Search
-
Recent Posts
- Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, now available for pre-order
- 2019 mid-summer reading report back
- Playing dirty: war as a criminal enterprise
- My top 10 reads of 2018
- Interview with Iain McIntyre, author of On the Fly! Hobo Literature & Songs, 1879-1941
- ‘Broadsword calling Danny Boy’: In praise of Where Eagles Dare
- Luca Guadagnino’s Suspiria
- Pulp Friday: a celebration of Tandem Books covers
- Joint launch of new cinema books on Rollerball and The Fly, Sunday, November 4
- The pulp magazines under the floorboards
Categories
- 1990s American crime films
- 60s American crime films
- 70s American crime films
- 80s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Bill Hunter
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Malaysia
- Crime fiction and film from Mexico
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- David Goodis
- David Peace
- David Whish-Wilson
- Dennis Wheatley
- Derek Raymond
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Emerging Writers' Festival
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- Garry Disher
- Gene Hackman
- George V Higgins
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- James Caan
- James Crumley
- James Ellroy
- James Woods
- Jim Brown
- Jim Thompson
- Jo Nesbo
- Joel Edgerton
- Joseph Losey
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Pulp Magazines
- Michael Caine
- Michael Fassbender
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Red Eagle (Insee Daeng)
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Roger Smith
- Rollerball
- Roy Scheider
- Rural noir
- Sam Hawken
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Stuart Rosenberg
- Sydney Lumet
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
- Angela Savage
- Bitter Tea & Mystery
- Celluloidwickerman
- Cinebeats
- Cinema Retro
- Confessions of a Mystery Novelist
- Dead End Follies
- Detectives Beyond Borders
- MidCenturyCinema
- Rupert Pupkin Speaks
- The Cultural Gutter
- The Last Drive In
- The Passing Tramp
- The Rap Sheet
- Thrilling Detective
- Unlawful Acts
- We Are the Mutants
The lurid world of pulp
- Bear Alley
- Comics Down Under
- Existential Ennui
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Men's Pulp Mags
- Mporcius Fiction Log
- Paperback Warrior
- Pop Sensation
- Pulp Covers
- Pulp Crazy
- Pulp International
- Realms of the Night
- Rough Edges
- Science Fiction and Other Suspect Ruminations
- Sin Street Sleaze
- Spy Guys and Gals
- Temple of Schlock
- The Dusty Bookcase
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Paperback Film Projector
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- Treasures and Musings @ Modern Graphic History Library
- Vault of Horror
- Vintage Romance Novels
- Yellow and Creased
Tag Archives: The Outfit (1973)
The heist always goes wrong, part 2: reader picks and other favourite heist movies
My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist films I hadn’t seen or that I need to revisit.
Based on your comments and the thoughts I’ve had on the subject since the original post, here are follow up list of other films that could be included in a best of heist films list (and my shameless editorialising regarding what I think about the merits of not of them).
Straight Time (1978)
A huge thanks to West Australian crime writer David Whish Wilson for alerting me to Straight Time, which I’d seen previously but forgotten. Dustin Hoffman plays a career criminal just out of prison, trying to stay on the right side of his ball breaking parole officer, masterfully played by one of my screen heroes, M. Emmet Walsh, and avoid the temptation of re-offending.
Straight Time is based on the book No Best So Fierce, by real life con Edward Bunker (who has a small role in the film). Everything about this film works, the script, the down at heel late seventies feel, the cast, which includes Theresa Russell, Gary Busey, Kathy Bates and Harry Dean Stanton.… Read more
Posted in 60s American crime films, 70s American crime films, Donald Westlake aka Richard Stark, Fernando Di Leo, Film Noir, Heist films, James Woods, Jim Thompson, M Emmet Walsh, Robert Ryan, Sterling Hayden, Steve McQueen, Yaphet Kotto
Tagged Ali McGraw, Ben Johnson, Best Seller (1987), Blue Collar (1978), Clint Eastwood, Coleen Grey, Don Rickles, Donald Sutherland, Dustin Hoffman, Elisha Cook Jr, Elke Sommer, Faye Dunaway, Fernando Di Leo, Gary Busey, Gary Lockwood, Gavin MacLeod, Harry Dean Stanton, Harvey Keitel, heist films, Jack Palance, Jules Dassin, Karen Black, Kelly’s Heroes (1970), Lee J Cobb, Milano Calibre 9 (1972), oe Don Baker, Paul Schrader, Plunder Road (1957), Richard Pryor, Rififi (1955), Robert Ryan, Sam Peckinpah, Set It Off (1996), Slim Pickens, Sterling Hayden, Steve McQueen, Straight Time (1978), Telly Savalas, The Anderson Tapes (1971), The Getaway (1972), The Killing (1956), The Outfit (1973), The Thomas Crown Affair (1968), Theresa Russell, They Came to Rob Las Vegas (1968), Timothy Carey, Vince Edwards, Yaphet Kotto
Wallace Stroby on the best 5 crime films you’ve never seen
Today I’m honoured to have New York crime writer Wallace Stroby guest post on his top 5 crime films you’ve never seen.
For those of your not familiar with Wallace’s work, he is the author of five hardboiled works of crime fiction, including his most recent two featuring the female professional criminal, Crissa Stone, Cold Shot to the Heart and Kings of Midnight. I haven’t got around to Kings of Midnight yet, but I have read Cold Shot to the Heart and it’s terrific.
In addition to being a great writer, Wallace is also a keen student of popular culture, particularly as it relates to crime fiction and film. I particularly like the way Wallace publicises and shares the more obscure gems of crime fiction and film. You can check out his books here and his ruminations on popular culture at his blog, Live at the Heartbreak Lounge.
Awhile back, I had the opportunity to guest blog about my picks for ‘The Five Best Crime Novels You’ve Never Read’. My thanks to Andrew Nette and Pulp Curry for agreeing to host this companion piece.
I’ve left out films I’ve written about at length in the past, such as Seven Ups, The Outfit, Rolling Thunder and Across 110th Street. … Read more
Posted in 70s American crime films, 80s American crime films, Wallace Stroby
Tagged Across 110th Street, At Close Range (1986), Bill Paxton, Christopher Walken, Cornell Woolrich, Cynda Williams, David Strathairn, Devil in a Blue Dress (1995), G-Men (1953), James Cagney, James Foley, James Gray, Kiefer Sutherland, Little Odessa (1995), Mary Stuart Masterson, Notorious (1946), One False Move (1992), Rolling Thunder (1977), Sean Penn, The Outfit (1973), The Seven Ups (1973), The Window (1949), Tim Roth, Wallace Stroby