Category Archives: Non-crime reviews

Punchdrunk at the Yarra Valley Writers Festival

With a bit on my plate at the moment, I have not been posting as much as I would like to this site. I have a few things up my sleeve in terms of posts over the coming weeks that will hopefully turn this situation around but, in the meantime, I just wanted to hit you all with news of an event I am taking part in a few weeks that may be of interest.

The Yarra Valley Writers Festival is taking place, in person, on the weekend of July 16 and 18. You can check out the entire program online here. On the Saturday of the program, July 17, at 10.30am at the Warburton RSL, I’ll be interviewing author Michael Winkler about wonderful book, Grimmish. Grimmish tells the story of Joe Grimm, one of the most flamboyant boxers ever to our visit Australia’s shores in the early part of last century. Partly based on real events and part fiction, the book can best be described as a literary fever dream that speaks to our collective relationship to physical power, masculinity and pain. I’ll be talking to Michael about all these topics, the process of research Joe Grimm’s life and whether a traditional sport such as boxing add to the evolving discussion on what is to be male.… Read more

Rosaleen Norton ‘The Witch of Kings Cross’

Rosaleen Norton aka ‘The Witch of Kings Cross’

I was familiar with the name Rosaleen Norton long before I watched Sonia Bible’s excellent documentary about her, which takes as its title Norton’s long running nickname, The Witch of Kings Cross.

In an attempt to cash in on the upsurge of public interest in the occult that occurred throughout the west in the 1960s, the long defunct Sydney pulp publisher Horwitz Publications put together a number of salacious tabloid style non-fiction books on the so-called rise of witchcraft and Satanism in Australia. My favourite of these, which I wrote about on this site some years ago, the 1965 book Kings Cross Black Magic, was a direct attempt to piggyback on Norton’s fame.

Norton was also a semi-regular presence in the bachelor and barbershop magazines that proliferated on the shelves of Australia’s newsagents in the 1960s, titles like Adam, Man, Pix and Australasian Post. These magazines, incredibly tame by today’s standards, were once seen as very risqué. The activities of Norton slotted in well with their steady diet of stories about UFO sightings, white slavery, heroic Anzacs, shark hunting and out of control teens.

So great was interest in the occult in mid-1960s Australia that the subject even featured in a 1965 episode of the high rating locally produced Crawford TV crime show, Homicide.… Read more

John le Carre, my 2020 and The Looking Glass War

It is fitting that my last post on this site for 2020 is a short tribute to the passing of a writer who has given me an enormous amount of pleasure during this difficult year, David John Moore Cornwell or as he is better known, John le Carré. Since his death on December 12, a sea of ink has been spilt on le Carré’s influence on the spy novel and his undoubted merits as a writer. I don’t intend to go over this territory again. Instead, I want to briefly discuss what it is about his George Smiley series I have found so fascinating. I also want to talk about one of the films based on his work that I believe does not get nearly enough praise, Frank R Pierson’s 1970 adaptation of le Carré’s 1965 novel, The Looking Glass War.

Melbourne, the city I live in, spent the better part of 2020 in hard lockdown in response to the Covid 19 virus. Reading was one of my many responses to suddenly finding myself with more free time. One very wet, cold Saturday morning at the outset of winter I picked up a paperback I bought ages ago – I can’t even remember when and where – the 1964 Penguin Crime edition of Call for the Dead.… Read more

The Lighthouse

I loved Robert Eggers’s 2015 film, The Witch, so had high hopes for his second big screen effort, The Lighthouse. While The Lighthouse is not without problems, it is a satisfyingly creepy brew of nautical themed horror and troublesome masculinity. You can read my take on the movie for Australian Book Review Arts Update in full here.Read more

M and my top 10 reads for 2019

It is no exaggeration to say I have been eagerly anticipating Samm Deighan’s monograph of Fritz Lang’s 1931 film. I love the film and I am a big fan of Deighan’s movie writing, so the combination is bound not to disappoint. And it didn’t.

As Deighan puts it in her introduction, M ‘exists in a liminal space between urban social drama, crime thriller, and horror film’. It was arguably the first serial killer film, long before the FBI coined the term in the early 1970s. Anchored by a superb performance by Peter Lorre as the paedophiliac child killer, Hans Beckert, it was certainly the first motion picture in which a serial killer was the central protagonist. Another crucial innovation was the way in which Lang depicted the character of Beckert in a not entirely unsympathetic light. This same sensibility would have a influence on some subsequent serial killer cinema, most notably in Alfred Hitchcock’s 1960 horror/thriller, Psycho.

Deighan discusses M’s broader social and political themes, including the film as a critique of modernity and a text for Germany on the brink of totalitarian control, appearing as it did a year before the Nazi’s assumed power and Lang had to flee the country.

Another fascinating aspect of the book is the discussion of how the themes in M would echo in Lang’s subsequent work, particular the threat of the lawless mob violence and what is perhaps the director’s most defining idea, how even the most noble individual is capable of brutal murderous thoughts and actions.… Read more