Tag Archives: Carter Brown

A sit down with the Godfather: an interview with Peter Corris

As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of  the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.

Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?

Peter Corris: Yes

Where did the shift take place into writing novels?

I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.

That was The Dying Trade?

That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more

Pulp Friday: witches, sorcerers & Satan’s disciples

Satan, witches, warlocks, demons, they were everywhere in the sixties and seventies and no more so than on pulp fiction covers. To mark Halloween, today’s Pulp Friday offering is a selection of covers featuring the lord of darkness and his various disciples.

It’s hardly surprising that Satanism and witchcraft featured so prominently in pulp. Not only did these books mirror then contemporary tabloid fascinations with black magic and witches, but the subject was an excuse for a bit of gratuitous sex and nudity. Especially sex. Devil worshippers, particularly Satan’s female disciples, were nothing if not sexually promiscuous, at least in the pages of pulp fiction.

The selection of covers below hail from the UK, US and Australia. They ran the gamut of key pulp fiction sub-genres: fiction (Dennis Wheatley’s To the Devil a Daughter, one of many occult themed books he wrote); history and so-called exposes (James Holledge’s Black Magic, ‘The world of uncanny occult rights, psychic phenomena, weird sex rities’); how to guides (How to Become a Sensuous Witch); television and movie ties ins (The Witchfinder General and  The Grip of Evil, the latter part of a series of paperback spin offs based on the hugely popular early 1970s Australian television show, Number 96), and smut titles (Bride of Satan and The Cult of Flesh – ‘Violent debauchery in a Satanic Cult of Flesh Worshipers’),

Even Carter Brown, hardly the most salacious of pulp writers in the sixties, touched on occult themes in books like Blonde on a Broomstick.… Read more

Pulp Friday: American Pulp – How Paperbacks Brought Modernism to Main Street

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I’ve always been fascinated by how relatively insignificant objects you’ve lost in the course of moving around in life can later come to hold important meaning. An example for me is a black and white photograph of my father on holiday in Queensland’s Surfers Paradise in the early 1960s. It was destroyed when my friend’s shed, in which I stored all my possessions while travelling overseas, burnt down. I find it hard to recall what else was lost, but I remember that photo. Dad is sitting in a chair on the beach, wearing dark sunglasses and reading a paperback by the prolific Australian pulp writer Carter Brown.

Two things gave me cause to think about this picture recently. The first was the hype around the Anzac Day centenary commemorations – I’ll explain that connection later. The second was reading US academic Paula Rabinowitz’s beautifully written, highly original work, American Pulp: How Paperbacks Brought Modernism to Main Street.

Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.… Read more

Damned to literary obscurity: June Wright and Murder In the Telephone Exchange

JUNE_WRIGHT-author-picAs a seasoned habitué of second hand bookshops, and what is known in some quarters as ‘an early career author’, I often ponder the reality of literary obscurity.

It takes stern stuff (or huge sales) to go into a large second hand bookshop and not feel humbled by the sight of shelf upon shelf of old books. All those hours, days, weeks, years of literary labour selling cheap, if they sell at all.

What makes a particular book or author famous, while the majority are forgotten – the vagaries of history or the market, luck or accident? Equally fascinating is the process by which some authors are plucked from historical obscurity and given a second chance.

I thought about this most recently while reading Murder in The Telephone Exchange, a murder mystery set in late forties Melbourne by June Wright, recently re-released by US-based publisher, Verse Chorus Press.

You can read the rest of this piece here on the Overland Magazine blog.

Interview: Australian pulp fiction historian Toni Johnson Woods

Dr Toni Johnson Woods is someone I’ve been keen to interview on this blog for a while now.

A Research Fellow at University of Queensland, she is passionate about Australian books. Not just capital ‘L’ literature, but the local mass produced pulp fiction of the forties, fifties and early sixties, the existence of which has all but disappeared from our collective cultural memory.

Her commitment to the cause of local pulp includes having listened to hours of popular radio serials (Carter Brown Mystery Theatre and Larry Kent’s I Hate Crime), scanned thousands of pulp fiction covers and read every nearly all 300 Carter Brown novels.

She very generously agreed to answer the following questions about her work by e-mail.

What attracted you to researching pulp fiction in the first place? 

One very unremarkable day I was chatting with colleagues in the tearoom. As you can imagine our conversations are very lofty – not.  I asked the most basic question: who is Australia’s most popular author.

Well, we batted that around for several minutes arguing about what “popular” means, i.e. best selling, most widely read, most known author.  All of these things are not the same. The discussion then turned to what is an Australian author, i.e. someone who was born in Australia?… Read more