Category Archives: Peter Corris

Australia’s other lost literary heritage

There’s been a bit of discussion in literary circles recently about whether enough is being done to maintain the public’s interest in the classics of Australian literature. To my surprise it’s a debate I’ve only been able to drum up half-hearted enthusiasm for.

The catalyst was an article by Text Publisher Michael Heyward in late January, in which he criticised journalists, cultural commentators and university academics for failing to create an enduring tradition for appreciating and teaching Australian literature. He singled out universities in particular for the lack of courses about Australian writing.

Perhaps in response, the latest program put out by the Wheeler Centre includes a series of talks called Literature 101, in which contemporary writers talk about classic Australian texts.

You won’t get an argument from me about the importance of Australian literature in building our individual and collective sense of historical self. I also agree universities are failing to teach Australian literature, although I think the problem lies less in any wilful neglect on the part of academics than in the gradual privatisation of our higher education system. Persistent federal government underfunding has squeezed course diversity in favour of subjects that generate income, particularly full fee income. Australian literature is not Robinson Crusoe in this regard. Try studying ancient history or the language of a country that is not one of our major trading partners, and you’ll get the picture.… Read more

The Empty Beach

One local blog I’ve been following for a while now is Permission to Kill, run by my mate, David Foster. Its main focus is all things espionage fiction and film related, but David also covers of on a wide variety of pulp miscellany, including crime fiction and film.

I was particularly pleased to see a recent review on his site of the excellent but little known1985 Australian crime flick, The Empty Beach. Starring Bryan Brown, Ray Barrett, Nick Tate and Belinda Gibbin, The Empty Beach is based on the Peter Corris novel of the same name. David was nice enough to let me re-post his review, which appears below.

Bryan Brown IS Cliff Hardy. It is perfect casting. It’s a shame that this film wasn’t a hit, because I would have loved to see Brown play Hardy again and again. He could be doing it to this day, pumping out a tele-movie each year – and I would be first seated, ready and eager to watch it. But alas, not to be.

For those not familiar with the character of Cliff Hardy, private investigator, he is a creation of Peter Corris and first appeared in the novel The Dying Trade in 1980. Since then he has been releasing Cliff Hardy stories regularly – at least thirty of them – the last I am aware of, is Appeal Denied which was released in 2007.… Read more

Top 5 crime reads for 2011

I was recently asked by the UK site Crime Fiction Lover to list my top five crime novels for 2011.

I cheated a little and, in addition to my top five, gave a few honourable mentions. Money Shot, Christa Faust’s first Angel Dare novel (the second having recently come out), Frank Bill’s short story collection Crimes in South Indiana, Roger Smith’s Dust Devils, and Yvette Erskine’s gritty police procedural The brotherhood were all in contention for my top five in 2011.

But my final list was:

5. Butcher’s Moon – Richard Stark (University of Chicago Press)

I waited ages to read Butcher’s Moon by Richard Stark aka Donald Westlake. It was almost impossible to get a copy until University of Chicago Press, which has been gradually re-leasing all the Parker books, published it. 

First released in 1974, Butcher’s Moon was the last Parker book before Westlake took a 23-year rest from the character. It takes Parker back to the familiar territory of his earlier books The Hunter and The Outfit, hot on the trail of money owed him by the mob. A failed heist sends Parker to an amusement park where he stashed $73,000 during a previous caper several years earlier. Parker enlists the help of his only friend, another thief called Grofield.… Read more

The dying trade? Private investigators in Australian crime fiction

In the 1940s and 50s, some of the biggest names in Australian fiction were authors unknown today. People such as Gordon Clive Bleeck, Carter Brown, Don Haring and KT McCall were the leading lights of a huge local pulp fiction industry. It produced countless cheap westerns, science fiction and above all crime novels, printed cheaply with lurid covers and sold at news-stands on the street and in train stations. This piece was originally commissioned by the Wheeler Center and appeared on their website here.

In 1938, the federal government decided to levy foreign print publications. As a result of this decision, local publishing houses sprang up to fill the void, releasing hundreds of novels a month, including Westerns, racing and boxing stories, science fiction and crime. Hard-boiled and not so hard-boiled PIs became a standard feature of the pulp crime scene that flourished in Australia for two decades thereafter.

The authors are unknown today, despite some selling in the millions in Australia and abroad. Gordon Clive Bleeck wrote over 200 novels, including PI stories, while working full time for NSW Railroads. Carter Brown, the alias of UK immigrant Alan G Yates, is associated with nearly 300 titles.

Starting off as a hugely popular radio program on the Macquarie Network, the PI Larry Kent inspired a series of novels by Don Haring, an American who lived in Australia or a time, and Queenslander Des R Dunn.… Read more