Category Archives: Pulp fiction

Pulp Friday: The Thing From Another World

The Thing 1951Today’s Pulp Friday is an absolute thing of beauty.

The Australian edition of John W Campbell’s The Thing From Another World, published by Malian Press in Sydney, in 1952. The wonderful cover is by the prolific local artist, Stan Pitt, who illustrated comics and pulp paperback covers for a number of Australian pulp publishers over a lengthy career that stretched form 1942 to the 1970s.

This edition is particularly interesting because it is the first to anywhere in the world to reference the 1951 film, The Thing From Another World, directed by Howard Hawks. I originally saw it when it was posted by a chap called Morgan Wallace on the Vintage Paperback and Pulp site on Facebook.

Investigating Campbell on the Internet, I discovered a host of terrific images associated with this particular work.

The story was originally known by the title Who Goes There?, and first appeared in the August 1938 edition of Astounding Magazine under Campbell’s pen name, Don A Stuart.

It was published in hard cover as part of a collection of Campbell’s short fiction by Shasta Books in 1948. And then appeared in various editions, with various titles, leading up to the last one below, Bantam paperback tie-in to the 1982 film version by John Carpenter, The Thing.Read more

Pulp Friday: Weird stories & terrifying tales

Weird storiesA belated happy 2017 to Pulp Curry readers. I have had a very busy start to the year, with my PhD studies and various writing projects, hence the first post of the year has taken me a while to get around to.

The first Pulp Friday of 2017 is a stunning collection of horror themed 1960s pulp titles by Horwitz Publications. These are a mixture of titles I own and books from other collectors.

While horror tales were a staple of American and British pulp fiction in the 1950s and 1960s, they failed to achieve similar popularity in Australia. Australia’s censorship regime – both at the state and federal levels – were far stricter and, as a result, our publishers were much more timid. According to Canberra based scholar, James Doig, horror never had the commercial appear amongst Australian pulp buyers of other genres, such as crime and romance.

That’s not to say there was a total absence of local horror pulp. Influenced by the US magazine Weird Tales, Currowong published a series of horror titles in the 1940s. And Cleveland and Horwitz published some novelettes and pocket books in the 1950s and 1960s.

The earliest Horwitz effort in the 1960s appears to be Weird Stories, published in 1961, part of an anthology series edited by Charles Higham, which was most likely a response to the very successful Pan Book of Horror Stories series that began to appear under the editorship of Herbert Van Thal in 1959.… Read more

My top books of 2016

my-father-the-pornographerIt’s that time of the year for my top 10 reads of 2016. As is always the case, my list is a mixture of new books, old books, fiction and non-fiction. In no order they are as follows:

The Rules of Backyard Cricket, Jock Serong

It took a while for this book to warm up, but about a third of the way through it just goes bang and never looks back from there. An incredibly dark tale of suburban crime set over several decades in Melbourne, as seen through the eyes of professional cricketers Darren Keefe and his older brother, Wally. Don’t let the publisher’s marketing of this book as literary crime fool you; this is as good an example of noir as you will find in Australian crime fiction today. Serong has a beautiful prose style and totally nails the period detail of growing up in seventies/eighties suburban Melbourne.

Old Scores, David Whish-Wilson

Old Scores is the third book by Perth crime writer David Whish-Wilson featuring Frank Swann, former petty criminal, disgraced cop and low rent private investigator.The story is set in the set at the beginnings of the cowboy capitalism that marked Western Australia in that decade. Swann’s peculiar mix of talents is in demand by the state’s newly elected Labour government.… Read more

Book review: The World of Shaft

The World of Shaft

You might remember the news last year that New Line pictures had acquired the rights to do yet another film remake featuring the iconic character of John Shaft. If so, you may also remember the ensuring controversy that erupted over plans to make said film a comedy, including an open letter protesting the move by  award winning journalist, David F Walker.

I am not sure at what stage the proposal Shaft remake is at, but I totally agree with Walker in his introduction to Steve Aldous’s recently released guide to the character, ‘When author Ernest Tidyman’s book Shaft was first published in 1971, and director Gordon Parks’ cinematic adaption followed a year later, a new era of representation began in American pop culture.’

The World of Shaft attempts to chronicle the cultural phenomena that is the ex-juvenile delinquent, Vietnam Vet, New York private eye known as Shaft. From the character’s origins via the pen of white ex-newspaperman Tidyman to the, in my opinion, rather average 2000 cinematic remake, this is an exhaustive examination of every aspect of the character and his various manifestations.

Shaft emerged from a combination of Tidyman’s desperation to make it as a writer and, as he put it in an interview, his “awareness of both social and literary situations in a changing city.… Read more

Mike Hodges’ Pulp & mass paperback fiction on the big screen

Caine in PulpThe opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.

The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more