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Category Archives: Jo Nesbo
Headhunters and Laughing Policemen
Such is the speed with which Hollywood is keen to co-opt Scandinavian crime fiction, that even before the movie version of Jo Nesbo’s Headhunters hit Australian cinemas, a US remake was in the works.
I’m curious what exactly the remake could do differently, given that Headhunters already feels so much like a mainstream American thriller.
By that I mean it is slick, fast paced and requires viewers to suspend their disbelief to an increasing degree as the plot unfolds.
I make no bones about my lack of knowledge of Scandinavian crime fiction and film, but it seems to me the only really Nordic qualities Headhunters has are some pretty creepy characters, the huge level of graphic violence and a lot of Ikea-like interior design.
Not that the film doesnlt have its merits.
Could you submerge yourself in a pit human shit or take another human life to escape someone trying to find and kill you? Those are just two of the situations faced by the main character in Headhunters, Roger Brown (Askel Hennie).
Brown is Norway’s most successful corporate headhunter. He’s got a thing about being short (five and a half feet) and a problem maintaining the lavish lifestyle expected by his taller, impossibly blonde trophy wife, Diana.
To make ends meet Brown moonlights as an art thief.… Read more
Posted in 60s American crime films, 70s American crime films, Anthony Zebe, Crime fiction, Crime fiction and film from Scandinavia, Jo Nesbo, Stuart Rosenberg
Tagged Anthony Zebe, Askel Hennie, Bruce Dern, Game of Thrones, Headhunters (2011), Jo Nesbo, Martin Block, Nikolaj Coster-Waldau, Per Wahloo and Maj Sjowall, Pocket Money (1973) Cool Hand Luke (1969), Stuart Rosenburg, The Laughing Policeman (1973), Walter Matthau, WUSA (1972)