Category Archives: Pulp Friday

Pulp Friday: Klute, the UK paperback tie-ins

Klute UK final 1973Today’s Pulp Friday offering is a very short addendum to my post a couple of weeks ago about the US paperback tie-in to Alan J Pakula’s 1971 movie, Klute, and the career of its author, William Johnston. As I noted in the post, which you can read in full here, Johnston appears to have been a master of the paper-back tie in, a massively popular form of entertainment before the advent of VHS, as a way for fans to re-live their favourite films and television shows.

Spurred on by a comment by one of my readers, I thought people might be interested in the UK paperback tie-in editions for Klute. There a two that I am aware of. The first is the 1973 Sphere paperback above, the cover for which was kindly sent to me by the reader in question, Stuart Radmore. As he noted, and I agree, it is a much darker and atmospheric cover design than the US 1971 Paperback Library edition. The back cover of this edition is included below.

The second is another Sphere version, this one from 1971, which appears to be the Australian and New Zealand edition of the Sphere tie-in. Until I saw Stuart’s comment, I had totally forgotten that I owned this version.… Read more

Pulp Friday: Klute the novel & William Johnson, master of the paperback tie-in

Klute paperback frontI had a lot of interest in my post earlier this week on Alan J Pakula’s wonderfully atmospheric 1971 movie, Klute. Given this, I thought Pulp Curry readers may be interested in having a look at this artefact from my pulp collection, the paperback tie-in for the film. It was published by Paperback Library in July 1971, a month after the film was released. I like the tag line on the cover, which reduces what is a remarkably sophisticated film to a classic, 1950s sounding pulp novel: ‘A small-town cop and New York call girl run a collision course with murder’.

I thought this would be a relatively straight forward post, but as is often the case there is a story behind the author of this book. Paperback tie-ins were a massively popular form of entertainment before the advent of VHS, as a way for fans to re-live their favourite films and television shows. The author of Klute, William Johnston, appears to have been somewhat of a master of the paper-back tie in.

According to an article on this site, much of which was taken by a longer piece by author, Lee Goldberg, Johnston penned a large number of them. The best known of these were numerous books for the Get Smart series.… Read more

Pulp Friday: American Pulp – How Paperbacks Brought Modernism to Main Street


I’ve always been fascinated by how relatively insignificant objects you’ve lost in the course of moving around in life can later come to hold important meaning. An example for me is a black and white photograph of my father on holiday in Queensland’s Surfers Paradise in the early 1960s. It was destroyed when my friend’s shed, in which I stored all my possessions while travelling overseas, burnt down. I find it hard to recall what else was lost, but I remember that photo. Dad is sitting in a chair on the beach, wearing dark sunglasses and reading a paperback by the prolific Australian pulp writer Carter Brown.

Two things gave me cause to think about this picture recently. The first was the hype around the Anzac Day centenary commemorations – I’ll explain that connection later. The second was reading US academic Paula Rabinowitz’s beautifully written, highly original work, American Pulp: How Paperbacks Brought Modernism to Main Street.

Most people view pulp as either exploitative lowbrow culture or highly collectable retro artefact. Yet pulp has a secret history which Rabinowitz’s book uncovers. Her central thesis is that cheap, mass-produced pulp novels not only provided entertainment and cheap titillating thrills, but also brought modernism to the American people, democratising reading and, in the process, furthering culture and social enlightenment.… Read more

Pulp Friday: The Day of the Locust

Day of the LocustMost people are familiar with the 1975 John Schlesinger film, The Day of the Locust, starring Donald Sutherland, Burgess Meredith and Karen Black.

But long before it appeared in cinemas, The Day of the Locust was an influential novel by US author, Nathanael West. Today’s Pulp Friday offering is the 1957 edition of the novel by Bantam Books. I have no idea who did the stunning cover image for this paperback version.

Both the novel and the film are set during the Great Depression and focus on a young artist who comes to Hollywood and is soon sucked into a nightmare world of hustlers, struggling actors and actresses and various other low life denizens on the fringes of the movie business. It is often viewed as one of the best books written on the underbelly of the American dream.

Nathanael knew of what he was writing about in The Day of the Locust, having worked for a time as a screenwriter for RKO pictures.

Pulp Friday: Christopher Lee's "X" Certificate

LeeI’ve been holding onto this gem of a horror anthology for a while now with the intention of eventually posting it as one of my Pulp Friday offerings. The death last week of the great Christopher Lee makes this an opportune time to share it.

Christopher Lee’s “X” Certificate was published by Star Books in 1975. The book includes an introduction by the late actor, although it’s doubtful Lee had anything to do with the anthology, which includes stories by Fritz Leiber, Robert Bloch, Richard Matheson, Robert E Howard and Bram Stoker. I’d be surprised if he even knew it existed.

As pulp fiction aficionados will be aware, numerous anthologies like this appeared in the late sixties and seventies, under the imprimatur of well known personalities involved in suspense and horror film, such as Alfred Hitchcock and French director, Roger Vadim.

The cover image may be familiar to fans of Jame Bond movies. It’s from the 1974 film, The Man With the Golden Gun, in which Lee played the hitman, Francisco Scaramanga.