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- The Evil Touch talk at the Australian National Film & Sound Archive
- “There is no phone ringing, dammit!” Projection Booth episode 422 : The Omega Man
- Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980
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Tag Archives: Dog Eat Dog (2016)
Monster Fest 2016 appearances: The Evil Touch & Homicide, episode 27, ‘Witch Hunt’
A quick heads up to Melbourne readers – Monster Fest 2016 will happen on take place from November 23 – 27, at the Lido Cinema, Hawthorn. Monster Fest is not something I have had much to do with in previous years, but this year it has been hugely revamped, largely thanks to the new program director, Kier-La Janisse, who has put together a new programming team, of which I am a part of.
Anyway, I particularly wanted to draw your attention to two events I am a part of.
Low Grade Transmissions From Hell: Revisiting the Lost Australian Horror Anthology, The Evil Touch
The early seventies are viewed as a peak period for horror anthology television. The Australian show, The Evil Touch is unique in that it was the only horror anthology show made locally, specifically for the US market. Successful in America, it bombed when aired in Australia in 1973 and the 26 episode series is now largely forgotten. Although cheaply made, The Evil Touch is strangely effective, at times, genuinely disturbing television. The grainy look and surreal narrative style give it the feel – in the words of American television critic John Kenneth Muir – of ‘a low grade transmission straight from hell’.
As part of Monster Fest’s Monster Academy, I’ll be giving a talk on the origins, making and reception of The Evil Touch.… Read more
Posted in Australian popular culture, Australian television history, Crawford Productions, Horror
Tagged Ben Wheatley, Cigarette (2016), Crawford Productions TV crime drama, Dog Eat Dog (2016), Homicide, Kadaitcha Country, Kier-La Janisse, Monster Fest 2016, Paul Anthony Nelson, Ted Kotcheff, The Evil Touch, Wake in Fright (1971), Witch Hunt (1965)