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Recent Posts
- Pulp Friday: Wild Beat, a tribute to Australian pulp writer Carl Ruhen, 1937-2013
- Book review: Galveston
- True Detective
- When You Comin’ Back, Red Ryder
- South Korean cinema influences
- Pulp Friday: Key of Corruption
- Wake In Fright: Dusty and Thirsty in the Outback
- Pulp Friday: passion pits and twilight zones, Kings Cross pulp fiction
- Cross examinations: a review of Louis Nowra’s Kings Cross A Biography
- Interview: Eva Dolan, author of Long Way Home
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The lurid world of pulp
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Category Archives: Robert Ryan
The heist always goes wrong, part 2: reader picks and other favourite heist movies
My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist … Continue reading
Posted in 60s American crime films, 70s American crime films, Donald Westlake aka Richard Stark, Fernando Di Leo, Film Noir, James Woods, Jim Thompson, M Emmet Walsh, Robert Ryan, Sterling Hayden, Steve McQueen, Yaphet Kotto
Tagged Ali McGraw, Ben Johnson, Best Seller (1987), Blue Collar (1978), Clint Eastwood, Coleen Grey, Don Rickles, Donald Sutherland, Dustin Hoffman, Elisha Cook Jr, Elke Sommer, Faye Dunaway, Fernando Di Leo, Gary Busey, Gary Lockwood, Gavin MacLeod, Harry Dean Stanton, Harvey Keitel, heist films, Jack Palance, Jules Dassin, Karen Black, Kelly’s Heroes (1970), Lee J Cobb, Milano Calibre 9 (1972), oe Don Baker, Paul Schrader, Plunder Road (1957), Richard Pryor, Rififi (1955), Robert Ryan, Sam Peckinpah, Set It Off (1996), Slim Pickens, Sterling Hayden, Steve McQueen, Straight Time (1978), Telly Savalas, The Anderson Tapes (1971), The Getaway (1972), The Killing (1956), The Outfit (1973), The Thomas Crown Affair (1968), Theresa Russell, They Came to Rob Las Vegas (1968), Timothy Carey, Vince Edwards, Yaphet Kotto
Mr Fuller goes to Tokyo
Sam Fuller’s 1955 movie House of Bamboo isn’t one of the greatest film noirs ever made but it’s in there for one of the most interesting, and despite its flaws I have found myself watching it over again. All the elements … Continue reading
