Category Archives: Melbourne International Film Festival

My cultural highlights of 2022

Posted on December 19, 2022 by Andrew Nette| 5 Comments

The end of the year nears. That means it is time for my year cultural highlights of 2022. So, without further introduction, let’s get into it.

Film

Possibly the best new release I saw in the past 12 months was Iranian director Ali Abbasi’s The Holy Spider (2022). The story of a young female journalist (a powerhouse performance by Zar Amir-Ebrahimi) investigating a religious serial killer in a rural Iranian city, little did I know when I saw it as part of Melbourne International Film Festival in September that it’s damning commentary on the male dominated nature of Iranian society, would find such a strong real world echo in the female led protest movement shaking the country to its foundations today. While The Holy Spider is not for the faint hearted, its horror is brilliantly conveyed through show don’t tell storytelling. Seriously, a lot of directors could learn from watching this film that you don’t always have to hit the audience over the head with a narrative sledgehammer.

Two other 2022 releases make my best of film list for the year. The first is Emily the Criminal. This is a whip smart neo noir about a young woman who falls into crime, featuring Aubrey Plaza in the lead role. I call it a millennial revenge film, which I think is THE upcoming crime genre with a bullet.… Read more

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Posted in 1970s American crime films, Book Reviews, British crime cinema, Burt Lancaster, Crime fiction, Crime film, David Peace, David Whish-Wilson, French crime fiction, Georges Simenon, Horror, Joel Edgerton, Melbourne International Film Festival, Neo Noir, Spies, True crime, Yaphet Kotto

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MIFF report back #2: The Neon Demon

Posted on August 5, 2016 by Andrew Nette| 2 Comments

Neon Demon 1It is easy, indeed, tempting, to over analyse Nicolas Wendig Refn’s latest film, the fashion satire/psychological horror The Neon Demon, currently showing at the 2016 Melbourne International Film Festival. It is a film that doesn’t stand up to too close a critical scrutiny. It is also one that, as far as I am concerned, did not require it as a condition of my enjoyment.

Jesse (Elle Fanning) is the latest in a long queue stretching back into the last century, of wide eyed female ingénues fresh off the bus/plane/train and desperate to make it in Tinsel Town. She has her sights set on cracking the cutthroat world of high fashion modelling. In an industry where nineteen is considered on the verge of being past it as a working model, her non-surgically enhanced natural beauty is enough to make even the most jaded photographer stand up and pay attention.

It is not long before Jesse is taking part in fashion shoots and modelling clothes on major catwalk shows, much to the intense chagrin of other models Gigi (Bella Heathcote) and Sarah (Abbey Lee), also out to do what ever it takes to succeed and incredibly jealous of Jesse’s meteoric rise. Gigi and Sarah are also insecure, bitchy, cynical and angry, further alienating them from Jesse, who exudes an air of clam self-confidence and poise. … Read more

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Posted in 1970s American crime films, 1980s American crime films, Giallo cinema, Horror, Melbourne International Film Festival

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MIFF report back #1: The Family

Posted on August 2, 2016 by Andrew Nette| Leave a comment

The Family 1Nothing says creepy quite like washed out old home movie and grainy television footage and there is plenty of both in The Family, my first movie at the 2016 Melbourne International Film Festival (MIFF). It is a fascinating, at times chilling, occasionally frustrating examination of the sinister Melbourne cult of the same name.

Growing up in Melbourne in the seventies and eighties, I have vague memories of the Family getting the odd media mention. Like a lot of others, I was also familiar with the images of the child members of the Family, their matching clothes and blonde bobbed haircuts giving them more than a passing resemblance to the weird half alien children in The Village of the Damned, the 1960 science fiction film based on the 1957 John Wyndam novel, The Midwich Cuckoos.

Established on the outskirts of Melbourne in the early 1960s, the Family largely evaded official and media scrutiny until 1987, when police raided their secluded house near Lake Eildon, central Victoria. The raid kicked off a police investigation into the cult, the starting point and main narrative of the documentary.

The Family was created by Anne Hamilton-Byrne, a narcissistic, megalomaniac yoga teacher, and Raynor Johnson, a prominent English physicist with an interest in mysticism (and the former master of Melbourne University’s Queens College in the early 1960s).… Read more

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Posted in Australian popular culture, Melbourne International Film Festival, True crime

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MIFF report back #5: Downriver

Posted on August 12, 2015 by Andrew Nette| 1 Comment

DOWNRIVER1170Grant Scicluna’s debut feaure, Downriver is a dark tale of secrets and redemption set in a small rural town. Although, I haven’t seen Scicluna stress the theme anywhere, it is also a film largely dominated by gay male relationships.

The film opens with eighteen-year-old James (Reef Ireland) being confronted upon his parole by the mother of a child whose death by drowning was the reason for his lengthy incarceration. The body of the boy has never been found, a fact that particularly haunts the mother. James suspects his childhood friend Anthony (Thom Green), who was also present when the child died, hid the body but he was never charged.

Once free, James is obsessed with finding the boy’s body. He defies his parole officer and his mother (Kerry Fox) and goes to stay at the caravan park near to the river where the death took place. James confronts Anthony, who claims to know nothing more than he has already told the police. He befriends Damien (Charles Grounds), an impressionable young man also staying at the caravan park, and who turns into an ally of sorts in James’ mission.

It becomes apparent very quickly that Anthony’s silence is bound up in a much larger and darker conspiracy involving the boy’s death and Anthony’s extremely dangerous family.… Read more

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Posted in Australian crime film, Melbourne International Film Festival, Rural noir

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Miff report back #4: Cartel Land

Posted on August 10, 2015 by Andrew Nette| 2 Comments

CartelCartel Land, Matthew Heinemann’s gripping third documentary examines vigilantism, the so-called war on drugs and the break down of state authority on both sides of the US/Mexico border. Unintentionally or otherwise, it is also a powerful depiction of the nature of masculinity in conflict zones.

The story focuses on two men on either side of the border. Tim ‘Nailer’ Foley has been a survivor of child abuse, a drug addict and a hard working family man, in that order, before the 2008 recession capsized his economic hopes and eventually led him to the US side of the Arizona border with Mexico. There he began a one-man effort to prevent the spread of human and drug trafficking onto America soil, which has slowly attracted other followers, largely men, but also a few women, who share his concerns.

Charismatic surgeon Dr. Jose Mireles leads a vigilante movement known as Autodefensa in a fight against a vicious drug cartel known as Knights Templar that has infected every aspect of the poor central Mexican province of Michoacan. What started off as Mireles and a few of his neighbours deciding it is better to risk death fighting than passively accept the slow motion annihilation promised by the cartel, has snow balled into a major movement.… Read more

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Posted in Crime fiction and film from Latin and Central America, Melbourne International Film Festival, True crime

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