-
Recent Posts
- The Silent Partner
- The only Ghost Money I want to read about
- Pulp Friday: Trashing
- Crime Factory issue 13 is out
- Pulp Friday: more adventures behind the bamboo screen
- Pulp Friday: The Deadly Prey
- M Emmet Walsh and Blood Simple
- Pulp Curry added to National Library of Australia’s web archive
- Pulp Friday: The Smashers
- Ghost Money now available in print
Archives
Books and writing
- Angela Savage
- Australian Crime Fiction
- Available in Any Colour
- Blaft Publications
- Chin Wag at the Slaughterhouse
- Crime Fiction Lover
- David Whish-Wilson
- Dead End Follies
- Detectives Beyond Borders
- Fair Dinkum Crime
- Friday's Forgotten Books
- House of Crime and Mystery
- Just A Guy That Likes to Read
- Loitering With Intent
- My Bookish Ways
- Snubnose Press
- Spriteby's Bokhylle
- The Rap Sheet
Film
- A Hero Never Dies
- Back Alley Noir
- Backyard Asia
- Bamboo Gods and Bionic Boys
- Cinebeats
- Cinema Retro
- Criminal Movies
- Die, Danger, Die, Die, Kill!
- Film Noir Foundation
- Goodbye Like a Bullet
- Somebody Stole My Thunder
- Technicolour Yawn
- The Edit Room Floor
- The Last Drive In
- The South East Asia Movie Theatre Project
- VCinema Podcast and Webcast
- Wildgrounds: Treasures of Asian cinema
- Wise Kwai's Thai Film Journal
Other criminally-inclined sites
Short fiction
The lurid world of pulp
Categories
- 60s American crime films
- 70s American crime films
- 80s American crime films
- Adrian McKinty
- Albert Dekker
- Angela Savage
- Angie Dickinson
- Anthony Zebe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian pulp fiction
- Ava Gardner
- Belmont Tower Books
- Bill Hunter
- Bryan Brown
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Claire van der Boom
- Coronet Books
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Mexico
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- David Peace
- David Whish-Wilson
- Dennis Wheatley
- Derek Raymond
- Diane Wei Liang
- Don Winslow
- Donald Westlake aka Richard Stark
- Emerging Writers' Festival
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Garry Disher
- Gene Hackman
- George V Higgins
- Ghost Money
- Gil Brewer
- Gold Star Publications
- Heist films
- Horwitz Publications
- James Caan
- James Ellroy
- James Woods
- Jim Brown
- Jim Thompson
- Jo Nesbo
- Joel Edgerton
- Kerry Greenwood
- Kings Cross pulp
- Kinji Fukasaku
- Larry Kent
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Mercenaries
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Noir Con
- Noir fiction
- Oren Moverman
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Pulp
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Red Eagle (Insee Daeng)
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Roger Smith
- Rural noir
- Sam Hawken
- Samuel Fuller
- Scripts Publications
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Stuart Rosenberg
- Sydney Lumet
- Tart noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Uncategorized
- Victor Mature
- Vintage pulp paperback covers
- Wallace Stroby
- Woody Strode
- Yakuza films
- Yaphet Kotto
Tag Archives: Peter Boyle
The heist always goes wrong – ten of the best heist movies ever made
I love a good heist film. I love the genius and intricacy of their plots and the variations they come in, whether it be the all star team assembled for a job or the desperate ex-cons trying for one last … Continue reading
Posted in 60s American crime films, 70s American crime films, 80s American crime films, Angie Dickinson, Charles Durning, Donald Westlake aka Richard Stark, Ernest Borgnine, Film Noir, Gene Hackman, James Caan, Jim Brown, Peter Boyle, Robert Mitchum, Stanley Baker, Sterling Hayden, Sydney Lumet, Yaphet Kotto
Tagged A Cop (1972), Across 110th Street (1972), Al Pacino, Alain Delon, Angie Dickinson, Anthony Quinn, Armoured Car Robbery (1950), Basil Dearden, Catherine Deneuve, Charles Durning, Crime Wave (1954), Criss Cross (1949), Diahann Carroll, Dog Day Afternoon (1975), Don Siegel, Donald Westlake aka Richard Stark, Ernest Borgnine, Gene Hackman, Heat (1995), heist films, Jack Klugman, James Booth, James Caan, James Whitmore, Jim Brown, Joanna Pettel, John Cazale, Joseph Loosey, Money Movers (1979), Peter Boyle, Peter Yates, Richard Jordan, Richard Stark, Robbery (1967), Robert De Niro, Robert Mitchum, Robert Prosky, Ronald Reagan, Sexy Beast (2000), Stanley Baker, Sterling Hayden, Sydney Lumet, The Asphalt Jungle (1950), The Bank job (2008), The Criminal (1960), The Friends of Eddie Coyle (1973), The Killers (1964), The League of Gentlemen (1960), The Red Circle (1970), Tuesday Weld, Warren Oates, Yaphet Kotto
The Friends of Eddie Coyle
Of the crime films coming out of the United States in the early seventies, it’s hard to think of one that’s tougher and grittier than the 1973 neo-noir, The Friends of Eddie Coyle. Set in Boston’s criminal milieu, The Friends … Continue reading















