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- Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War
- Book review: Thailand’s Movie Theatres – Relics, Ruins and the Romance of Escape
- Melbourne launch details for Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980
- Pulp Friday: Cruising
- “The Horror Never Leaves My Mind”: Ian Sharp’s ‘Who Dares Wins’
- The Evil Touch talk at the Australian National Film & Sound Archive
- “There is no phone ringing, dammit!” Projection Booth episode 422 : The Omega Man
- Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980
- The weird and wonderful history of the Logie Awards
- A Time For Violence: Stories with an Edge
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Tag Archives: Idries Shah
Pulp Friday: a celebration of Tandem Books covers
Regular readers of this site will be familiar with my particular jones for late 1960s and 1970s pulp covers, particularly the photographic ones. For me, they represent a very creative but little celebrated body of book cover art and, as far as I am concerned, the Brits were the masters of it.
A week or so ago, during one of my frequent second hand bookshop jaunts, I stumbled across a 1967 copy of novelist and beat poet, Royston Ellis’s coming of age tell all, The Rush at the End. The wonderful cover is an example of what I am talking about when I go on about my love for photographic book covers – a cheap but imaginative shot that dives deep into the book’s themes of sex, drugs and the emerging counter culture.
Pulp enthusiasts have rightly devoted considerable time and energy in celebrating the covers of UK publishers such as Pan, Panther and New English Library. But there were a host of other lesser known outfits active on the British publishing scene in the 1960s and 1970s, who contributed some terrific covers. One of these was the little known Tandem Books, publisher of The Rush at the End. Indeed, along with Mayflower Books, Tandem contributed some of the strangest and best covers of that period.… Read more
Posted in British pulp fiction, Crime fiction, Horror, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy
Tagged 1970s pulp, British pulp fiction, Charles Birkin, Death Sport (1978), Doctor Who, Idries Shah, John W Campbell, Lust For a Vampire (1971), Nick Carter-Killmaster, Nicolas Roeg, Performance (1970), Photographic book cover art, Roger Corman, Royston Ellis, Sergio Leone, Tandem Books, The Thing From Outer Space