Tag Archives: The Killing (1956)

Interview: New Jersey crime writer, Wallace Stroby


Wallace Stroby was an award-winning journalist who quit his job as an editor at New Jersey’s Star-Ledger of Newark newspaper, to write crime fiction full time. A life long New Jersey native, he is the author of six books, of which his debut, The Barb Wire Kiss, was a finalist for the 2004 Barry Award for best first novel. His last three books, Cold Shot to the Heart, Kings of Midnight, Shoot the Woman First, feature the female professional criminal character, Crissa Stone. This is an edited version of an interview, which I conducted at Noir Con 2014 in Philadelphia, that originally appeared in issue 17 of Crime FactoryHis latest Crissa Stone book The Devil’s Share, is out now.

Let’s start of with your recent books featuring the character of Crissa Stone. What was the inspiration behind writing these?

I always wanted to write a book from the point of a view of a career criminal. In my third novel, Gone ‘Til November, half of the book was from the point of view of an ageing black hit man but the main character was actually a woman, the only female sheriff’s deputy in a small town, a woman in a man’s world and I liked that idea. So coming off Gone ‘Til November I wanted to combine those two and do a story about a career criminal who was a woman in a man’s world.… Read more

Warren Oates, Gloria Grahame & other subjects for fiction anthologies

OatesThe recent release of Crime Factory’s LEE, an anthology of crime fiction inspired by the life of iconic actor Lee Marvin, has got me thinking about who else would be a good subject for similar treatment.

There’s already been a bit of chatter on Twitter about other actors people would like to see as the subject of their own fictional anthology, and several authors have contacted me with ideas.

There are only two criteria involved I can think of in choosing a subject.

First, the subject concerned has got to be deceased, preferably passed a while ago. It’s just too complex, legally and other ways to do an anthology based on someone living.

Second, there’s got to be something about them. Not just an interesting body of cinematic work and an interesting life, but an ongoing cultural resonance or zeitgeist that sets them apart from other actors and allows crime writers discuss broader issues.

Here are my picks for actors I think would be good subjects. And I should stress, these are just my musings and in no way reflect what Crime Factory will do in the future.

That said, you never know….

Warren Oates

There’s already been a bit of social media chatter about the possibility of a Warren Oates inspired anthology.… Read more

The heist always goes wrong, part 2: reader picks and other favourite heist movies

ST 2My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist films I hadn’t seen or that I need to revisit.

Based on your comments and the thoughts I’ve had on the subject since the original post, here are follow up list of other films that could be included in a best of heist films list (and my shameless editorialising regarding what I think about the merits of not of them).

Straight Time (1978)

A huge thanks to West Australian crime writer David Whish Wilson for alerting me to Straight Time, which I’d seen previously but forgotten. Dustin Hoffman plays a career criminal just out of prison, trying to stay on the right side of his ball breaking parole officer, masterfully played by one of my screen heroes, M. Emmet Walsh, and avoid the temptation of re-offending.

Straight Time is based on the book No Best So Fierce, by real life con Edward Bunker (who has a small role in the film). Everything about this film works, the script, the down at heel late seventies feel, the cast, which includes Theresa Russell, Gary Busey, Kathy Bates and Harry Dean Stanton.… Read more

Sterling Hayden’s crime wave

One thing I love about the canon of movies known as film noir is how I’m always finding something new. Sure, there are the classics and masterpieces everyone talks about. But every now and again you unearth a gem you didn’t know would be so good.

Like, for example, the 1954 Andre de Toth noir, Crime Wave, which I watched last night.

A trio of escaped cons knock over a gas station, killing a cop in the process. A full scale police manhunt ensures complete with what then must have seemed like the full array of hi-tech police gadgetry.

One of the cons is wounded during the hold up and left to fend for him self. The other two need a place to hide. They visit the home of another ex-con Steve Lacey and his pretty young wife, Ellen.

Steve wants to go straight, but the escaped cons have other ideas. The gas station is the latest of a string of chump change robberies they’ve pulled up and down the Californian coast. They need a major score to get enough money to get out of town for good.

They plan to rob a bank and want Steve as their wheelman. The ex-cons team up with other criminals, one of who takes Ellen hostage, to ensure Steve’s cooperation.… Read more