Search
-
Recent Posts
- Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, now available for pre-order
- 2019 mid-summer reading report back
- Playing dirty: war as a criminal enterprise
- My top 10 reads of 2018
- Interview with Iain McIntyre, author of On the Fly! Hobo Literature & Songs, 1879-1941
- ‘Broadsword calling Danny Boy’: In praise of Where Eagles Dare
- Luca Guadagnino’s Suspiria
- Pulp Friday: a celebration of Tandem Books covers
- Joint launch of new cinema books on Rollerball and The Fly, Sunday, November 4
- The pulp magazines under the floorboards
Categories
- 1990s American crime films
- 60s American crime films
- 70s American crime films
- 80s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Bill Hunter
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Malaysia
- Crime fiction and film from Mexico
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- David Goodis
- David Peace
- David Whish-Wilson
- Dennis Wheatley
- Derek Raymond
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Emerging Writers' Festival
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- Garry Disher
- Gene Hackman
- George V Higgins
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- James Caan
- James Crumley
- James Ellroy
- James Woods
- Jim Brown
- Jim Thompson
- Jo Nesbo
- Joel Edgerton
- Joseph Losey
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Pulp Magazines
- Michael Caine
- Michael Fassbender
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Red Eagle (Insee Daeng)
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Roger Smith
- Rollerball
- Roy Scheider
- Rural noir
- Sam Hawken
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Stuart Rosenberg
- Sydney Lumet
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
- Angela Savage
- Bitter Tea & Mystery
- Celluloidwickerman
- Cinebeats
- Cinema Retro
- Confessions of a Mystery Novelist
- Dead End Follies
- Detectives Beyond Borders
- MidCenturyCinema
- Rupert Pupkin Speaks
- The Cultural Gutter
- The Last Drive In
- The Passing Tramp
- The Rap Sheet
- Thrilling Detective
- Unlawful Acts
- We Are the Mutants
The lurid world of pulp
- Bear Alley
- Comics Down Under
- Existential Ennui
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Men's Pulp Mags
- Mporcius Fiction Log
- Paperback Warrior
- Pop Sensation
- Pulp Covers
- Pulp Crazy
- Pulp International
- Realms of the Night
- Rough Edges
- Science Fiction and Other Suspect Ruminations
- Sin Street Sleaze
- Spy Guys and Gals
- Temple of Schlock
- The Dusty Bookcase
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Paperback Film Projector
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- Treasures and Musings @ Modern Graphic History Library
- Vault of Horror
- Vintage Romance Novels
- Yellow and Creased
Tag Archives: Death sport
‘It was never meant to be a game’: my monograph on Norman Jewison’s Rollerball
I have been pre-occupied with my Phd and various other commitments, so I’ve been a little bit slow off the mark to publicise my latest book, a monograph on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball, out now on various platforms in the US, UK and Australia, through Auteur Publishing.
The book originated out of my curiosity to see whether I had it in me to write 40k based on a single film. The film I chose, in consultation with the publisher, was Rollerball. Only you can be the judge as to how good a job I have done, but I’ll let you all in on the first rule of writing a film monograph, make sure you like the film because you not only have to watch it numerous times but immerse yourself in everything to do with it.
I have always like Rollerball, ever since first seeing it twenty years ago. But I didn’t realise until I got stuck into researching the film for this book, just what a good viewing experience it still is and what a chilling dystopian vision it remains.
Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked.… Read more