Category Archives: Pulp fiction

Pulp Friday: Klute, the UK paperback tie-ins

Klute UK final 1973Today’s Pulp Friday offering is a very short addendum to my post a couple of weeks ago about the US paperback tie-in to Alan J Pakula’s 1971 movie, Klute, and the career of its author, William Johnston. As I noted in the post, which you can read in full here, Johnston appears to have been a master of the paper-back tie in, a massively popular form of entertainment before the advent of VHS, as a way for fans to re-live their favourite films and television shows.

Spurred on by a comment by one of my readers, I thought people might be interested in the UK paperback tie-in editions for Klute. There a two that I am aware of. The first is the 1973 Sphere paperback above, the cover for which was kindly sent to me by the reader in question, Stuart Radmore. As he noted, and I agree, it is a much darker and atmospheric cover design than the US 1971 Paperback Library edition. The back cover of this edition is included below.

The second is another Sphere version, this one from 1971, which appears to be the Australian and New Zealand edition of the Sphere tie-in. Until I saw Stuart’s comment, I had totally forgotten that I owned this version.… Read more

Pulp Friday: Klute the novel & William Johnson, master of the paperback tie-in

Klute paperback frontI had a lot of interest in my post earlier this week on Alan J Pakula’s wonderfully atmospheric 1971 movie, Klute. Given this, I thought Pulp Curry readers may be interested in having a look at this artefact from my pulp collection, the paperback tie-in for the film. It was published by Paperback Library in July 1971, a month after the film was released. I like the tag line on the cover, which reduces what is a remarkably sophisticated film to a classic, 1950s sounding pulp novel: ‘A small-town cop and New York call girl run a collision course with murder’.

I thought this would be a relatively straight forward post, but as is often the case there is a story behind the author of this book. Paperback tie-ins were a massively popular form of entertainment before the advent of VHS, as a way for fans to re-live their favourite films and television shows. The author of Klute, William Johnston, appears to have been somewhat of a master of the paper-back tie in.

According to an article on this site, much of which was taken by a longer piece by author, Lee Goldberg, Johnston penned a large number of them. The best known of these were numerous books for the Get Smart series.… Read more

Pulp Friday: American Pulp – How Paperbacks Brought Modernism to Main Street


I’ve always been fascinated by how relatively insignificant objects you’ve lost in the course of moving around in life can later come to hold important meaning. An example for me is a black and white photograph of my father on holiday in Queensland’s Surfers Paradise in the early 1960s. It was destroyed when my friend’s shed, in which I stored all my possessions while travelling overseas, burnt down. I find it hard to recall what else was lost, but I remember that photo. Dad is sitting in a chair on the beach, wearing dark sunglasses and reading a paperback by the prolific Australian pulp writer Carter Brown.

Two things gave me cause to think about this picture recently. The first was the hype around the Anzac Day centenary commemorations – I’ll explain that connection later. The second was reading US academic Paula Rabinowitz’s beautifully written, highly original work, American Pulp: How Paperbacks Brought Modernism to Main Street.

Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.… Read more

Designing pictures for words: Interview with book cover designer, W H Chong

Image 2 The Left Hand of Darkness, Orbit Books, 1991From his first cover design job, a souvenir booklet to mark 1990 Collingwood AFL Grand Final victory, Melbourne-based book cover designer W H Chong, Design Director for Text Publishing, has won multiple awards for his covers for young adult fiction, crime, classics and literature.

I interviewed Ching about what makes a good cover design and his favourite cover designs from the science fiction reading of his youth. You can access the piece in full  at Spook Magazine here.

You can check out Chong’s personal website, with all his book cover design work here.

Interview: New Jersey crime writer, Wallace Stroby


Wallace Stroby was an award-winning journalist who quit his job as an editor at New Jersey’s Star-Ledger of Newark newspaper, to write crime fiction full time. A life long New Jersey native, he is the author of six books, of which his debut, The Barb Wire Kiss, was a finalist for the 2004 Barry Award for best first novel. His last three books, Cold Shot to the Heart, Kings of Midnight, Shoot the Woman First, feature the female professional criminal character, Crissa Stone. This is an edited version of an interview, which I conducted at Noir Con 2014 in Philadelphia, that originally appeared in issue 17 of Crime FactoryHis latest Crissa Stone book The Devil’s Share, is out now.

Let’s start of with your recent books featuring the character of Crissa Stone. What was the inspiration behind writing these?

I always wanted to write a book from the point of a view of a career criminal. In my third novel, Gone ‘Til November, half of the book was from the point of view of an ageing black hit man but the main character was actually a woman, the only female sheriff’s deputy in a small town, a woman in a man’s world and I liked that idea. So coming off Gone ‘Til November I wanted to combine those two and do a story about a career criminal who was a woman in a man’s world.… Read more