Category Archives: Crime fiction and film from South Korea

Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter

After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.

Why am I doing this?

The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Moversyou can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.

But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.

And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.

I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more

My 2014 Melbourne International Film Festival top ten

sorcerer-truck-on-bridgeThe Melbourne International Film Festival (MIFF) kicks off in few days. As usual, there’s a packed program full of cinematic goodness. If you’re wanting to check some films out but are stumped as to what to see, here’s my ten picks.

Sorcerer, 1977

The newly remastered print of Sorcerer, William Freidkin’s 1977 homage to Henri-Georges Clouzot’s 1953 classic, The Wages of Fear, is up there as one of my top MIFF picks for the festival. The story is about a group of four men, each of them on the run from various sins committed in their past life, who are hired to transport a truck load of volatile dynamite across an incredibly hostile stretch of Central American jungle. Freidkin may be better known as the director of The French Connection (1971) and The Exorcist (1973) but this hard boiled slice of pure cinematic noir is, in my opinion, his best film.

Electric Boogaloo: The Wild Untold Story of Cannon Films – 2014

I really enjoyed Mark Hartley’s documentaries, Not Quite Hollywood (2008), about Australia’s Ozsploitation film scene, and Machete Maidens Unleashed (2010), his look at American film making in the Philippines in the seventies and eighties, so expectations are high for this one. Electric Boogaloo is the story of Cannon Films, the Hollywood B-studio responsible for such cinema gems as Lifeforce (1985) and the pre-Rambo, Rambo film, Missing In Action (1984).… Read more

South Korean cinema influences

Today, I’m very happy to welcome Chris Irvin to Pulp Curry.

Chris is a short story writer, one of the editors of the great short fiction site, Shotgun Honey, and the author of the recently released novella, Federales. Federales is  about a Mexican federal agent, drugs, and politics. It’s on my to-read list and I’m pretty certain it should be on yours, too.

Chris wanted to write about how South Korean crime cinema has influenced his own crime writing. Welcome Chris.

And by the way, if you are interested in winning a copy of the Federales e-book, just leave a comment on this post. I’ll pick a winner from among them a little later in the week.

fullsizephoto254644Perhaps like many fans of South Korean (Korean) Cinema, I was first introduced through Park Chan Wook’s Oldboy (2003), a brutal revenge tale adapted from a Japanese manga.

Revenge is central to many Korean thrillers Oldboy, Sympathy for Lady Vengeance (2005) Sympathy For Mr Vengeance (2002), I Saw the Devil (2010), Bittersweet Life (2005), etc.

But take a step back and look at the common themes that set Korean films apart from their American cousins, and what I find inspiring and influential to my writing.

I find many themes and layers of Korean cinema to be fascinating, especially those informed/influenced by Korean history/society, but for the sake of brevity I’ll focus on three:

The Dysfunctional Family – The dysfunctional family bands together to defeat the foreign menace and overcome its own natural flaws.… Read more

Great crime reads set in Asia

Okay, I’ve sat patiently through the hype about Scandinavian crime fiction, which shows no sign of ending, only to read recently that the next big thing in crime fiction is central Europe.

I keep thinking people will eventually discover Asia as a fascinating place to set crime fiction, but it looks like I’ll have to keep on waiting on that score.

Not that there aren’t some great crime reads set in the region. A few weeks ago I wrote the following post on some of my favourites for the site, Crime Fiction Lover. One book I could’ve included but didn’t was David Peace’s Tokyo Year Zero. One CFL reader suggested the books of Seicho Matsumoto. I’d live to hear other suggestions as I’m sure there are heaps more.

Jade Lady Burning – Martin Limon

Low profile crime writer Martin Limon has so far written six books featuring Sueno and Bascom, officers in the Criminal Intelligence Division of the US military based in South Korea, and a seventh is on the way.

Jade Lady Burning was the first of the series, written in 1992, and for my money it’s still one of the best. Sueno and Bascom are assigned to investigate the brutal murder of a local prostitute which turns into something much more sinister.… Read more

Report back from the Korean Film Festival in Australia

I’ve been meaning to report back for a while now on the Korean Film Festival in Australia, which recently took place in Melbourne and Sydney (and to thank the organisers for the media pass – thanks).

The two films I managed to catch in the Melbourne program where LEE Joeng-beom’s The Man From Nowhere and Jang Hun’s Secret Reunion, the number one and two box office hits in South Korea respectively in 2010.

I would have made it three films, but for some reason Ryoo Seung-wan’s The Unjust only played in the Sydney part of the program.

That a film like The Man From Nowhere did so well with South Korean audiences fascinates me. It’s a standard revenge flick, but it also contains a pretty staggering body count and a sub plot in which children are kidnapped to work in an illegal drug laboratory and then harvested for their organs when they can’t perform their duties any longer (that said what would a South Korean audience make of the popularity of Animal Kingdom, one of the highest grossing Australian made films in 2010?).

A solitary pawnshop owner, Won Bin (played by Cha Tae-sik) gets sucked into bloody feud between two rival gangs of drug traffickers, when the junkie mother of a little girl he has befriended in his apartment building leaves stolen heroin in a camera she pawns to him.… Read more