Category Archives: Westerns

Video of launch of Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback

If you missed the recent launch of my monograph Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback, organised by the Australian National University’s Centre for Australian Literary Cultures, the video of the event is now on Youtube for your viewing pleasure. The book, published in hardback by Anthem Publications, is price for higher education institutions at present, but a cheaper paperback version will be available mid-2023.

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Pulp on the big screen

This month sees the 50th anniversary of the Mike Hodges film, Pulp.

I feel like Pulp, which I reviewed on this site here back in 2016, does not get a lot of love from people, but I am a fan of its bizarre, at times almost campy noir vibe. Most of all, I like the fact that it is an ode to the era of mass produced literature and to a time when pulp, in all its forms, could still be dangerous.

The lead character is a sleazy expat British expat pulp writer called Mickey King, played by Michael Caine, a nod to the prolific writer Earl Stanley Gardner. King’s dialogue drips with sleazy pulp cadence and the film is full of images of pulp in its many forms.

Ever since watching this film, I have been on the look-out for signs of pulp in the movies. As a 50th anniversary tribute to the Hodges film, below are the screenshots of what I have managed to find so far. I am sure there are many others and I would love readers to alert me to ones I have missed or to help me identify the ones below that I have not been able to identify.

Sella Davis (1937)
I Wake Up Screaming (1941)
Shadow of a Doubt (1943)
The Killer Who Stalked New York (1950)
The Blue Gardenia (1953)
The Bad and the Beautiful (1953)
The Hundred Eyes of Dr Mabuse (1960)
The Hundred Eyes of Dr Mabuse (1960)
The League of Gentlemen (1960)
The League of Gentlemen (1960)
The Evil Eye (1963)
The Naked Kiss (1964)
Hud (1964)
Who Killed Teddy Bear (1965)
Who Killed Teddy Bear (1965)
Who Killed Teddy Bear (1965)

Who Killed Teddy Bear (1965)
A Quiet Place in the Country (1968)
French edition of Woolrich’s Waltz into Darkness in Stolen Kisses (1968)
The Lost Continent (1968)
Orgasmo (1969)
Hi Mom (1970)
Brotherhood of Satan (1971)
Get Carter (1971)
Get Carter (1971)
Paper Moon (1973)
Identikit (1974)
Farewell My Lovely (1975)
Rosie Dixon – Night Nurse (1978)
Hammett (1982)
Plains, Trains and Automobiles (1987)
Killers Kiss (1998)
Kiss Kiss Bang Bang (2005)
Johnny Gaddaar (2007)
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Book Review: The Real Diana Dors

One of the reasons I was interested in reading Anna Cale’s recently released biography of the late British actress Diana Dors, The Real Diana Dors, is that I was curious to test out what I thought I knew about Dors and the reality of her life. What I was pretty certain about, and Cale confirms, is that Dors was stereotyped from the beginning of her career as either the sultry femme fatale bad girl or, as she herself once wrote, ‘the flighty, sexy little thing who pops in and out of the story whenever a little light relief seems to be called for.’

What I didn’t know, that Cale’s book taught me, was what a determined, serious, and hard headed performer Dors was. She accumulated a hundred screen credits in a career that began with her first bit part in the 1947 crime drama, The Code of Scotland Yard, to her last film role, Steaming, which appeared in 1985, a year after she died at the age of just 54. She resisted attempts to stereotype when she could, and no doubt like a lot of post war actresses undoubtedly had the talent and drive to be even bigger if not for various factors, of which beginning her career in the morally conservative, sexually hypocritical Britain of the late 1940s and early 1950s, was a major one.… Read more

MacKenna’s Gold: gold, ghosts and frontier violence

1969 was arguably the year Hollywood fully embraced the revisionist western. In addition to Peckinpah’s The Wild Bunch, there was True GritTell Them Willy Boy is HereDeath of a Gunfighter, and Midnight Cowboy. As well as playing with notions of ‘the cowboy’ and ‘the West’, they contained more stylised violence, more sex and stories that overtly fed off the cynicism and disillusionment of America’s war in Vietnam and domestic racial strife.

Released in May that year, Mackenna’s Gold straddles the divide between the classic big studio western and its revisionist successors. Headed up by Gregory Peck and Omar Sharif, the film boasts a cast to kill for. It is also a story filled with supernatural elements, in which humans are haunted not only by spirits guarding a lost canyon full of gold but by their own greed and paranoia.

In my debut for a website I have admired for some time, Diabolique Magazine, I wrote about gold, ghosts and frontier violence in MacKenna’s Gold. You can read the entire article on their site via this link. Enjoy.… Read more

10 great Australian westerns

To mark the UK release of The True History of the Kelly Gang (2019), Justin Kurzel’s bold reimagining of the sage one of Australia’s most famous myths, bushranger Ned Kelly, the British Film Institute asked me to write about my ten favourite Australian westerns. Not only is Ned Kelly Australia’s most famous bushranger – the name given to convicts who had escaped and survived Australia’s harsh environment to become outlaws – his legend forms a mini industry in film and television. In addition to Kurzel’s, Kelly has been the subject of eight films. The Kelly filmography forms part of a larger of body of Australian westerns, made by overseas and local concerns. You can read my piece in full at the BFI site here.

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