Category Archives: Vintage mug shots

Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter

After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.

Why am I doing this?

The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Moversyou can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.

But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.

And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.

I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more

Small Town Noir: the possible book

Katie Payne Mug Shot

Vintage photographs are all the rage these days. Hell, vintage everything is big, it seems. There are some websites that do vintage images better than others. One site I stumbled accidentally across several years ago and which I have continued to visit on a regular basis is called Small Town Noir. It features old police mug shots from the former American industrial town of New Castle in Pennsylvania and the stories of behind them. What I like most about Small Town Noir is it’s just that. The person behind the site, a man called Diarmid Mogg, doesn’t post images of big time criminals in New York or Chicago. His subjects are ordinary people and he examines their hopes, dreams and frustrated plans, their small town crimes, and how these brought them to the attention of the police.

Now he’s trying to turn his website into a book and he needs people to pledge to buy it here. I reckon it’s a great idea and I’m going to support it. I thought other Pulp Curry readers might be interested in knowing more about Small Town Noir and when Diarmid asked whether I’d be prepared to help him publicise his project by doing an interview with him, I was more than happy to oblige.Read more

The two faces of the femme fatale

The femme fatale is a staple character of crime fiction and film. Last weekend, I got a glimpse of the reality behind screen and literary presentations of female criminality at an exhibition into Australia’s famous female criminals, currently taking place at Geelong’s National Wool Museum.

You don’t have to have a PhD in cultural studies to realise that our fascination with women as deviants is deeply rooted in conceptions that stretch back to the Bible (Eve, anyone?), fairy and folk tales. The exhibition, Femme Fatale: The female criminal opens with a quote by Italian criminologist Cesare Lombroso from 1893 that epitomises this worldview: “The born female is, so to speak, doubly exceptional, first as a women and then as a criminal. This is because criminals are an exception among civilised people and women are the exception among criminals… As a double exception, then, the criminal woman is a monster.”

The exhibition includes a pretty grim history of the illegal or backyard abortion industry, the women who often ran it and the police who profited from protecting it. This includes some amazing police crime scene photos (not for the faint hearted) of the premises in which back yard abortionists operated.

A section examines the depiction of women criminals in popular culture, including the femme fatale of classic hardboiled and noir crime fiction and film, women in prison films such as Convicted Women in 1940 (“WOMEN WEEP … but not for their sins … as tear gas quells female prison riots”), and more recent examples such as Thelma and Louise and Glenn Close in Fatal Attraction.… Read more