Category Archives: 80s American crime films

Lee Marvin: 10 essential films

Prime CutThe iconic American actor, Lee Marvin was born today, February 19, 1924. To celebrate the occasion, my latest piece for the British Film Institute looks at his 10 essential movies.

You can check out the piece in full here at the British Film Institute site.

Plastic surgery noir

EyesIt’s the end of the year and and there’s not much gas left in the tank.

But before I take a break over Christmas and the New Year, I thought Pulp Curry readers might be interested in checking out a guest post I’ve done at the US site, Do Some Damage on plastic surgery noir. Yes, it is a thing. Or, at least, I just said it was.

As those of you who have read my novel Gunshine State are aware, there’s a sub plot involving plastic surgery, the details of which I’ll say no more about. Anyway, the guest post looks my fascination with plastic surgery in books and film, how to successfully put a character under the knife and my top five films dealing with plastic surgery and its variants.

You can view the post on the Do Some Damage site in full here.

That’s it for for Pulp Curry for 2016. Thanks for reading this year. I hope you all have a great break and I wish you all good luck for 2017. Something tells me we’re going to need it.

Oh, and if you are looking for a Christmas present for me, if you’ve read Gunshine State I would really appreciate a review or rating at Amazon or Goodreads.… Read more

MIFF report back #2: The Neon Demon

Neon Demon 1It is easy, indeed, tempting, to over analyse Nicolas Wendig Refn’s latest film, the fashion satire/psychological horror The Neon Demon, currently showing at the 2016 Melbourne International Film Festival. It is a film that doesn’t stand up to too close a critical scrutiny. It is also one that, as far as I am concerned, did not require it as a condition of my enjoyment.

Jesse (Elle Fanning) is the latest in a long queue stretching back into the last century, of wide eyed female ingénues fresh off the bus/plane/train and desperate to make it in Tinsel Town. She has her sights set on cracking the cutthroat world of high fashion modelling. In an industry where nineteen is considered on the verge of being past it as a working model, her non-surgically enhanced natural beauty is enough to make even the most jaded photographer stand up and pay attention.

It is not long before Jesse is taking part in fashion shoots and modelling clothes on major catwalk shows, much to the intense chagrin of other models Gigi (Bella Heathcote) and Sarah (Abbey Lee), also out to do what ever it takes to succeed and incredibly jealous of Jesse’s meteoric rise. Gigi and Sarah are also insecure, bitchy, cynical and angry, further alienating them from Jesse, who exudes an air of clam self-confidence and poise. … Read more

Forget it, Stanley, it’s Chinatown: Michael Cimino’s Year of the Dragon

Year of the Dragon posterThe recent death of Michael Cimino saw an outpouring of positive critical and fan commentary about the director’s work. The two films most talked about were the controversial Vietnam War drama, The Deer Hunter (1978), and the sprawling revisionist Western epic, Heaven’s Gate (1980). The Deer Hunter was a hit and won five academy awards. Heaven’s Gate virtually destroyed Cimino’s career and nearly bankrupted United Artists, but has since gone on to enjoy a curious critical rehabilitation, a development which will no doubt be given a prod by the director’s passing.

Cimino did make other films, including The Sicilian (1987) and Desperate Hours, based on the Joseph Hanson stage play and first filmed in 1955 with an ageing Humphrey Bogart, and he penned the scrips for a handful of others. His passing is an opportune time to revisit one of his lessor discussed directorial efforts, the first film he made in the wake the Heaven’s Gate debacle, 1985 neo noir, Year of the Dragon.

Set in New York’s Chinatown, Year of the Dragon opens with the assassination of one of Chinatown’s elders and the murder of an Italian grocery store owner who resists an attempt to shake him down for protection money. The new head of the Chinatown command of the NYPD, Stanley White (Mickey Rourke) believes both deaths are the result of an upsurge in Triad activity.… Read more

‘Scorsese’ at the Australian Centre for the Moving Image

King of ComedySorsese, currently showing at the Australian Centre for the Moving Image in Melbourne, is not exactly the exhibition that is advertised, and that is a very good thing. Martin Scorsese’s career has stretched over half a century and involves nearly sixty films. Yet anyone who has seen advance press and publicity forScorsese could be forgiven for thinking the focus is mainly on the early and more masculine examples of his oeuvre, Mean Streets(1973), Taxi Driver (1976), and Raging Bull (1980).

These movies are certainly compelling, both as individual examples of film craft and for the way they play into the myths and realities of 1970s American cinema, when Scorsese, along with fellow directors and friends Francis Ford Coppola, Stephen Spielberg, and Brian De Palma, tilted against the ailing Hollywood studio system and then become some of its leading lights. But these films in no way tell Scorsese’s whole story.

You can read my full review of ACMI’s Scorsese exhibition at the Australian Book Review Arts Update site here.