Tag Archives: Avakoum Zahov vs 07

In search of a proletarian James Bond

17-moments-of-spring-1

Still from the 1973 Soviet TV series, Seventeen Moments of Spring, based on the novel of the same name by Yulian Semyonov.

A few weeks ago I posted on one of the stranger cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.

Spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. These days Bond may come across as massively cliched, but in the fifties and sixties, he was the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.

Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West. Fleming’s books were banned and Soviet newspapers lambasted the secret agent as a sadist and a Nazi.

And while Soviet culture never offered up anything as glitzy or lurid as Bond, it nonetheless produced its own fictional spies. The most infamous of these was Avakoum Zahov who featured in a series of books by Bulgarian author, Andrei Gulyashki, one of which was released in 1967 by local pulp outfit, Scripts Publications.… Read more

Pulp Friday: Avakoum Zahov Vs 07 and Soviet spy fiction

Avakoum Zahov versus 07 cover

“A battle to the death between two crack Secret Agents of East and West!”

This week’s Pulp Friday is one of the strangest cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.

While spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. A host of well known authors as well as a legion of lesser know writers and pulp imitators, all followed in Bond’s wake.

These days it’s easy to view Bond as little more than a clotheshorse with a few snappy lines of dialogue and a lot of high-tech gadgets, facing off against the latest embodiment of the West’s global fears.

But in the fifties and sixties, Bond was a blunt weapon in dinner suit whose sole purpose was to smash the West’s enemies. He was also the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.

Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West.… Read more