Tag Archives: Bangkok Dangerous (1999)

Crime time at the 2012 Melbourne International Film Festival

Last year’s Melbourne International Film Festival was the best I can remember in terms of bringing global crime cinema to Melbourne. And MIFF 2012 looks like it’s going to be every bit as good. I’m particularly pleased to have received media accreditation to this year’s festival (thank you MIFF), which means I’ll be aiming to see more than my usual quota of cinema.

Here’s what I’ll be catching in terms of crime during the Festival.

Foremost on the list is the 2011 Mexican film Miss Bala (that’s Miss Bullet in Spanish), the story of a 23-year old Tijuana woman who decides to enter a beauty contest in the hope of winning much needed money. Instead, she ends up becoming a drug mule and arms trafficker for a cartel boss called Lino.

Miss Bala is supposedly based on a real incident in 2008, in which the then Miss Sinaloa, Laura Zuniga, was arrested with suspected cartel members in a truck filled with munitions. The lead actress in Miss Bala, newcomer Stephanie Sigman, is reported to be excellent in the role.

I’ve been waiting for ages to see Rampart, directed by Oren Moverman who also did The Messenger in 2009, a hard hitting film about two US marines whose job is to deliver death notices to the loved ones of US service men and women killed in action.… Read more

Young and dangerous: two Thai crime films

The only notable feature about the 2008 Nicholas Cage movie Bangkok Dangerous, was its success in achieving something I didn’t think was possible – it made the Thai capital of ten million look boring. Bangkok is many things: hot, polluted, crowded, exotic, infuriating, exhausting. But it is never boring.

What possessed the film’s directors, Oxide and Danny Pang, to reprise their 1999 Thai language movie hit of the same name is unclear, although after ten years of in Thailand and Hong Kong, the lure of Hollywood and money probably had something to do with it.

The original Bangkok Dangerous combined taunt story telling with stylish visuals. It also made the most of Bangkok as a setting, a world of neon lit go-go bars, dingy apartments and back alleys constantly humming with the drone of traffic and the two-stroke motorcycles that are the preferred mode of transport for much of the populace.

The film’s breakneck pace is set in the very first scene, when grainy footage from an askew security camera in an anonymous toilet block captures the first killing. Within seconds we are introduced to the main character, the assassin Kong, wandering along a nightclub strip to a bar where he receives instructions about his next job from one of the hostesses, a dissolute Aom.… Read more