Category Archives: Pulp Friday

Pulp Friday: No Orchids for Miss Blandish

‘In 1939, amidst violence and wartime shortages, one hardboiled noir took the nation by storm, provoked moral outrage, and inspired legions of imitators.’

My latest piece for the CrimeReads site is a look at the popularity and controversy around James Hadley Chase’s 1939 blockbuster, No Orchids for Miss Blandish. You can read my story in full at the CrimeReads site here.

The article is a sequel of sorts to a story I did back in April on the popularity of mid-century faux American crime fiction in Australia and the career of one of the country’s least known most successful crime writers, Alan Yates, who wrote under the pseudonym, Carter Brown. A link to the full piece is here.

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Pulp Friday: Sharks in Australian pulp fiction

Pulp fiction has long been fascinated by sharks, and pulp published in Australia is no exception.

Being attacked by them, hunting them, sighting or being threatened by them, or just marvelling at large they grew, sharks were a perennial pre-occupation in local Australian pulp paperback fiction from the 1950s to the 1970s. They also appeared regularly in the pages of the Australian equivalent of men’s adventure pulp, publications like Adam and Man.

Although I have not included any of this material in the images below, sharks were also a staple of popular tabloid magazines like Pix and Australasia Post. Referred to in Australia as ‘barbershop magazines’, these now defunct weeklies presented punters with a steady diet of girls in bikinis, racy jokes, Hollywood gossip, and masculine adventure stories.

Many of these were set in heavily exoticised parts of the South Pacific and Asia. But there was also a rich variant that took place far-flung parts of tropical northern Australia and the outback. These latter stories depicted a sort of Australian weird – a land of gnarly, weather beaten eccentrics (much like Captain William E. Young on the cover the Shark Hunter, published by Horwitz in 1978), who had dangerous livelihoods in unimaginably remote parts of the country, and did battle regularly with the threat posed by the country’s uniquely lethal fauna, including sharks.… Read more

Pulp Friday: memoirs of a cover girl

So much of the allure of pulp fiction, whether it was in magazine or paperback format, revolved around the cover art. It was designed to impart a gamut of sensations, from the simply outré and thrilling, to downright lurid and shocking. And the central design aspect of the majority of this material was a woman, usually provocatively posed and scantily clad, depicted ‘in media res’, Latin for ‘in the middle of’ things. Publishers hoped that this would generate interest from the passing buyer, who they believed was usually male and, looking at the cover, would start to fill in the mental blanks and purchase said print material to read and discover for themselves if they were right (how disappointed they often must have been).

We know virtually nothing about the women who were the cover model subjects for these covers. This is what makes Eva: men’s adventure supermodel a vital book. It is the first work I can think of that actually provides the inside story of one of the women who worked in the pulp fiction industry, told by the woman herself.

The individual concerned, Eva Lynd, was born in Sweden in 1937 as Eva Margareta von Fielitz. She arrived in New York in 1950 at the age of 12, eventually started to do theatre and by the second half of the 1950s was appearing in small roles in television and film.… Read more

Pulp Friday: Australian pulp’s Spanish Connection

One of the tasks I set myself over the Christmas/New Year period was to start putting my pulp paperback collection into plastic bags. It is amazing that these fragile constructions of cheap paper, glue and card, never meant to last more than one read, have survived for almost half a century, and for a while now I’ve been thinking I should treat them with far more care.

Among my collection are a number of Larry Kent novels, which are incredibly hard to find in the wild nowadays. Most of these were purchased as a single lot on a random visit to a second-hand bookshop in the New South Wales coastal town of Ballina (better known as the home of the Big Prawn statue) during a beach holiday many years ago.

In the process of bagging these books I took the chance to do a little digging into Larry Kent’s little-known Spanish connection, which this post will examine, as well as being a long overdue coda to Cleveland Publications, until it closed early last year the last remaining player in the once large and boisterous post-war pulp publishing industry in Australia.

Cleveland was founded by Jack Atkins in Sydney in 1953. New Zealand born, Atkins was an entrepreneur and horse lover. For a time, he was also the secretary of the NSW branch of the conservative Democratic Labor Party, which split from the Labor Party over its links to communist influenced trade unions in 1955.… Read more

Six lesser-known pulp writers of the revolution and counterculture era

I am over at the Criminal Element site with a list of six pulp, crime, and popular fiction writers from the counterculture era who may have slipped your radar, but are ripe for rediscovery. These are some of the writers and their books are featured in the new book I have coedited, Sticking It To The Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980.

Melbourne folk, Sticking it to the Man is available at Brunswick Bound on Sydney Road, Lulu’s in Melbourne and, by next week, they’ll also be in the New International, Paperback Books, Metropolis and other stores. Or, if you’re in Australia and are keen for a physical copy, I can send you a copy for $40 plus postage. Let me know. 

Also, PM Press is having an end of year sale and all the material, including Sticking it to the Man, is 50% off with the coupon code: GIFT (this includes people in Australia if you order from the US site here).… Read more