Category Archives: Australian popular culture

The noir genius of Mr Inbetween

Late year I chaired a panel in which several American crime writers discussed their most memorable discoveries in terms of noir television and film during the various COVID lockdowns we have all endured. As the moderator I did not get any time to discuss my own discovery, but if I had it would have been the Australian/American television production, Mr Inbetween.

My first piece for the US CrimeReads site for 2023 is a love letter to one of my favourite Australian television shows, Mr InBetween. You can read it in full on their site at this link.… Read more

Wake in Fright is a Christmas film

As we dive into the Yuletide season, this is just a quick reminder that Ted Kotcheff’s 1971 film Wake In Fright definitely qualifies as a Christmas film.

I recently took part in a discussion on Kotcheff’s amazing film for the Journey’s Into Darkness film discussion group in the US. I talked about what Wake In Fright says about Australia in 1971 and now, conceptions of masculinity, and urban Australians uneasy relationship with the outback and our bloody colonial past. We also discussed how the film functions as a crime film, and outback noir and an Australian folk horror. You can watch the talk in full on Youtube here.

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September events: Australian pulp fiction and Dangerous Visions & New Worlds

September is shaping up to be a busy month for me, with three events that Pulp Curry readers might be interested in.

September 2nd to 4th is the inaugural Port Fairy Literary Weekend, which is being organised by the Wonderful Blarney Books and Art. The entire program, which looks great, can be viewed on-line here. I will be taking part in a panel titled ‘Dangerous Visions’ on the Saturday afternoon of the festivities. ABC journalist Matt Neal will be interviewing me about the book I co-edited with Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, along with Mykaela Saunders and Jack Latimore, two writers who are part of a new anthology of First Nations science fiction, This All Come Back Now. I have a copy of This All Come Back Now and am looking forward to reading it before the event.

I will also have the remaining stock of my science fiction book, as well as copies of the first two in the series, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950-1980 and Sticking it to the Man: Revolution and Counterculture in Pulp and popular Fiction 1950-1980, for sale at the festival. Tickets for the event can be purchased via the website here.… Read more

Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback

I know that this site has not been getting quite as much attention from me as usual over the last year. This is largely because I have been so busy with various book projects. A quick update on these might be in order.

First up is my academic monograph, Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback. Out via the Anthem Press Studies in Australian Literature and Culture series in early July, it now has a cover and is available for pre-order. It is in hardcover, with a price that reflects the fact that it is being targeted at institutions and, in particular, libraries, in the first instance, but I have negotiated with Anthem for a much cheaper paperback version of the book will be released by Anthem next year.

Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback originated in a PhD I took at Sydney’s Macquarie University and turning it into a monograph has taken a considerable amount of my time over the last year. Regular readers will no doubt be familiar with Horwitz, as the publisher of many of the paperback covers that I post on this site. My study is the first book length examination of Australian pulp and one of the few detailed studies I am aware of a specific pulp publisher to appear anywhere.… Read more

My cultural highlights of 2021

In past years, I have always tried to conclude the writing year with wrap up of my top fiction/non-fiction reads. But this year I want to do something a little different and look more broadly at the culture that has sustained me in what has been another difficult and stressful 12 months, dominated, as it has for so many of us, by the Covid pandemic.

Film

As was the case in 2020, Covid meant that I spent far more time than I would’ve liked at home. So, most of the movies I watched had to be on the small screen. One of the standouts for me was a 1953 Argentinian retelling of Fritz Lang’s 1931 classic, M, called El Vampiro Negro or The Black Vampire. Helmed by one of Argentina’s most famous mid-century directors, Roman Vinoly Barreto, the story focuses the panic that engulfs Buenos Aires as children are stalked and murdered by a paedophile. Barreto particularly focuses on a nightclub singer and mother, played by Argentina’s equivalent of Marilyn Monroe, Olga Zubarry, who is the sole eyewitness to the child killer and who fears her daughter may be the next victim. Proof positive that classic noir was not just a North American phenomena, El Vampiro Negro is a powerful film, stunningly restored by the US Film Noir Foundation.… Read more