Tag Archives: Jon Lewis

My top 10 reads of 2018

I reconciled myself long ago to the fact I will never get to the end of a year without thinking I have not read as much as I should have. That said, I have read some great books this year. Fiction and non-fiction, old books and new, in no particular order, here are my top ten reads for 2018.

Red Dragon, Thomas Harris

This year, I read a few bestsellers from the past to see if I can figure out what made them so successful, and this was my favourite. The book that introduced Hannibal Lector, it is a riveting rollercoaster ride into the serial killer mind. Beautifully written and acutely observed. Harris includes some incredible detail on forensics and police procedure without overdoing it. Red Dragon is the perfect mix of elevated airport novel and hardboiled crime story.

Twisted Clay, Frank Walford

Australian writer, Frank Walford’s 1933 account of a murderous young woman,  a pathological liar and sociopath, was banned in Australia until the late 1950s. The story, which contains patricide, sex work, suicide and the young female main character’s burgeoning awareness and enjoyment of her lesbian sexuality, is a wonderfully lurid read. One can only wonder what readers must have made of it in the 1930s. Not surprisingly, they seemed to like it as it was a bestseller in the UK and US, where it was published.… Read more

Book review: Hard-Boiled Hollywood

I challenge anyone to get more than a few pages into Jon Lewis’s 2017 revisionist history of post-war Hollywood, without thinking about the parallels to Harvey Weinstein scandal, and all the terrible tales about America’s movie capital that have flowed from it. As Lewis’s book demonstrates, Hollywood – both in the temporal and fantasy sense (and both play a role in this book) was never any different. Arguably, it used to be far, far worse.

Lewis’s book doesn’t deliver a lot of new information or historical research about Hollywood. What it does deliver, in spades, is the meticulous collection, collation and synthesis of a huge amount of pre-existing research, media commentary and popular culture folk law, which he weaves together into a cogent and comprehensive overview of post-World War II Hollywood, and the various power players, criminals, film stars and fringe dwellers, and how they interacted with a studio system in the throws of major transition.

The book touches on lots of familiar names: Robert Mitchum and his famous drug bust; Frank Sinatra, already on the start of his trajectory towards conservatism, and his famous stoush with celebrity columnist, Lee Mortimer; the bullying, manipulative HUAC stooge, Cecile B DeMille; Benjamin ‘Bugsy’ Siegel, and his close ties to the studio system, just to name a few.… Read more