Category Archives: Pulp paperback cover art

Pulp Friday: Paul Bishop & 52 Weeks: 52 Western Novels

Today I’m happy to host friend of pulp fiction lovers everywhere, Paul Bishop, to talk about a project he has been working on,52 Weeks • 52 Western Novels.

I have always been interested in the contradiction between how critically marginalised as a genre the Western is (and, arguably, always has been), compared with popular they continue to be. This is the case not just in the US but in Australia. The only remaining Australian pulp publisher still in business, Cleveland Publications, publishes Westerns. And go into any second hand bookstore, especially in regional Australia, and you are likely to find large a large number of westerns. That’s if they haven’t been snapped up, as was the case in a regional second hand bookshop I visited recently.

Anyway, Paul and his co-editor Scott Harris have done something too few people who examine pulp fiction and write about it, do – they actually read the novels and not just focus on the covers. The result is a wonderfully eclectic, in-depth look at the genre that is Western pulp fiction. The Western is an area of pulp fiction I have not really examined in any detail on my site, so I’m thrilled to have Paul here.

First up, well done on the book.Read more

Melbourne launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980

Please join me on Monday, December 4, for the launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950 to 1980, a book I have co-edited with my friend, Iain McIntyre.

The launch will take place from 6.30pm at one of Melbourne’s coolest second hand bookshops, Grub Street Bookshop, 379 Brunswick Street, Fitzroy. We’ll be doing live readings from some of the pulp novels included in our book. There will be cheap drinks available and, of course, you can buy a copy of the book.

Girl Gangs, Biker and Real Cool Cats is the result of four years work. It is the first comprehensive account of how the rise of postwar youth culture was depicted in Australian, American, and British mass market pulp fiction. It includes approximately 400 covers, many of them very rare, and 70 in-depth author interviews, illustrated biographies and articles regarding authors novelists who exploited and celebrated juvenile delinquents, beatniks, mods, bikers, hippies, skinheads, punks and a host of other subcultures.

I am really proud of this book and would love it if you could join Iain and I to launch it. This book will have very limited distribution in Australia, so for Melbourne folks, this is your ideal chance to snag a copy.

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Pulp Friday: British horror pulp

Halloween approaches and, as has been my habit over the last couple of years, I want to mark the occasion with a bit of pulp. Horror pulp, actually. British horror pulp, to be exact.

American horror pulp got a bit of love on this site a little while ago, when I reviewed Grady Hendrix’s Paperbacks From Hell: The Twisted History of ‘70s and ‘80s Horror Fiction, a history of American horror from the 1970 and 1980s.

But I reckon the Brits have always done horror pulp really well. And, if you want proof, feast your eyes on the wonderful selection of British horror pulp from the 1960s and 1970s, all sourced from my collection, including a couple of ultra rare Hammer paperback film tie-ins I own.

Enjoy Halloween.

Pulp Friday: Brighton Rock

Today’s Pulp Friday is linked to my recent post on Nick Triplow’s Getting Carter: Ted Lewis & the Birth of Brit Noir, an upcoming biography of the author of the classic crime novel, Jack’s Return Home, which you can read here.

One of the aspects of the book I enjoyed was how Triplow weaved into his narrative a discussion of the cultural touchstones that would’ve influenced Lewis as he was growing up in the 1950s and 1960s. As Triplow makes clear, much of this was American, such things pulp novels and film noir. But among the local influences name checked by Triplow is Graham Greene’s novel, Brighton Rock, filmed in 1947 by John Boutling and starring a young Richard Attenborough as the vicious hoodlum, Pinkie Brown. A screen adaption shifting the story to the early 1960s and making Pinkie a moped driving mod was released in 2010.

The novel, which arguably made Greene’s name as a writer, was first published in the UK by Penguin in 1938 and has been republished numerous times. In addition to the classic orange Penguin cover, the book also received a more pulpy treatment by overseas publishers. One of these includes Australian pulp publisher Horwitz Publications, who released the edition above in 1961. This is one of a number of Penguin books republished by Horwitz, which the Australian company jazzed up with one its trademark lurid covers.… Read more

Pulp Friday: Hell is a City

A very quick Pulp Friday offering, Maurice Procter’s Hell is a City, published by Arrow Books, 1957. I am not sure, but this edition may even be the first British release of the novel in paperback.

Procter was a former Manchester policeman turned crime writer, best known for his police procedurals featuring the character of Detective Chief Inspector Harry Martineau, based in a tough fictional northern England industrial town. Proctor penned 14 Martineau novels, which appeared between 1954  and 1969, of which Hell is a City was the first.

Two things have got me thinking about the Martineau books. The first is my PhD research at the moment, which has been looking at the prevalence of American style detective and PI crime fiction in the 1950s in the US, UK and Australia. Procter’s work is different from a lot of post-war British crime pulp, which was set in America.

I’ve also been reading Nick Triplow’s excellent biography of English crime writer, Ted Lewis, Getting Carter (which I’ll be reviewing on this site in the coming weeks).

Among the popular cultural touchstones, Triplow writes, that would inspire Lewis’s work, including the iconic series of British gangster novels featuring the character of Jack Carter, was the 1960 film adaption of Hell is City by Val Guest.… Read more