Category Archives: Pulp paperback cover art

Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback

I know that this site has not been getting quite as much attention from me as usual over the last year. This is largely because I have been so busy with various book projects. A quick update on these might be in order.

First up is my academic monograph, Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback. Out via the Anthem Press Studies in Australian Literature and Culture series in early July, it now has a cover and is available for pre-order. It is in hardcover, with a price that reflects the fact that it is being targeted at institutions and, in particular, libraries, in the first instance, but I have negotiated with Anthem for a much cheaper paperback version of the book will be released by Anthem next year.

Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback originated in a PhD I took at Sydney’s Macquarie University and turning it into a monograph has taken a considerable amount of my time over the last year. Regular readers will no doubt be familiar with Horwitz, as the publisher of many of the paperback covers that I post on this site. My study is the first book length examination of Australian pulp and one of the few detailed studies I am aware of a specific pulp publisher to appear anywhere.… Read more

Pulp Friday: More late 1960s and 1970s pulp and popular fiction about the Vietnam War

Vietnam Nurse, Avon, 1966

In 2019 I wrote about why it was there were so few examples of Australian and US pulp and popular paperback fiction published in the 1960s and 1970s to engage with the Vietnam War and its consequences. That is, as anything more than a background or reason for why a character was as confused/damaged/homicidal as they were. Even fewer books still were actually set in Vietnam.

The piece in question appeared in the book I coedited, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980, but it was excerpted in full on the American site CrimeReads. The piece is here and details the relevant books I did manage to unearth and my speculation for why, despite its relatively huge cultural impact in both Australia and the US, so little fiction was written about the Vietnam conflict during these years.

I have been on the lookout ever since for entries I might have missed in my original piece and thought Pulp Curry Readers might appreciate an update on my, admittedly, rather paltry findings. Most of the books below are American, although a number – The Wine in God’s Anger and the Half-Burnt Tree – were penned by Australian writers.… Read more

Dangerous Visions & New Worlds: the reviews so far & upcoming two-day City Lights SF symposium

It has been a couple of months since my latest collaboration with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, hit the shelves in the US, and a lot has been happening. So, a short update is in order.

The book, available via the publisher PM Press, as well as all other book selling platforms has been well received. It made The Washington Post’s list of best science fiction, fantasy and horror books for 2021, and was also postively reviewed – twice – on the influential science fiction site, Locus. Ian Mond wrote in one of these reviews that ‘With its gorgeous interiors and thoughtful, de­tailed essays, I know that Dangerous Visions and New Worlds will inform newbies like myself while providing those familiar with the subject matter a contemporary perspective on the New Wave’s radical antecedents and the influential foundational texts the movement produced’ (you can read Mond’s full review here).

Our book was generously reviewed in Forbes magazine, on one of my favourite sites, We Are the Mutants, and for Counterpunch. I was also a guest on the wonderful British podcast, Breakfast in the Ruins. You can listen to the discussion, which ranged from new wave science fiction, to Norman Jewison’s 1975 film Rollerball, and the wonder that is New English Library’s teensploitation novels of the 1970s, in full here.… Read more

Pulp Friday: Torn shirts & maneaters

Today’s Pulp Friday post looks at two pulp-related projects that I think should be on your radar.

The first is Michael Stradford’s Steve Holland: The Torn Shirt Sessions. Many of you have probably have not heard of Steve Holland but if you collect pulp paperbacks, I can almost guarantee that you will have seen his face on covers that you have from the 1950s to the 1980s. Holland was one of the foremost paperback cover models over this period and certainly the most used male model I am aware of.

While I was familiar with Holland’s chiselled features from the cover art of numerous books in my possession long before I realised who he was, since learning his name it seems like I, literally, cannot go into second-hand bookshop or browse pulp art the internet without stumbling across him. He not only modelled for paperbacks, but for the covers of men’s adventure magazines and comic books, in every conceivable genre. In the process, he worked with some of the foremost pulp illustrators of the 20th century, including Mort Kunstler, Roger Kastel, and Ron Lesser, just to name a few.

One of the characters Holland is most closely associated with is Doc Savage, The Man of Bronze. A fictional character who first appeared in American pulp magazines in the 1930s, Doc Savage transitioned to the paperback format in the mid-1960s.… Read more

Interview: James Herbert

Regular readers of this site will be familiar with my fascination with New English Library paperbacks of the 1970s, as well as my confoundment that no one has yet written a comprehensive history of the incredibly influential mass market publisher. The first of the pulp and popular fiction histories that I co-edited for PM Press, Girl Gangs Biker Boys and Real Cook Cats: Pulp Fiction and Youth Culture, 1950-1980, focused in some depth on NEL’s youthsploitation books (bikers and the skinhead and other paperbacks written by James Moffat aka Richard Allen), including re-published important material written by British critic Stewart Home. NEL was also included in my second PM Press book, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980. I’ve read bits and pieces on NEL, how they worked, their authors and their books around the place, mainly on-line, but there is nothing comprehensive I am aware of that has really pulled all this disparate information together and properly analysed the significant of NEL to 1970s British print culture.

Anyway, when award winning writer, author and horror historian Johnny Mains mentioned to me during an online discussion that he had an interview with one of NEL’s best known authors, James Herbert, that didn’t have a home, I was keen to provide one.Read more