Category Archives: Pan Books

Pulp Friday: Cover Me: The Vintage Art of Pan Books 1950-1965

Pan paperbacks are among the first adult books I can remember making a serious impression on me. My father had a number of Pan editions of Ian Fleming’s James Bond books in the collection of paperbacks he had in his den and from an early age I was entranced by their colourful, energetic, somewhat carnal covers.

Colin Larkin’s Cover Me: The Vintage Art of Pan Books: 1950-1965 notes the Fleming series was, not surprisingly, a huge seller for Pan. The books my father owned, which I still have, include cover art by Pat Owen and ‘Peff’ or Samuel John Peff, the latter one of Pan’s most used artists in the 1950s and the first half of the 1960s. I also discovered from Larkin’s book that the small drawing of a suave looking Bond holding a pistol that appears in a banner at the bottom of the main cover design in some of the Fleming Pan editions, was an illustration of Ralph Vernon-Hunt, the company’s managing director at the time.

Pan paperbacks appeared in Australia in large numbers in the three decades after World War II, and can still be found relatively easily in second-hand bookstores and thrift shops throughout the country. I have a fairly large collection, including I am happy to say, many of those that appear in Larkin’s simply sumptuous work.… Read more

Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, now available for pre-order

Sticking it to the Man: Revolution and Counter Culture in Pulp and Popular Fiction, 1950-1980is now available for pre-order here on Amazon.

The book is due out in the second half of 2019 from PM Press, who published Beat Girls, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980

From Civil Rights and Black Power to the New Left and Gay Liberation, the 1960s and 1970s saw a host of movements shake the status quo. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. While an influx of New Wave nonconformists transformed science fiction, feminist, gay, and black authors broke into areas of crime, porn, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating vigilante-driven fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism.

Sticking It to the Man tracks the changing politics and culture of the period and how it was reflected in pulp and popular fiction in the US, UK, and Australia from the late 1950s onward. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than 30 popular culture critics and scholars.… Read more

Pulp Friday: Interview with book cover designer, W. H. Chong

W H Chong is book cover designer based in Melbourne. From his first cover design job, a souvenir booklet to mark 1990 Collingwood AFL Grand Final victory, he has gone on to become Design Director for Text Publishing and has won multiple awards for his covers for young adult fiction, crime, classics and literature. Below is an interview I did with him on what is involved in a good cover design and his favourite cover designs from the science fiction reading of his youth. It originally appeared in the now defunct online magazine Spook, in August 2015.

How did you get into book design?

The correct answer is by accident. I started designing newspapers in the eighties and then I started doing magazines in the early nineties. When Text Media [now Text Publishing] started as an imprint of books run by Diana Gribble in the nineties, I was there, so I did the design. Because in the old days, people just did stuff. It was all very much a case of people putting something together that they were learning how to do as they went along. Design just needed to be done. Some of it included books. That was no big deal. There was no specialty. You weren’t learning to be a neurosurgeon; you were just doing things with scalpels, so to speak.… Read more

Pulp fiction at the Latrobe City Literary Festival

I am not sure how many Pulp Curry readers I have in Gippsland. In the event there are some, just a heads up that I’m appearing at the Latrobe City Literary Festival, in Traralgon, this coming Sunday, May 27. As part of a panel of talented folks, I’ll be talking about the history of Australian pulp fiction and the book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980. I’ll also have copies of the book for sale.

Full details of the event can be found here. It is free but numbers are limited so you need to register. Hope to see some of you there.

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Pulp Friday: The Riot

I am rather partial to a good paperback movie tie-in. And I love Pan paperbacks. So this book from 1969, which I had never previously seen before stumbling across it in a second hand bookshop this week, presses all the right buttons.

The Riot, the only novel credit I have been able to find for Frank Elli, was first published in 1966. It is the story of a cynical con who finds himself thrown into the centre of a brutal hostage situation when the prison he is incarcerated in, erupts in a riot. Apparently the novel was based on an actual riot in an Arizona prison in which Elli, a former inmate of the prison, had been involved in. Kirkus Review called it ‘powerful storytelling. It’s a brutal, black vision in which the cynical despair is offset by a cool, shrug shouldered presentation.’ That doesn’t sound too bad.

It was filmed as Riot in 1969 by Buzz Kulik, a director who appears to have spent most of his career doing television, starring Jim Brown in the main role, and Gene hackman. As was often the case with prison films in the 1960s and 1970s, the production utilised real life prison inmate and staff at the Yuma Territorial Prison that it was filmed in.… Read more