Category Archives: Men’s Adventure Magazines

Video of my talk, The motorcycle – rebel in pop culture, now available

For those of you who were unable to attend my recent talk hosted by the Queensland Gallery of Modern Art, ‘The Motorcycle: Rebel in Pop Culture’, there is now a video of the entire presentation on Youtube. The wonderful folks at QAGOMA have even done an Auslan interpretation of it for the vision impaired.

My talk will take you on a journey through the various representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I examine what has given the motorbike its cool reputation and discuss how it has also functioned as a lightning rod for post war concerns around various youth subcultures. In addition to film, I also look at the representation of the motorbike in music and pulp fiction. You can also find it on YouTube here.… Read more

Upcoming talk: The motorcycle – rebel in pop culture

A heads up to Pulp Curry readers, that on Thursday April 22 EST, I’ll be giving a talk to coincide with the exhibition currently being hosted by the Queensland Gallery of Modern Art, The Motorcycle: Design, Art, Desire. The talk is entitled, ‘The Motorcycle: Rebel in Pop Culture’.

Throughout the decades, motorbikes have been portrayed as a symbol of freedom and rebellion in fiction, music and on the screen. I’ll be taking you on a journey through the different representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I’ll be examining what has given the motorbike its cool reputation as well as discussing how it has also functioned as a lightning rod for post war concerns around various youth subcultures. The talk will focus on film, but I’ll also look at the representation of the motorbike in music and pulp fiction.

The talk, which will take place on Zoom, will start at 7pm EST, is free & your time zone permitting open to anyone anywhere to attend. All you have to do is book at this link. I hope you can attend.

Read more

Pulp Friday: memoirs of a cover girl

So much of the allure of pulp fiction, whether it was in magazine or paperback format, revolved around the cover art. It was designed to impart a gamut of sensations, from the simply outré and thrilling, to downright lurid and shocking. And the central design aspect of the majority of this material was a woman, usually provocatively posed and scantily clad, depicted ‘in media res’, Latin for ‘in the middle of’ things. Publishers hoped that this would generate interest from the passing buyer, who they believed was usually male and, looking at the cover, would start to fill in the mental blanks and purchase said print material to read and discover for themselves if they were right (how disappointed they often must have been).

We know virtually nothing about the women who were the cover model subjects for these covers. This is what makes Eva: men’s adventure supermodel a vital book. It is the first work I can think of that actually provides the inside story of one of the women who worked in the pulp fiction industry, told by the woman herself.

The individual concerned, Eva Lynd, was born in Sweden in 1937 as Eva Margareta von Fielitz. She arrived in New York in 1950 at the age of 12, eventually started to do theatre and by the second half of the 1950s was appearing in small roles in television and film.… Read more

Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980

Just a quick reminder that the second pulp book that I have co-edited with Iain McIntyre, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980, will be out in a few months.

Amid trying to finalise a PhD, I have also been working with the US based designer on the layout of the book, and can I say it looks great. In the meantime, here is the advance praise that we have received about the book.

From the profane to the sacred, this scholarly, obsessive volume reveals forgotten tribes of Amazons, Soul Brothers, Hustlers, Queers, Vigilantes, Radical Feminists and Revolutionaries – the radical exploitation of gnostic pulp.

Jon Savage, author of 1966: The Year the Decade Exploded

This is the ultimate guide to sixties and the counterculture, of which I was a part. Long hair, bellbottoms, short dresses, and a kiss-my-ass attitude to the powers that be. Real meat on real bone, the stuff of one of the most unique and revolutionary generations ever, baby. You need this.

Joe R. Lansdale

This book is a story about stories—the rough-and-tumble mass fiction of the 1950s to the 80s, written to offend The Establishment and delight the rest of us. In Sticking It to the Man, McIntyre and Nette offer us a fascinating smorgasbord of (un)savory tales—the kind whose covers entice and whose texts compel.… Read more

Pulp Friday: Pollen’s Action

Regular Pulp Curry readers will be aware I am a big fan of Robert Deis and Wyatt Doyle’s Men’s Adventure Library (MAL) series. These books showcase the wonderful, lurid, at times, completely bizarre material that featured in the genre of men’s adventure pulp magazines that flourished on American newsstands from the 1950s to the 1970s. I have written about the important work they have done archiving and showcasing the efforts of the one of the most prolific illustrators working for the men’s adventure magazines, Samson Pollen. I reviewed their first book about Pollen, Pollen’s Women, some months ago on this site. They have now produced a second edition on the artist, Pollen’s Action.

Pollen was one of the many people who managed to make a living as illustrators in the post war period, a time when there was plenty of work for individuals who could quickly produce attention grabbing, ready made art to order for pulp magazines, book covers, comics, advertisements and movie posters. As Deis discusses in his introduction to Pollen’s Action, Pollen started out painting paperback covers. But when this market started began to dry up in the late 1960s, as photographic book covers came into vogue, he began working for Magazine Management, one of the largest American publishers of men’s adventure magazines.… Read more