Category Archives: Ted Lewis

Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir

The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.

But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.

Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more

Pulp Friday: Hell is a City

A very quick Pulp Friday offering, Maurice Procter’s Hell is a City, published by Arrow Books, 1957. I am not sure, but this edition may even be the first British release of the novel in paperback.

Procter was a former Manchester policeman turned crime writer, best known for his police procedurals featuring the character of Detective Chief Inspector Harry Martineau, based in a tough fictional northern England industrial town. Proctor penned 14 Martineau novels, which appeared between 1954  and 1969, of which Hell is a City was the first.

Two things have got me thinking about the Martineau books. The first is my PhD research at the moment, which has been looking at the prevalence of American style detective and PI crime fiction in the 1950s in the US, UK and Australia. Procter’s work is different from a lot of post-war British crime pulp, which was set in America.

I’ve also been reading Nick Triplow’s excellent biography of English crime writer, Ted Lewis, Getting Carter (which I’ll be reviewing on this site in the coming weeks).

Among the popular cultural touchstones, Triplow writes, that would inspire Lewis’s work, including the iconic series of British gangster novels featuring the character of Jack Carter, was the 1960 film adaption of Hell is City by Val Guest.… Read more

Book review: GBH by Ted Lewis

GBH

British author Ted Lewis is best known for his second novel, Jack’s Return Home (filmed in 1971 as Get Carter,  the title by which subsequent editions of the book would be known). But many believe his greatest work was his last, GBH, published in 1980, two years before his death.

For a long time, you could only read GHB if you could find and afford a scarce second hand copy. Thankfully, it has recent been re-released by Syndicate Books (along with the rest of Lewis’s work) a subsidiary of the prestigious and well known crime fiction press, Soho Crime.

GHB is the story of George Fowler, former head of a powerful London based criminal organisation that controlled the largest porn distribution network in the UK. His products are far worse than being merely ‘blue movies’, as they are rather innocuously referred to, and include, it is strongly inferred, snuff films, which Fowler sells to a small group of very deranged and very rich clients.

Fowler has everything: money, muscle, a wonderful penthouse with a sunken lounge (the key signifier in Lewis’s books, of any underworld villains worth their salt) and a beautiful, intelligent girlfriend, Jean, who helps run his empire and isn’t at squeamish about what Fowler does.

Then someone starts undermining his organisation from within.… Read more

Ephemera from the 1971 film, Get Carter

Michael Caine and Geraldine Moffat

Michael Caine as Jack Carter and Geraldine Moffat who played Glenda

Following on my essay earlier this week in the Los Angeles Review of Books on Ted Lewis, his Jack Carter books and the film adaption of the first book, Get Carter (which you can check out here if you if you are interested), I thought readers might be interested in a selection of ephemera from the books and film.

The 1971 movie, directed by Mike Hodges, does not need any introduction here. While it is by no means the best british crime movie ever made, as some would claim, it is a good one and has been very influential, in terms of plot, characterisation and visual feel.

Enjoy.

Get Carter movie poster version 1

Get Carter

Get carter poster 1973

Get Carter poster 2

Get Carter poster 1999

Michael Caine and Ian Hendry behind the scenes

Behind the scenes shot featuring Michael Caine and Ian Hendry

Michael-Caine, Petra-Markham-Rosmarie-Dunham-Dorothy-White1

Michael Caine with the female cast of Get Carter (courtesy of the official Ian Hendry website)

Ian Hendry with Michael Caine and producer Michael Klinger, Newcastle upon Tyne (courtesy of the official Ian Hendry website)

Get Carter US lobby card 1972

1972 US lobby card featuring Caine and Alun Armstrong

Get Carter, 1971 lobby card, featuring Britt Ekland

Jack's Return Home, Michael Joseph, 1970

Jack’s Return Home, Michael Joseph, 1970

Carter, Pan Books, 1970

Carter, Pan Books, 1971

Giallo caine

An Italian giallo version of Ted Lewis’s novel, Get Carter

Get Carter s

Album Cover to Get Carter score by Roy Budd

Caine and Moffat

Caine and Moffat redux

Carter Village

For those who are interested, there are a lot more terrific behind the scenes images from Get Carter here on the official Ian Hendry website.… Read more

Get Carter, again

Ted 71 on set of GC

British author Ted Lewis on the set of the 1971 film, Get Carter

It is impossible to discuss British author Ted Lewis’s 1970 novel, Jacks Return Home, without mentioning its better-known 1971 film adaptation,Get Carter. Rarely has such an influential crime novel dwelt so deeply in the shadow of its cinematic adaptation. In the wake of the movie’s success, the book was quickly retitled Get Carter (which is how I’ll refer to it) and the main character forever associated with British actor Michael Caine, then at the height of his preternaturally long acting career, in a snappy suit and tie, grimly looking over the barrel of a shotgun.

Not that anything else Lewis wrote was particularly successful. As British crime writer Ray Banks observed in a piece on the site The Rap Sheet: “As far as forgotten books go, you could make a claim for pretty much anything Ted Lewis wrote.” But what Lewis lacked in sales, his books, particularly Get Carter, made up for in the glowing praise of crime writers, nearly all of it posthumous.

Get Carter and its subsequent prequels, Jack Carters Law (1974) and Jack Carter and the Mafia Pigeon (1977), have recently been rereleased by Syndicate Books, which marks the first time they have been available in North America for 40 years.… Read more