Tag Archives: Lee Marvin

LEE, an anthology inspired by Lee Marvin, now available as e-book

Lee-Marvin-Gloria-Graham-and-Glenn-Ford-in-The-Big-Heat-1953Just a quick heads up to let you all know that Crime Factory Publication’s latest publication, LEE, an anthology of short fiction inspired by iconic US actor Lee Marvin is now available as an e-book for Kindle.

You can purchase LEE for your Kindle here for $2.99. The dead tree book is also available from the Crime Factory site for $15.00.

Regular readers will have heard me go on about the LEE anthology a few times on this site. I helped edit LEE, along with my fellow Crime Factory editor Cameron Ashley and founder of the original Crime Factory Magazine, Dave Honeybone, and I’m particularly proud of it.

It features seventeen crime writers, including established pros and newbies such as myself, riffing on various aspects of the fictional life of one of our favourite cultural icons, Lee Marvin.

There’s what Lee got up to off the set of the little known 1955 film, Shack Out on 101, Lee dealing with Apartheid during the filming of Shout at the Devil, Lee at the 1966 Oscars where he won a gong for Cat Bellou, fishing form marlin off the coast of Queensland, lending a helping hand to the props man on the classic Point Blank, coming off second best from an encounter with Andy Warhol at Studio 54.… Read more

Orders open for LEE, a fiction anthology inspired by Lee Marvin

Lee-Marvin fishing

A heads up that you can now order LEE, Crime Factory’s anthology inspired by iconic American actor Lee Marvin, from our the site.

There’s been a bit of buzz around the traps about LEE and at the risk of sounding immodest, it’s all justified. Seventeen stories ranging from gonzo to literary noir, penned by some of the hottest crime writers around. Here’s what others are saying:

“This collection of short fiction puts legendary actor Lee Marvin smack dab in the center of the action where he belongs.”
Dwayne Epstein, author of Lee Marvin: Point Blank

“This collection delivers. The writing is pungent, sly and muscular, dark and comic, and all of it has a tremendous energy. A love of film and love of noir is evident in every story. This does Lee proud.”
Christos Tsiolkas, author of The Slap and Dead Europe

I’m excited to say I’ve also got a story in the anthology. I won’t give too much away about it, except to say it titled ‘Gone Fishing’, hence the theme of the photo above.

If you want a sneak peak of LEE, ManArchy is running a excerpt from Irish crime writer Adrian McKinty’s contribution to the anthology, ‘Hospital Ship’, which you can find here.

And if too much Lee Marvin is not nearly enough, you might light to check out my review for ManAnarcy of the recently released Marvin bio by Dwayne Epstein, Lee Marvin Point Blank.… Read more

LEE, an anthology of fiction inspired by Lee Marvin

LEE cover-I am a HUGE Lee Marvin fan.

Survivor of the carnage of World War Two, drinker, larger than life character, enduring icon of masculine cinema, the star of some of  my favourite films, including The Big Heat, The KillersPoint Blank, Prime Cut and The Dirty Dozen. The man who, in the words of his most recent biographer, “cemented the most purposeful and consistent portrayal of man’s violent and primal inner demons in the history of modern American cinema”.

Well over a year ago myself and fellow Marvin fanatic and Crime Factory editor in chief Cameron Ashley, were sitting in a bar drunkenly bullshitting about future projects, when we stumbled across the idea of doing an anthology of stories inspired by the life of one of our favourite movie stars.

The final product of that conversation, LEE, will be unleashed onto the world in a few weeks time. In the meantime, I thought readers might get a blast out of feasting their eyes on the cover above.

While putting together the book was not without its challenges, finding fellow crime writers who shared our passion for Marvin and who where prepared to put pen to paper to celebrate him and his movies, was not one of them. … Read more

The Killers 1964 & 1946

The following is posted as part of Furious Cinema’s Scenes of the Crime Blog-a-Thon. It originally appeared in the Fall 2012 edition of Noir City.

One short story, Ernest Hemingway’s The Killers, which appeared in 1927, two film versions.  Robert Siodmak directed the first in 1946. Don Siegel helmed the later in 1964. Both films begin with the premise of Hemingway’s 2951 word piece; two anonymous professional killers hired to murder a man, but in most other respects are completely different.

Siodmak’s movie opens, to the accompaniment of Miklos Rozsa’s brassy jazz score, with the arrival of the killers in a small town. It’s night and all we see are their silhouettes backlit by streetlights. First they check the filling station. Finding it closed, they cross the road, go into Henry’s Diner. You can tell they’re professionals, each enters a different way, cutting off any possibility of their quarry escaping.

In the space of a few minutes, Al (Charles McGraw) and Max (William Conrad), establish a sense of menace and disorientation as good as any classic noir cinema has to offer. After rubbishing the diner’s food and the customer’s small town ways, they tell George, the man behind the counter:

“I tell you what we’re going to do, we’re going to kill the Swede.”

“What are you going to kill him for?

Read more

Prime Cut

Want to talk about a movie that broke the mould when it was made?

Let’s talk about Prime Cut.

Starring Lee Marvin, Gene Hackman and Sissy Spacek, this 1972 film is eighty-eight minutes of pulp weirdness – part exploitation flick, part brutal, hard-boiled, crime story.

Prime Cut was directed by Michael Ritchie, who did no other work of any consequence (with the possible exception of The Candidate, also made in 1972), and written by another relative unknown, Robert Dillon.

Marvin plays Nick Devlin, a tough as nails enforcer who is hired to go to Kansas City and retrieve half a million dollars owed to the Chicago mob by a slaughterhouse Kingpin called Mary Ann (Hackman).

Driving all night, Devlin and his men arrive at Mary Ann’s ranch in the middle of a livestock auction. The slaughterhouse is a legitimate business as well as being a front for a white slavery racket. Groups of well-dressed men wander around the inside of a giant barn, bidding on drugged, naked women, Mary Ann’s ‘livestock’, who have been sourced from orphanages and bus stops.

One of the girls, Poppy (Spacek), manages to ask for help through her drug haze. Marvin takes her ‘on credit’ and leaves, after getting Mary Ann’s agreement to meet him next day and hand over the money.… Read more