Category Archives: 70s American crime films

‘It was never meant to be a game’: my monograph on Norman Jewison’s Rollerball

I have been pre-occupied with my Phd and various other commitments, so I’ve been a little bit slow off the mark to publicise my latest book, a monograph on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball, out now on various platforms in the US, UK and Australia, through Auteur Publishing.

The book originated out of my curiosity to see whether I had it in me to write 40k based on a single film. The film I chose, in consultation with the publisher, was Rollerball. Only you can be the judge as to how good a job I have done, but I’ll let you all in on the first rule of writing a film monograph, make sure you like the film because you not only have to watch it numerous times but immerse yourself in everything to do with it.

I have always like Rollerball, ever since first seeing it twenty years ago. But I didn’t realise until I got stuck into researching the film for this book, just what a good viewing experience it still is and what a chilling dystopian vision it remains.

Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked.… Read more

The heist always goes wrong, part 4: 10 more heist films you’ve never seen

To celebrate the re-release of my heist thriller, Gunshine State, by Down and Out books, it is time for another of my top 10 heist posts.

This is my fourth post  along the theme of ‘the heist always goes wrong’. Previous posts have been: ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’, ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’, ‘The heist always goes wrong, part 3: 10 of the best heist films you’ve probably never seen’.

This instalment continues where I left of in part 3, with 10 more unknown or under appreciated heist films that you might want to check out.

So have a read, and, if you haven’t already maybe pick up a copy of Gunshine State in e-book of paperback format here.

Machine Gun McCain (1969)

Even when he was slumming it, John Cassavetes was still incredible and Machine Gun McCain is proof. This hard boiled 1969 Italian film tells the story of a paroled armed robber (Cassavetes) whose plan to heist a Las Vegan casino falls foul of a battle for territory between the east and west cost Mafia. Cassavetes’s co-starts include Peter Faulk, Britt Elland, and such Italian genre film stars as Luigi Pistilli and Grabiele Ferzetti.… Read more

Projection Booth podcast #352: Kiss Me Deadly

It was a joy and a thrill to join film scholar Kevin Heffernan and Mike White, host of the terrific Projection Booth podcast, for an episode of his show on what is probably my favourite film noir, Robert Aldrich’s Kiss Me Deadly (1955).

Kiss Me Deadly is one of those films I watch every year or so and always find something new to appreciate about it. Talking with my two co-podcasters, I discovered even more to like about it. Issues canvassed during this podcast include:

Mike Hammer (and Mickey Spillane) as the personification of the crisis in post WWII masculinity, and the women in the film as examples of females who are fighting against the confines of their role in American society in the 1950s.

Pulp fiction.

The film’s popularity in France, particularly within surrealist circles for its depiction of the incoherence of everyday life and mass commercial culture.

The Cold War nuclear state, paranoia and surveillance.

THAT answering machine.

Jack Elam.

Ernest Laszlo’s sensational cinematography.

Los Angeles’ former Bunker Hill area as the 1940s/50s B-movie/noir outdoor film shooting location of choice.

The psychiatrist as an archetypal villain in 1940s/1950s American film.

Other fictional noir detective equivalents to Mike Hammer, including Harry Moseby in Arthur Penn’s 1975 film, Night Moves (okay that last part might of been just me).… Read more

Guest post: AC/DC noir

cover-pluck-bad-boy-boogie-600x900pxI am very happy to welcome crime writer Thomas Pluck to Pulp Curry this week. He’s got a new crime novel out called Bad Boy Boogie. He’s based in New Jersey but is also a massive – and I mean massive – fan of the iconic Australia rock band, AC/DC. You reckon the book and the band aren’t connected? You reckon wrong.

I’ll let Thomas explain.

PluckI remember first hearing the snarl of Bon Scott’s voice on the radio in my grandmother’s basement. I promptly wrote “Dirty Deeds – Done Dirt Cheap” on a scrap of lumber and put out my shingle on her desk, waiting for clients who needed whatever help a nine-year-old raised on Encyclopedia Brown could offer.

I didn’t get to give anyone concrete shoes or use TNT. I think my sister hired me to find her imaginary dog. But AC/DC stuck with me. They sounded like no other rock band I’d heard before. And I wasn’t totally sheltered. My uncle ran bars in Manhattan and the jukebox service was mob controlled, so you played what records they gave you and when they swapped them out, he came home with shoeboxes of KISS, Creedence Clearwater Revival, Marvin Gaye, Wings, and Steve Wonder.

But no AC/DC.

I wouldn’t hear much of them again until high school, when I had my own money from delivering papers and occasionally working off the books on construction sites.… Read more

Feminist vigilantes, vampires & the forgotten exploitation film career of Bob Kelljan

Bob 1

US director Bob Kelljan (right), with Timothy Carey in the 1977 Charlie’s Angels episode ‘Angels on Ice’, which Kelljan directed.

On the weekend I unintentionally plunged head first into the lost cultural zeitgeist that was the short but fascinating big screen career of US exploitation filmmaker, Bob Kelljan.

This started Friday evening, when I finally got around to checking out Australian outfit Ex-Films‘ DVD re-release of American International Pictures’ (AIP) controversial 1974 exploitation rape revenge film, Act of Vengeance, courtesy of my friend and film scholar, Dean Brandum. The DVD extras include an excellent essay by Dean on the film’s distribution and the controversy over the original title, Rape Squad, which the company subsequently changed at the last minute to Act of Vengeance.

Lost/unknown/unappreciated exploitation films from the 1960s and 1970s have been hot property for a while now. That said I have little tolerance for watching an exploitation film for the sake of it. But Act of Vengeance, which Kelljan was brought into direct after the previous two directors were fired, delivers on several fronts. 

The plot focuses on a group of women who have been victims of a hockey masked man dubbed the ‘Jingle Bells Rapist’ by the police, because of the song he makes his victims sing as he attacks them.… Read more