My monograph on Norman Jewison’s 1975 dystopian science fiction film is published through independent film and media studies publisher, Auteur.

It is available at the following sites:

Liverpool University Press

Amazon UK

Amazon US

Book Depository

Dymocks online

Footprint Books (Australia)

Amazon Australia

Angus and Robertson

Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport.

Drawing on numerous sources, including little examined documents in the archive of the film’s screenwriter William Harrison, Andrew Nette examines the many dimensions of Rollerball’s making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. Nette shows how a film derided by many critics for its violence, works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including “fake news” and declining literary and historical memory. The book includes an interview with Jewison on Rollerball’s influences, making, and reception.

“Nette’s scrupulous research and careful writing makes for an enjoyable, informative read. In fact, Nette’s book is so good, that you will inevitably want to revisit Jewison’s film afterwards.” Jon Towlson, Starburst

Constellations: Rollerball is so good that I want to read it again. I also want to watch Rollerball again, which is a clear indication that Nette’s book is one of the best examples of critical writing I’ve ever had the privilege of enjoying.” Robert Fairclough, We Are Cult