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Category Archives: Richard Conte
Italian noir trilogy: Calibre 9, The Italian Connection, The Boss
Although Italian cinema has produced some fantastic crime films, it never really took to noir. The exceptions are three movies by little known director Fernando Di Leo, Milano Calibre 9 (Calibre 9), La Mala Ordina (The Italian Connection) and Il Boss (The Boss).
Connected more by similar themes and actors than plot, they nonetheless form a rough trilogy of films combining fast paced story telling and gritty violence with a highly political analysis of the changing nature of organised crime and the dissolution of the Italian working class.
The most overtly noir of the three films, Calibre 9 (1972) centres on low-level mafia foot soldier, Ugo Piazzo (Gastrone Mochin, a well known Italian comic actor at the time). Released after three years in jail, Ugo is braced by Rocco (Mario Adorf), a clownish but lethal mob associate working for a Milanese crime boss known as The Americano.
Still smarting from losing $300,000 several years earlier (a breath taking series of scenes in the film’s first few minutes), The Americano thinks Ugo took the money and stashed it away while he was in jail. So does everyone else, including the cops, his friends and his ambitious stripper girlfriend (Euro-crime regular, Barbara Bouchet).
Ugo denies the allegation.… Read more
Posted in Crime film, Eurocrime, Fernando Di Leo, Film Noir, Richard Conte, Woody Strode
Tagged Adolfo Celi, Barbara Bouchet, Calibre 9 (1972), Cyril Cusack, Eurocrime films, Fernando Di Leo, Henry Silva, Italian noir, Jack Palance, Luciana Paluzzi, Mario Adorf, Richard Conte, The Boss (1973), The Italian Connection (1972), Woody Strode