictional noir detective equivalents to Mike Hammer, including Harry Moseby in Arthur Penn’s 1975 film, Night Moves (okay that last part might of been just me).… Read more

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Posted in 60s American crime films, 70s American crime films, Film Noir, Gene Hackman, Ian Fleming, Neo Noir, Pulp fiction

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Spectre

Posted on November 9, 2015 by Andrew Nette| Leave a comment

Spectre

I know that a lot of Pulp Curry readers are also James Bond fans. I have reviewed the 24th film in the Bond franchise, Spectre, for Australian Book Review Arts Update. You can read the review in full here on the Arts Update site.

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Posted in Ian Fleming

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In search of a proletarian James Bond

Posted on June 17, 2014 by Andrew Nette| Leave a comment
17-moments-of-spring-1

Still from the 1973 Soviet TV series, Seventeen Moments of Spring, based on the novel of the same name by Yulian Semyonov.

A few weeks ago I posted on one of the stranger cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.

Spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. These days Bond may come across as massively cliched, but in the fifties and sixties, he was the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.

Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West. Fleming’s books were banned and Soviet newspapers lambasted the secret agent as a sadist and a Nazi.

And while Soviet culture never offered up anything as glitzy or lurid as Bond, it nonetheless produced its own fictional spies. The most infamous of these was Avakoum Zahov who featured in a series of books by Bulgarian author, Andrei Gulyashki, one of which was released in 1967 by local pulp outfit, Scripts Publications.… Read more

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Posted in Australian popular culture, Australian pulp fiction, Ian Fleming, Scripts Publications

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Pulp Friday: Avakoum Zahov Vs 07 and Soviet spy fiction

Posted on May 16, 2014 by Andrew Nette| 3 Comments

Avakoum Zahov versus 07 cover

“A battle to the death between two crack Secret Agents of East and West!”

This week’s Pulp Friday is one of the strangest cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.

While spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. A host of well known authors as well as a legion of lesser know writers and pulp imitators, all followed in Bond’s wake.

These days it’s easy to view Bond as little more than a clotheshorse with a few snappy lines of dialogue and a lot of high-tech gadgets, facing off against the latest embodiment of the West’s global fears.

But in the fifties and sixties, Bond was a blunt weapon in dinner suit whose sole purpose was to smash the West’s enemies. He was also the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.

Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West.… Read more

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Posted in Horwitz Publications, Ian Fleming, Pulp fiction, Pulp Friday, Pulp paperback cover art, Scripts Publications, Spies, Vintage pulp paperback covers

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The books that hooked me on crime fiction

Posted on September 2, 2013 by Andrew Nette| 15 Comments

The Neon rainDo you remember what books got you into crime fiction?

When it all comes down to it, I have to credit my late father. Dad loved writers like Carter Brown, Mickey Spillane and Ian Fleming. He passed on his readings tastes to me, particularly his love of dark, pulp influenced crime fiction.

Here are the five books that began my love affair with crime fiction.

What are yours?

From Russia With Love – Ian Fleming I still have my father’s collection of James Bond novels published by Pan Books in the late fifties and sixties, which I saved from my mother’s frequent op shop culls. Published in 1957, From Russia With Love was the fifth Bond book but the first one I read.

It involves a complex plot by Soviet counter intelligence, SMERSH, to kill Bond and discredit British intelligence, using a beautiful Russian cipher clerk and a secret decoding machine as bait. Lashings of action and intrigue, evocative settings such as Istanbul and the Orient Express, characters including the SMERSH executioner, ‘Red Grant’, and the diabolical Colonel Rosa Klebb.

I can still remember reading this in my late teens and my mind going whoooosh with the possibilities.

The Neon Rain – James Lee Burke

The Neon Rain was another of my father’s books.… Read more

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Posted in Crime fiction, Ian Fleming, James Crumley, James Ellroy, Noir fiction, Peter Corris

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