Tag Archives: The Nickel Ride (1974)

Parker on the screen #1: Mise a Sac (1967)

With Melbourne is back in Covid-19 lockdown, I have a bit more time than usual on my hands, so I’ve decided to start a project I have been meaning to undertake for a while now – to watch and review all the screen adaptations of Richard Stark aka Donald Westlake’s crime fiction character, the master thief known as Parker.

Regular readers of this site will be well versed in my adoration for Westlake in general and his character, Parker, in particular. I wrote about what it was that so fascinated me about Parker in some detail on Pulp Curry back in 2014. And my second novel Gunshine State is an Australian homage of to the Parker series.

A few ground rules for what I intend to be an occasional series. I’ll tackle every film, except for John Boorman’s Point Blank (1967), which I have already written about in some detail here. This means: Made in U.S.A (1966), Mise a Sac (1967), The Split (1968), The Outfit (1973), Slayground (1983), Payback (the director’s cut – 1999), and Parker (2013). That said, I will not do them in the order they appeared. While Made in U.S.A is the first film to be based on a Westlake book (although the adaptation is very tenuous), I’ve had issues getting a copy to watch, so I’ll tackle Mise a Sac first.… Read more

The Nickel Ride

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Amid the well-deserved hype around the film version of Paul Thomas Anderson’s Inherent Vice was this interesting list of early seventies crime films set in California and its surrounds. One of these was a little known 1974 movie, which I re-visited recently after first seeing it years ago, The Nickel Ride.

Jason Miller (best known for his role in 1973 film, The Exorcist) is Cooper, a mid-level operative in the LA crime scene, who managers several downtown warehouses where the mob stash their stolen merchandise. This job has earned the nickname of ‘Key Man’ due to all the keys to various storage facilities he has to carry around. He is also involved in various other legal and illegal activities, including fixing fights, bail bonds and acting as a dispute solver of sorts for the members of downtown LA’s working class criminal milieu.

Cooper and his employers face a major problem. They are running out of space to store their pilfered goods and Cooper is under major pressure to finalise negotiations on large track of old commercial warehouse space that would be perfect for their needs. But there seems to be some sort of complication preventing him from closing the deal.

Cooper’s immediate boss, Carl (John Hillerman, instantly recognisable as Higgins in Magnum PI), is getting skittish and assigns Turner (Bo Hopkins), a cocky cowboy enforcer, to shadow him.… Read more