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Recent Posts
- Pulp Friday: Wild Beat, a tribute to Australian pulp writer Carl Ruhen, 1937-2013
- Book review: Galveston
- True Detective
- When You Comin’ Back, Red Ryder
- South Korean cinema influences
- Pulp Friday: Key of Corruption
- Wake In Fright: Dusty and Thirsty in the Outback
- Pulp Friday: passion pits and twilight zones, Kings Cross pulp fiction
- Cross examinations: a review of Louis Nowra’s Kings Cross A Biography
- Interview: Eva Dolan, author of Long Way Home
Archives
Books and writing
- Angela Savage
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- David Whish-Wilson
- Dead End Follies
- Detectives Beyond Borders
- Fair Dinkum Crime
- Friday's Forgotten Books
- House of Crime and Mystery
- Jungle Jim
- Just A Guy That Likes to Read
- Loitering With Intent
- My Bookish Ways
- Noir Nation
- Permission to Kill
- Snubnose Press
- Spinetingler
- The Night Editor
- The Rap Sheet
- The Violent World of Parker
Film
- Back Alley Noir
- Black Hole Reviews
- Celluloidwickerman
- Cinebeats
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- Film Noir Foundation
- Fragments of Noir
- Goodbye Like a Bullet
- Paracinema
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- The Cultural Gutter
- The Edit Room Floor
- The Last Drive In
- Wise Kwai's Thai Film Journal
The lurid world of pulp
Categories
- 60s American crime films
- 70s American crime films
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- Albert Dekker
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- Coronet Books
- Crime Factory
- Crime Factory Publications
- Crime fiction
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- Crime fiction and film from Mexico
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- Crime film
- David Peace
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- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Red Eagle (Insee Daeng)
- Richard Conte
- Robert Aldrich
- Robert Mitchum
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- Roger Smith
- Rural noir
- Sam Hawken
- Samuel Fuller
- Scripts Publications
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Stuart Rosenberg
- Sydney Lumet
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage pulp paperback covers
- Wallace Stroby
- Woody Strode
- Yakuza films
- Yaphet Kotto
Category Archives: Ned Kelly Awards
Blackwattle Creek – a rereading of the Ned Kelly award winner 2013
Buried beneath the hysteria of last Saturday’s federal election was another vote, the 2013 Ned Kelly awards for Australian crime writing. It was a night of firsts: the first year e-books were eligible, the first time the Neddies have taken … Continue reading
Ghost Money makes long list for Ned Kelly crime writing awards
The long lists for the 2013 Ned Kelly awards for Australian crime writing have been released. My novel, Ghost Money, has made the long list for best First Fiction, along with a number of other excellent books. Ghost Money continues … Continue reading
I’m in a book with some guy called Lawrence Block
Dark Prints Press anthology, The One That Got Away is out and it contains a story by yours truly. You can order the book here and the digital edition will be available soon. Based in Perth, Western Australia, Dark Prints … Continue reading
New crime anthologies and Ned Kelly Awards
An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies. I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, … Continue reading
Posted in Angela Savage, Australian crime fiction, Crime Factory, Crime fiction, Crime fiction and film from Africa, Ned Kelly Awards, Neo Noir
Tagged Adrian Mckinty, Alan Carter, Angela Savage, Crime Factory, Crime Factory anthology, Crime Factory: The First Shift, D*cked, Dark Prints Press, David Whish-Wilson, Dennis Tafoya, Dust Devils, Geoffrey McGeachin, Hilary Davidson, Ken Bruen, Leigh Redhead, Ned Kelly Awards, New Pulp Press, Prime Cut, Roger Smith, Save Zeltserman, Scott Wolven, The Digger's Rest Hotel, The One That Got Away
