Category Archives: British pulp fiction

Upcoming talk: The motorcycle – rebel in pop culture

A heads up to Pulp Curry readers, that on Thursday April 22 EST, I’ll be giving a talk to coincide with the exhibition currently being hosted by the Queensland Gallery of Modern Art, The Motorcycle: Design, Art, Desire. The talk is entitled, ‘The Motorcycle: Rebel in Pop Culture’.

Throughout the decades, motorbikes have been portrayed as a symbol of freedom and rebellion in fiction, music and on the screen. I’ll be taking you on a journey through the different representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I’ll be examining what has given the motorbike its cool reputation as well as discussing how it has also functioned as a lightning rod for post war concerns around various youth subcultures. The talk will focus on film, but I’ll also look at the representation of the motorbike in music and pulp fiction.

The talk, which will take place on Zoom, will start at 7pm EST, is free & your time zone permitting open to anyone anywhere to attend. All you have to do is book at this link. I hope you can attend.

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Fifty years later, Get Carter is still the iconic British gangster film

When you get a moment, my latest for the CrimeReads site is on 50 years of Get Carter, how the Michael Caine revenge flick attained cult status and changed the face of British crime cinema. I don’t think Get Carter is the best British gangster film ever made but it is certainly the most influential. You can read my piece in full at this site via this link.

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My top 10 British gangster films

One of my favourite British gangster films, Mike Hodges’s Get Carter, is 50 years old. It premiered in the UK in the northern British city of Newcastle, where it was filmed, on March 7, and in the US on March 18. I have penned a piece for a prominent crime fiction/related site on the influence of Get Carter on crime cinema, but am not exactly sure when this will come out. For now, I thought the film’s half century anniversary was as good a time as any to hit you with my top 10 British gangster films.

They Made Me a Fugitive (1947)

I wrote about They Made Me a Fugitive in some length on this site here. It was one of a trio of early post-war British gangster films that caused a stir with censors, the others being No Orchids for Miss Blandish and Brighton Rock, both of which appeared in 1948. Fugitive stars Trevor Howard as Clem Morgan, a demobbed Royal Air Force pilot who reluctantly joins a criminal gang headed by a flash gangster with a very nasty streak, Narcy, but baulks when his discovers his new employer is into drug trafficking. What I love about this film, and the aspect that attracted the most critical condemnation when it first appeared, is its depiction of the poverty and desperation of post-war British life.… Read more

“Every headlight’s a police car, every shadow is a cop”: Kiss the Blood Off My Hands (1948)

I have been writing a bit this year on the phenomenal popularity of faux American crime fiction in post-war culture in places like Australia and Great Britain. By this I mean crime fiction written and produced in these countries that not only mimicked the atmosphere and tropes of hardboiled American mystery novels and film, but was set in mythical versions of big American cities, such as New York, Chicago and Los Angeles. This fiction, for example many of the books written by Australian crime fiction author Alan Yates aka Carter Brown, was sometimes even mistaken for the genuine thing.

One of the countless cultural offshoots of the United States’ emergence as the dominant global power after World War II, the success of faux American crime fiction is often associated with the wide penetration of film noir and American writers such as Mickey Spillane. But as I wrote in this piece on the popularity of the controversial 1939 James Hadley Chase novel, No Orchids for Miss Blandish, its roots go much deeper; the influence of pre-war writers such as Dashiell Hammett, Raymond Chandler and W. R Burnett. Also the private detective and mystery fiction contained in the mass-produced American pulp fiction magazines that flooded into markets such as Australia and Great Britain in the 1930s.… Read more

Pulp Friday: No Orchids for Miss Blandish

‘In 1939, amidst violence and wartime shortages, one hardboiled noir took the nation by storm, provoked moral outrage, and inspired legions of imitators.’

My latest piece for the CrimeReads site is a look at the popularity and controversy around James Hadley Chase’s 1939 blockbuster, No Orchids for Miss Blandish. You can read my story in full at the CrimeReads site here.

The article is a sequel of sorts to a story I did back in April on the popularity of mid-century faux American crime fiction in Australia and the career of one of the country’s least known most successful crime writers, Alan Yates, who wrote under the pseudonym, Carter Brown. A link to the full piece is here.

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